Radio Fantasia team is against the war in Ukraine and the Russian regime that unleashed it. We believe that music cannot be outside politics. Since the beginning of the war, we have been in a daze, trying to understand what our actions could be, whether they are possible, what they can be aimed at. We stopped. By the time of the release of this compilation, we tried to reassemble ourselves, to understand our capabilities in a war situation. It is important for us to take action – not to freeze in horror, giving action to those who use it to incite and prolong the war. We create an impulse and hope that it will find a way out at different points in reality.

We thank all our friends and colleagues who felt strong enough to take part in the collection and provided their music. All the funds we have collected will go to the organization helpingtoleave.org 

We also consider it important to fight in other forms. There are different ways of civil resistance, for example, way of dissemination of information about the war and a clear and unambiguous expression of the position.

We share links that can be useful to those who are experiencing fear and anxiety while within the Russian borders, and to those who are abroad.

More info, full compilation: https://radiofantasia.bandcamp.com/

Various Artists — act of (Preview)

For our 24th podcast we're pleased to welcome talented producer: @Inhmost. 

Inhmost creates deep atmospheric ambient soundscapes from the farthest reaches of space and this podcast delivers exactly that. 

For best listening experience; make yourself comfy, close your eyes and let the music transport you to new reflections. 

Tracklist: 

1 - Inhmost - //
2 - Barefoot - //
3 - Rvshes - //
4 - Sciama - //
5 - ASC - Idyll of Sorrow
6 - Marine Eyes & IKSRE - Sun Circles
7 - The Vision Reels - //
8 - Inhmost - //
9 - 36 & Zake - Deep Space Part 4
10 - James Bernard - Out Into Light
11 - Havenaire - Transition
12 - Joachim Spieth - Terrain 7
13 - Silent Wave - Falling Asleep

Artwork by Leslie Deboeur

Reflexions Podcast 24 - Inhmost

from the Magnétophonique / Monte Split
DEPT11
~~ OUT NOW ~~

Magnétophonique - Moist Jungle Mist II (OUT NOW)

Track 3 of "Hyper Sober"

Bandcamp
https://atnr.bandcamp.com/album/hyper-sober

Spotify
https://open.spotify.com/album/48i9iOSoKrnHSKRhMD2HPe?si=-Z6Tn1hfRgesUR-imAaCoQ

Apple Music
https://music.apple.com/jp/album/hyper-sober/1677178055?l=en

Wires

Erich Moritz von Hornbostel was an „armchair ethnologist“. Due to his bad health the musicologist was unable to travel to faraway countries. Instead he sat at his desk in the Dorotheenstraße in Berlin and received the world through his phonograph. On from 1900 the world’s music arrived at his office in the form of more than 16.000 wax-cylinder recordings from all over the planet. Due to an edict by the Prussian Emperor all German trading as well as scientific expeditors were bound to travel with a phonograph and send their recordings to Berlin. Today we might put it that way: Hornbostel was in charge of the biggest field-recording project of all times.
In his case being a stay-at-home was definitely an achievement. His immobility gave Hornbostel the chance to develop a completely new perspective, an unprecedented acoustical bird’s eye view, and made him the founder of a new discipline: comparative musicology’s aim was to “unveil the dark and distant past (…) and to extract the timeless and the general from the abundance of our present; in other words: We want to get to know the historic and the basic esthetic principles of musical art.” (1)
Approximately 100 years later Hornbostel’s acoustic present has itself become a dark and distant past. To our ears the 16.000 wax-cylinder recordings of the Berlin Phonogram-Archive sound like treasures from a long lost world. These treasures are not only raised by researchers but increasingly also by artists. The current archive’s management is generously granting them access to the recordings that have been digitalized over the past fifteen years.
Thus Eva Pöpplein and Janko Hanushevsky (aka Merzouga) have become fellow armchair-travelers. They bring along a lot of experience, which they collected as heavy-duty field-recordists on intensive sound-expeditions through India and South-East-Asia. („Good Morning, Rickshaw“ – Deutschlandradio Kultur 2008; „Mekong Morning Glory“ – Deutschlandradio Kultur 2009 / Gruenrekorder 2011). Now they encompass the sonic landscape of the Phonogram-Archive with the same musical sensitiveness that can be found in their previous works. Just like Hornbostel the two are genuinely interested in something timeless, something general: the uniquely beautiful human ability to play with sounds and structures. Janko Hanushevsky integrates his electric-bass improvisations into the historic wax-cylinders’ cracks and scratches. And Eva Pöpplein sparingly applies electronic effects in order to distill precious essences from the sonic material.
The result is a musical position-reckoning between the past and the future of sound-recording: Located at 52°46’ North and 13°29’ East, in the Ethnologisches Museum Dahlem, is the world’s most moveable armchair.

Marcus Gammel, Deutschlandradio Kultur

More Infomation: http://www.gruenrekorder.de/?page_id=11006

52°46’ North 13°29’ East – Music for Wax-Cylinders | Merzouga

@pascaleproject 7AM Out Now!

https://noumenalloom.bandcamp.com/album/pascale-project-7am

Pascale Project - 7AM

You Make Me Feel So Dirty MST

bruised ∪ beaming ∪ both live

I am all alone between failure and frustration,

Cr.
Ratha P. | Produced.Mixed.Mastered.Digital Synthesis.Analog Synthesis.
Miss KT Nas | Digital Synthesis
Mixed and Mastered by Thomas V. at unquiet lab

OFFICIEL DL | https://rivaldealer.bandcamp.com/track/unspoken

unspoken

Pt.0

2018_10_17 ~ 2018_12_28 pt.3

atnr is sound & visual artist in Tokyo, Japan.

Wires

atnr

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