Fred Benedetti was born in Sasebo, Japan and began playing the guitar at age 9. In 1986 he was one of 12 guitarists chosen worldwide to perform in the Master Class of Andrés Segovia at USC where Guitarra Magazine wrote, "...Fred Benedetti amazed the audience with his performance of the (Bach) Chaconne..." He has also been a performer for the master classes of Pepe Romero, Christopher Parkening, Federico Moreno-Torroba, George Sakellariou, and David Grimes. Fred has performed in the United States, England, Germany, the Czech Republic, Canada, Taiwan and Mexico and locally with theSan Diego Symphony, the San Diego Opera, the Starlight Opera, the American Ballet Company, the Old Globe Theatre, Luciano Pavarotti, and jazz artist Dave Brubeck.

He is a full-time professor of music at Grossmont College where he is the head of the guitar studies program, and is chair of the guitar program at San Diego State University with colleauges George Svoboda , Robert Wetzel and Celin Romero. Fred is listed in the prestigious "Who's Who Among America's Teachers-2002" and received an "Outstanding Faculty Award" in 2001 from SDSU, the "NISOD" Excellence in Teaching award from the University of Texas at Austin in 1992 and an "Outstanding Chair" award in 1990 from Grossmont College.

Equally at home playing classical music or contemporary music, he records on the SBE label and Domo Records with five noted ensembles: Camarada (chamber ensemble), Keltik Kharma (a celtic band), The Odeum Guitar Duo, given the honor by the magazine, Acoustic Guitar, as being one of the ten best independently produced guitar CDs for the year 2000, "Blurring the Edges" a recipient of the 1994 San Diego Music Awards "Best Pop-Jazz" album of the year featuring jazz musicians Peter ,Tripp, and Hall Sprague, and the acclaimed Benedetti/Svoboda Guitar Duo.

As a BMI affiliated composer, Fred has written numerous contemporary pieces for the international CD library company Network Productions and as a studio musician for 20 years his playing is featured on over 100 CD's, numerous movie soundtracks, and TV commercials. He has shared the stage with Mason Williams, Eric Johnson, Doc Watson, Albert Lee, Doyle Dykes, Dan Crary, Art Garfunkel, Basia, Michael Franks, Mark O'Connor, Michael Hedges, and Ottmar Liebert, and has recorded with Willie Nelson, Juice Newton, Paul Overstreet, Patty Loveless, Tom Barabas, Big Mountain, Matthew Lien, Ronny Robbins and William Lee Golden. He has performed for dignitaries such as the King & Queen of Malaysia, Mikhail Gorbachev and Ravi Shankar.

Fred performs on guitars built by Miguel Rodriguez, Jose Ramirez, Simon Marty, James Goodall, Gioachino Giussani, Andy Powers, Bob Taylor.Peter Oberg and Len Laviolette.


OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

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