Goody Goody

Blues

Slow Blues

#Play#Soul#Hygge#Oldies#HighVibes#Kids

Blues Bar Mix

the Blues

SexBlues

ESSENTIALS NELU GHERGHISAN - 2

Moanin' Mamas

Fire on the Floor

Fire On The Floor

Reggae electronic hybrid title track on new album from ATOMBALM of the same name.

Goody Goody (feat Della Reese)

The first single off new record GOODY GOODY

Happy (feat Ella Fitzgerald)

Track 3, new album from ATOMBALM titled GOODY GOODY

More Fun With Two

Track 4 on Goody Goody, the newest record from ATOMBALM

The Sky Is Crying (feat Etta James)

Track 5 on new album from ATOMBALM, Goody Goody

You've Changed (feat Billie Holiday)

Live from The Palms Cafe - San Francisco 1977

The Night Time Is the Right Time (Live)

The Dead Weather – I Can't Hear You

The Singles Collection As & Bs 1939-1950

Strange Things Happening Every Day

The Legendary Nat King Cole, Vol. 2

Answer Me, My Love

Send For Me

Cover Company Man Export_Jamestown Revival

Billy Bond y la Pesada del Rock and Roll

Voy Creciendo (Remasterizado 2025)

Make It Wit Chu (Queens of the Stone Age Cover)

Bang Bang Boom Boom

Baddest Blues

Caught Out In The Rain

Live From Austin, TX

Iceman (Live)

Bluestream: The Best Of Mainstream Blues

Hello Central (Give Me 209)

No Time For Dreaming

Stay Away (feat. Menahan Street Band)

Nina Simone - Since I Fell For You (kASPLATTY REMIX)

20 Magical Memories

Darling Je Vous Aime Beaucoup

A to Z of Sidney Bechet, Vol. 3

Really the Blues (Remastered)

Shake That Thing

Mojo Hand

All I Could Do Was Cry: The Best of Etta James

Tell Mama

Vocal Greats: Nat King Cole - ‘The Unforgettable’

Orange Colored Sky

Blues Greats - Lightnin' Hopkins

Black Cat

Shemekia Copeland was born in Harlem, New York on April 10, 1979, and came to her singing career naturally. Her bluesman father recognized his daughter's talent early on. He always encouraged her to sing at home and even brought her on stage to sing at Harlem's famed Cotton Club when she was just eight. At that time Shemekia's embarrassment outweighed her desire to sing. But when she was 15 and her father's health began to slow him down, she received the calling. "It was like a switch went off in my head," recalls Shemekia, "and I wanted to sing. It became a want and a need. I had to do it." 

At 16, Shemekia joined her father on his tours after he was diagnosed with a degenerative heart condition. Soon enough Shemekia was opening, and sometimes even stealing, her father's shows. "She grabbed the crowd with her powerful voice, poised and intense," raved Blues Revue at the time. Eventually, though, it became clear to Shemekia who was helping whom. "Dad wanted me to think I was helping him out by opening his shows when he was sick, but really, he was doing it all for me. He would go out and do gigs so I would get known. He went out of his way to get me that exposure," recalls Shemekia. 

Shemekia stepped out of her father's shadow in 1998 with her groundbreaking debut CD, Turn The Heat Up, recorded when she was only 18. Critics from around the world celebrated her music as fans of all ages agreed that an unstoppable new talent had arrived. News outlets from the New York Times to CNN took note of Copeland's talent, engaging personality, and true star power. "Nothing short of uncanny," said the Village Voice. "She roars with a sizzling hot intensity," added the Boston Globe. 

Copeland followed up with 2000's Grammy-nominated Wicked, 2002's Talking To Strangers (produced by Dr. John) and 2008's The Soul Truth (produced by Steve Cropper). In that short period of time, she earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. Two highly successful releases on Telarc (including 2012's Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR's All Things Considered, "embodies the blues with her powerful vocal chops and fearless look at social issues." USA Today says, "Copeland is a singer with fervor and funk, power and range." 

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her "f*cking amazing." Santana says, "She's incandescent…a diamond." At the 2011 Chicago Blues Festival, the City of Chicago and the State of Illinois officially declared Copeland to be "The New Queen Of The Blues." In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

Turn The Heat Up - Copeland Shemekia

Turn The Heat Up

Buy from Amazon

Shemekia Copeland - Salt in my Wounds

Me and My Woman (Shuggie Otis Cover)

Respect With The Royal Philharmonic Orchestra IE

Don't Explain

I'll Take Care Of You

ENJOY
Vocals - Tiffany Belle
Drums - Justin Krause 
Bass - Emerson Randall Hovey
Guitar - Kevin Sullivan 
Keys - Wayne Tibbit
Trumpet - Matt Seppeler 
Sax - Mike Kelley & Keith Williams 
recorded Fall 2015 in Dallas, TX.

JUST A LITTLE BIT (Etta James cover)with BRASS ROOTS

Arctic Monkeys - Cornerstone Live at Glastonbury 2013

<a href='https://theartistunion.com/tracks/5e8b9d'>Download for free on The Artist Union</a>

@https://soundcloud.com/tonal-label

Free Download

250 Miles (Daniel Steinfels Edit)

The Man I Love (Etta James /cover) Sveta Ryadchenko

Loverboy

I made a couple SLIGHT changes to this song but hopefully he doesn't strike me down from heaven lol!  Anyway, such a hot day today and wanted to sing this!  Did this otherwise in the style of Nat King Cole, enjoy!  

Those Lazy Hazy Crazy Days of Summer (Style of Nat King Cole - KARAOKE'D)

Albert King - Born Under a Bad Sign

As featured in the forthcoming feature film, Harry Potter and the Deathly Hallows - Part 1.

O Children appears on the Nick Cave & The Bad Seeds album Abattoir Blues/The Lyre of Orpheus, released in September 2004 on Mute. 

The live version appears on the Abattoir Blues Tour album, released by Mute in January 2007.

More info: http://www.nickcaveandthebadseeds.com

Buy Now From iTunes.


Nick Cave & The Bad Seeds - O Children

Buddy Guy – Damn Right I Got The Blues David Letterman Show 16 January 2013. 

Buddy Guy – "Damn Right I Got The Blues" (Live)

Mess Around

Ray's Blues

At Last

Trust in Me

Patrick Sweany - Every Night Every Day

Leaving the Buckeye State and moving to the Bay Area to play music with my older brother for a summer seemed as good an idea as any at the time. That was 30 years ago this month but it still feels like last week in many respects. In thirty years I have had the unexplainable pleasure of writing, producing and performing music with dozens of other outstanding players, mentors, best of friends, family and childhood idols. The Bay Area sucked me in to the early SF underground electronic music scene around the turn of the century and changed my aural landscape as a whole. San Francisco also introduced me to the stand-up stage during the comedy boom in the late 1990’s. Over the last three decades I have performed all over the country with multiple bands and spent weeks in amazing studios working with genius engineers and producers. I built a music studio in my home and helped build another studio in my rehearsal space in Oakland where I started digging in to production and sound design for stage and film. I got hitched in 2001 and have spent the last 16 years raising two daughters - one with perfect pitch and the other with perfect comedic timing, go figure. I decided it would be fun to put together a little musical (s)crapbook of my journey. Songs from bands I was in when I turned 21 through to a couple new songs of my own I finished last month, 30 years later. There are some CHUB “basement tapes” and crappy live recordings along with a lengthy menu of random unfinished morsels in need of some outside creative flavor. Part of the reason I decided to share this musical (s)crapbook was my desire to connect and create with other likeminded humans. Maybe one of these tracks inspires a vocal melody in you? Maybe quarantine inspired you to clean off that dusty ukulele? Maybe you’re a closet MC? The current state of our lives leaves me yearning for creative collaboration. If music heals then creativity comforts and collaboration cures. Download away and let’s make music together. Thanks for listening, atombalm