"Our original nature is void, silent and pure. Enter deeply into it by awakening yourself."

I Have Become The Void I Was Always Afraid Of [HD010]

Free

I Have Become The Void I Was Always Afraid Of (Warm & Slow Mix)

Tiny Trees [all Defenceless Mix]

The spike organ or nail chello (sic) is thought to originate from an early middle Europe monastic sect, the Iscariotians. They may have used the instrument to accompany their lengthy rituals contemplating the pain of the crucifixion.  

The Iscariotians are said to have been wiped out by returning crusaders at the behest of emperor Leopold III. Other commentators have suggested that the whole story may have been a constructed  alibi for the defeated crusaders plunder and desecration of the brewery of ..Santa Quaffa...


A possible surviving 'chello' object, made from of lignum vitae and iron, resides in the Musée des Beaux-Arts de Rouen. Its interpretation is not without controversy with some critics asserting the object is nothing more than a kind of agricultural implement, though this does not explain its cruciform shape and carved decoration.

In 1972 the scholar . Roland de Févin was granted permission to investigate the Rouen Chello, explore its sound making capabilities and make recordings. his theory was that the instrument was to be played by a rosined bow.  Unfortunately de Févin's playing and handling resulted in two of the nails fracturing and so the investigation was terminated after only one day. The single recording de Févin made was never released but it was played to audiences on an European lecture tour he conducted shortly before his death in 1974. 

It has been subsequently alleged that de Févin's  investigation  coincided with the great fire at  Nantes cathedral. This lead to several occultist conspiracy theories, most notably retold in the pulp fiction novel Blood Nail-(Brownie Dane,1975) much of the plot was lifted for the Italian soft core film Sistero Orgasma (1977) where the action was switched away from a monastery to a scantily clad convent.(citation needed) 

On the film soundtrack, the sounds of the Chello were replicated by experimental electronic synthesiser the achoirorium- itself the  subject of intrigue- as its extremely high operating voltages caused the death of its creator  Luigi soon after the recording session.


This recording was made in 1980 by UK avant geographer Forster Iberix who attended several of de Févin's lectures.  He set about building a replica device and making reconstructions of the Iscariotarian mass based on a column of scribbled numbers  which appear reverso  in one of Leonardo da Vinci's codex's (Coded notebooks). The recording was released on an untitled flexi disk issued by cult French label sordide sentimental -who now deny any knowledge of its existence. It does not appear on their official discography.  Improbably- Haringey local studies library, London, has a copy in their archive. The library does not provide any method of playback for the flexidisc and items from the archive cannot be withdrawn -so some subterfuge was involved in me getting this track taped. Whilst the disk was in my possession an inexplicable number of minor disasters befell me -so I can assure you I hurriedly returned it.

disquiet0385
More on this 385th weekly Disquiet Junto project — Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it — at:
https://disquiet.com/0385/
More on the Disquiet Junto at:
https://disquiet.com/junto/
Thanks to Paul Harrington for the Latin assistance.
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0385-audubonus-instrumentum/

The Nail Chello (disquiet0385)

Available on Spotify, Apple Music, and many other platforms:
https://linktr.ee/eternalsearch

Track 1 from the Sampler compilation album
Produced by @masaki-2

For social media and other links: linktr.ee/esr.masakiuchida

Masaki Uchida - Irae

Pippy’s “World of Machines”:  A concept album designed to immerse the listener into an industrial world, void of life and covered with machines.  Each track focuses on a specific region of a post-apocalyptic world which lives on mechanically.  Inspirations for this piece come from observations of industry, world events of 2020, and exploitation of our mother and provider.  

Spotify Browser: 
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i
Spotify App: 
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i?si=L2OUrfJUT5GJLvqhTUzbnw
Apple:
https://music.apple.com/us/album/world-of-machines/1526087649?uo=4&app=music&at=1001lry3&ct=dashboard
Google Music:
https://play.google.com/store/music/album/Pippy_World_of_Machines?id=B4vjsvm4ypou2msccmb6wxkcasq

Album Cover by Jasper Means (@jaspermeans)
www.jaspermeansart.com

Endless Automation

Nicolás Desulovich - Korg Volca Keys, Korg Volca FM
Gabriel Schubert - mezcla, mastering

Incluye fragmentos de "The White Ship", de H.P. Lovecraft

Alnocys 2

Aiptasia

Made with Lyra-8 in one take impro. Some reverb and delay

Sea Weed

Rusty

Everything, but it's gone.

kopoc label
apnea label
ekko ekko audio
IIVII [audio experiments]
odrex music
høyde 
insectorama netlabel
wealth recordings
energostatic records
lamez recordings
basic_sounds

I Have Become The Void I Was Always Afraid Of (Warm & Slow Mix)

Atomic Kords