like the 70s vibe on this dance production.

NICE - this track breathes, super  trippy, love your sound (and tight production)

Shock the Algorithm

Der Hunne Vol2

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Eight Ball In The Side Pocket

We are pleased to present track 7 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven


Haunting One Seven

A Deity Looks After Me

Definitely at Sunrise

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Copyright 2025 Joe Stroffolino
Lyrics:
Some people say these are the best of times, Other people say times are bad.  But don’t you know it’s always a good time when you’re around.
You always have something good to say, even on the most miserable day.

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud


Play it loud, you make me turn up the music play it loud.
Play it loud, you make me turn up the music play it loud.
You make me turn up the music play it loud.

Some people say this town has seen better days
 but everything looks good to me
Cause don’t you know that when you’re by my side, that’s the only place I want to be.  
Every time I see your beautiful face, I know I’m living in the right place

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud

Play it loud, you make me turn up the music play it loud.
Play it loud, you make me turn up the music play it loud.
You make me turn up the music play it loud.

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud
You make me turn up the music, Turn up the music, Turn up the music play it loud.

Guitar (Taylor 114ce) 2 tracks (1 strumming and 1 picking) (played by me)
Vocals (Sung by me)
Bass (PG Music Real track)
Drums (EZ Drummer 3)

All It Takes Is A Smile - New Guitar version

a man nervously smokes cigarettes near a bridge waiting for a beautiful blonde...and then...✨⚡✨⚡⚘⚡⭐⭐⭐

Two cigarettes in the Dark⚡⚡⚡.mp3

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum

This song began as one of Joe's catchy, lyrically centered songs, which he wrote on his acoustic guitar, and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani, who began the thought process of a song about becoming a musician.
Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group.
Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song.
It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though.
Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it.

Lyrics by Michele Ansani and Joe Stroffolino
Music by Joe Stroffolino (@joseph-stroffolino)

When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics,
your push a few buttons let the AI choose.

And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure

AI Sucks - Eclectic Collective

Piano Riff with eDRUMS and Bass and solo Theremin w/Kaospad FX

R&N (19)

Vidéo : https://youtu.be/dR5vMkboQXQ

Rempli     (Translated after the French text )

Texte      : Sanzen
Chant     : Muette
Musique : Alain Illos

Poitrine contre poitrine,
ma chair contre ta chair,
je me souviens d'un silence rempli de ton sourire.
Au seuil de l'horizon .... vivent mes songes
et nos premiers regards. et nos premiers regards.
Je n'avais étreint aucun corps,
ni laissé aucune trace dans le sable des plages.
Il n'y avait aucun enjeu. Aucune honte et
le vent nous portait.
le vent nous portait.
Là bas vit ma jeunesse remplie de ton sourire.
Là bas le temps ne passe pas. .. ne passe pas.
Je n'avais étreint aucun corps,
ni laissé aucune trace dans le sable des plages.
Au seuil de l'horizon, vivent mes rêves.
Et le temps infini.
Et le temps infini

Filled

Chest against chest,
my flesh against your flesh,
I remember a silence filled with your smile.
On the threshold of the horizon .... live my dreams
and our first glances. and our first glances.
I hadn't embraced any body,
nor left any trace in the sand of the beaches.
There was nothing at stake. No shame and
the wind carried us.
the wind carried us.
There lives my youth filled with your smile.
There time does not pass. .. does not pass.
I had embraced no body,
nor left any trace in the sand of the beaches.
On the threshold of the horizon, live my dreams.
And infinite time.
And infinite time

Rempli avec Muette

L'homme éteint

This track was the very first song I joined the Soundcloud community with, a year ago. This song started an amazing journey through which I met many amazing musicians, better and better songs. I am grateful for the force that led me here. In the early days, I was just trying to find my own style, and my studio was still in its initial form. Now, a year later, I have rethought this track. Listen to it with the same love as I made it.

Gray something MKII

If there was only one thing we could do? Electronic music with guitar and vocals. Art work : some of my photography

One Thing

Neli CoKo - After The Storm

Sunday’s My Soul Remix is a deep, meditative journey into soulful house. Blending Afro-Latin percussion, hypnotic Rhodes chords, and warm ambient layers, this remix transforms a tender reggae-inspired ballad into a sunrise dancefloor anthem. The vocals, rich with gospel emotion and heartfelt intimacy, celebrate Sundays as a moment of peace, love, and spiritual reset — a ritual to ground the week ahead. Perfect for both quiet reflection and late-night movement, the track bridges soulful storytelling with Yoruba-inspired house rhythms, honoring tradition while inviting listeners into a timeless groove.

Sunday's My Soul Gospel Remix

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I’m a bassist, but I also play guitar and keys.

https://lit.link/fankyamix

Influenced by funky, rock-infused electronic dance music—from punk rock and reggae/dub to the big beat sounds of the ’90s.
A unique soundscape shaped by the clash of digital waves and raw energy.

パンクロック、レゲエやダブから90年代のビッグビートなど、ファンキーでロックでエレクトロなダンスミュージックに影響を受ける。
デジタルの波と生のエネルギーが独自のサウンドスケープを描く。

Definitely at Sunrise

FankyAMix

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