one man, one obsession, too many toys
OR
From the cold landscapes of Alaska comes a talented new artist by the name of James Church. With his prolific blend of glitch, breakcore, industrial, and idm, he is by no means an imitator, but rather an innovator of the hard electronic sound.
OR
Alaskan native James Church utilizes his prolific side-project Pandora’s Black Book  to focus on more secular dark Industrial rhythms and dense ambient atmospheres, all carefully wrapped up in alluring beats and meticulously crafted synthwork.

really i'm just being me without thought to the labels

Pedro e os Lobos

is the new project from guitarist and composer Pedro Galhoz.
Pedro e os Lobos is an exercise about musical freedom in which the mix of landscapes alternate between the passion for the desert and the awe by the urban chaos organization, creating the feeling of a voyage through various and different stops.
The quest for the origins and musical simplicity is a constant exercise in this debut record.
Mixing the Blues, the Contemporary and the Dark Pop, with cinematic environments and story telling, which could, in fact, be the soundtrack of an ordinary day-to-day routine, are at the core of this first record.
This record is part of a process of observation and learning from the old masters. It's a record taking steps along a new path which is starting now.

More info and Booking please contact: info@luckyman.com.pt

We are now recording a new album, please keep in touch!

Description:
___________
"...simultaneously aqueous and intergalactic, full of gooey synth lines, syncopated rhythms, and fuzzy, dubby sounds...  so many textures melding and warping together, giving the listener a reason to pay attention."
(Molly Beauchemin - Pitchfork)

"Incredibly strange & wonderful... Stunning... Absolutely phenomenal..."
(Mary Anne Hobbs - Radio 1 / Xfm)

"A producer that we think is destined for big things..."
(Goldierocks - NME Radio / Radio 1 / 4Music)

"...collage-like, sounding a little like the production work of Sampha or Frank Ocean's early sketches."
(Dummy Mag)

"...gruff and sweet, heavy and dreamy, spiky and soft-focus..."
(FACT Magazine - The 100 Best Tracks of 2012)

"...pure professionalism, delighting in the slickness of its own textures..."
(Resident Advisor)

Formed in London in early 2017, Crushed Veneer delivers a high energy blend of punk and indie rock. With influences ranging from The Gaslight Anthem and Beach Slang to Pixies and Dinosaur Jr. they layer heartfelt lyrics on a bed of hard, fast, punk rock.

"...I just love the energy, attitude, lyrics, playing, the vocal delivery, and the overall sense of urgency..." - Tom Robinson, BBC Radio 6

“... supercharged, bone rattling intensity reminiscent of Husker Du, bathed in melodic hooks just enough to temper the savage beast without taming it.” - Rokline.com

Composer, songwriter.

Currently active in my hard rock project, Timebends. Videogame music is on hold, but hopefully not for too long.

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

the people who run the country roll their misanthropic fun wagon of pop into 2022 and suddenly things don’t seem that bad. Sure, life might be a shit show but just look at the lights!

Their debut single Monster received BBC6 Music airplay, and there’s an album on the way. Happy days.

My Blues stuff: <a href="http://soundcloud.com/Blu3sman" rel="nofollow" target="_blank">Blu3sman</a>

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