John Digweed (Live In Brooklyn: Output NYC)

Dancer Dancer

Little Flies Remix EP

Rhythm Acupuncture (Martin Buttrich Remix)

Ivo Deutschmann - Transmigration part 2

Claptone steps out of the shadows once again with ‘The Music Got Me’, an exciting new offering from the mysterious enigma with the golden mask. 'Music Got Me' by Claptone is an authorised cover version of 'Music Got Me' by Visual which has been approved and licensed by Unidisc the rights holder.

As you would expect of new Claptone, 'The Music Got Me’ is destined for late nights and packed clubs all over, such are the enchanting powers of this otherworldly beast. However this one goes further still. The achingly cool 80s NYC disco/postpunk flavour combines with a distinct Chicago bassline to offer an exciting glimpse of the eclectic, indie vibe of his debut artist album (slated for release later this year on Different Recordings – the label that launched the careers of Crystal Castles, Tiga, Crystal Fighters, Vitalic).  

Claptone’s last two releases ‘No Eyes’ and ‘Ghost’ both topped the Beatport charts, the latter of which featured Clap Your Hands Say Yeah! (a collaboration we can only assume was arranged by some sort of séance). They went on to become enormous smashes on Berlin house label Exploited, earning the plaudits of the biggest DJs and setting Claptone off on a non-stop DJ tour across the globe.

It’s remarkable that the masked man has still found time in his tour schedule to deliver big remixes for the likes of Metronomy, The Pet Shop Boys, Rüfüs, Klaxons and Gregory Porter & more!

The Music Got Me

BUY NOW

Slow Hearts - Dione (Alexander Aurel She Wasted The Olymp Remic) LowQuality

OCH´s fore runner track of his forthcoming album "Time tourism" with a housy interpretation of Marc...

OCH - "Time tourism" (Marc Romboy´s Roland Orchestra) (SC Snippet)

LAD027 DJ Tennis - Divisions / Chirality 

“You know it's true, don't you?" You know it's true, sometimes emotions can be darn unsettling and disturbing – as they flow deep down our consciousness uncovering fears, thoughts and feelings. Yes, if we're focused too much on our personal hedonistic euphorias, sometimes we lose that... It gets lost; You know it's true. You may know it's true.

Manfredi Romano aka Dj Tennis shapes this treasure, a release that is decisively out of the box; a small cathedral made of subtle shades and unusual EQ's, where ideas seduce and frighten.

That's “Divisions”, led by Danish singer and guitarist Jeppe Kjellberg. Who's words and voice are carefully crafted as a precious, poisoning weapon of concern and bewilderment; as it is “Chirality” a deep, insistent, gelid voyage. Which distinctively in this round, We find ourselves not only with Tennis' masterful production skills but also the astounding addition of Sophie Trudeau's string work – she's been the driving force behind the string sections of legendary Canadian post-rockers Godspeed You Black Emperor, one of the most dark, cinematic and unsettling rock acts of the last decades – which really ads a poignant and visionary mood and emotions we rarely encounter and by that we can rarely breathe.

The original edits have been respectfully and creatively revisited by techno pioneer Roman Flügel, who masterfully rubs “Divisions”; turning it into a sensual, devious, laid down affaire. Lastly, closing the ride , the legendary English duo Plaid - true masters and innovators within the Intelligent Dance Music field- grace “Chirality” with their very own touch made of alien sounds, mutant rhythm architectures, warm dynamics and heartbreaking melodic caresses that iconically represents their visions.

DJ TENNIS - DIVISIONS (Roman Flügel Remix)

Coming soon on Zaun Records
https://zaunrecords.bandcamp.com/
https://www.facebook.com/ZkBucket/

mastered by concierge

ZK Bucket - Let Your Body Control The Beat (The Drifter Remix)

Dachshund - Bang It - Upon You

Out now on digital and vinyl -
Juno - bit.ly/CRM168
Phonica - bit.ly/CRM_168
Deejay - bit.ly/CRM-168
Beatport - bit.ly/crm_168

As the Summer draws to a close Serge Devant returns once more to Damian Lazarus’s Crosstown Rebels with the highly infectious ‘This Moment’ EP. Serge original tracks are accompanied by a great Dinky remix, to complete this great package.

Opening up the EP with ‘This Moment’, Devant has created a track that implores the listener to stop and take in all the vibrations, effects and melodies. This is a piece of music that intricately weaves together a hefty bass, curious sounds and an addictive horn. Pay close attention to ‘In Time’ and you will be absorbed once more in an enchanting world where all you can do is follow the rhythm of the drums. On the flip and Dinky adds her signature vocals, and hooky synth stabs creating a deep and textural remix of ‘This Moment’.

TRACK LISTING

A1. This Moment
A2. In Time
B1. This Moment (Dinky Dub Remix)
B2. This Moment (NU Remix) Digital Only

Serge Devant

This Moment

Serge Devant - This Moment

Tripmastaz AKA Andrew Guyvoronsky debuts for Cadenza Lab with the ‘Blossomz’ single; a trio of heady club cuts that typifies his hypnotising house sound and knack for the perfect groove. 

Originating from Moscow’s music scene, and slowly emerging as one of the more renowned Russian producers to influence global labels, Andrew has released music for Richie Hawtin’s Minus imprint, DJ Sneak’s own Magnetic Records, as well as other appearances on Cécille Records, Desolat and Shanti, all proving fantastic platforms for his minimal sound and guided musical expressions. 

Aside from his productions, Tripmastaz who runs his own label, 74 Records, has also held a residency at the impressive rooftop party Techno Gipsy since 2013, a further accreditation to his career as a Producer and DJ. With an illustrious remix career to match, collaborations with DJ Sneak have pushed him toward close affiliations with the House Gangster Movement and the funky side of house music so clearly important to his work. 

Lead track, ‘Blossomz’, opts for a captivating percussive groove, whilst vocal samples are put through the wormhole to create rhythmic effects; fans of Mountain People/Sasha Dive will lap up this vibe for sure.  ‘Sublimely Relieved (Cuban Linx)’ raises the energy level somewhat; a snaking bassline slithers around the crisp drum pattern seductively, as light keys sprinkle over the dubby house sound.  A ‘Bass Dub’ is also offered up, offering an alternate take to round off the release with added weight.

Blossomz

Buy Bandcamp

Tripmastaz - Blossomz (CAL031) [teaser]

Florista EP

Veneno

Mozam

Street Lessons Remixes EP

Higher Level (Bicep Remix)

Secrets From Another Place EP

Hourglass (Ed Ed & Petja Virikko Remix)

Preview of my release on Monocord Records. I'am glad to be part of the label where are a lot of my favorite artists like Mihai Popoviciu, Spieltape, Deep Spelle, Die Vogelperspektive, Peter Makto & Gregory S, Junior Gee, Dirty Culture, Nadia Popoff etc.

Circle Of Life (Preview)

Keinemusik Shop: bit.ly/2jmd7cw
MTN: bit.ly/2k9OELH
Beatport: btprt.dj/2kt8yPi
Itunes: apple.co/2k92y0t
Traxsource: bit.ly/2jYpQE6
Bandcamp: bit.ly/2kaAslQ
WPP: bit.ly/2jlPCAu

Out of tranquillity and contemplation, Rampa is reaching out once again. To seek contact, to give and take energy, to offer an even mind-expanding touch. All in guise of two new tracks that, quite fittingly, make this “The Touch” EP and #35 within the Keinemusik release-catalogue.
The title track on A combines all the reflective qualities of the newer Rampa-sound to a mantra that soon will be chanted collectively across dancefloors all around the world. He thoroughly is aiming for the intensifying pull into deepness of a perfect loop. He’s letting go of anything redundant like all too distracting rhythmic elements and therefore opens space for an OM-like, bass-deep interplay of synth-notes and meditational sounds in the background.
“528 Hz” on the other side borrows its name from the concept of the Solfeggio Frequencies. Within the scale of supposedly healing sounds, this very figure is known to be the frequency of repair, representing the energy of love. And an ardent declaration of love this tune is indeed. Within the sound-vocabulary of recent Rampa-releases it might be the logical next chapter after “Trust”. A synth-space- odyssey, emphasized by e-drum-highlights, pulse-quickening tribal-frenzy and a supernova-like blast of energy culminating after the break.

Release date:
27 January 2017

The Touch EP

Rampa - The Touch - Keinemusik (KM035)

Bedrock Collection 2017

Blood Orange

The Idea EP

The Idea (Frankey & Sandrino Remix) [feat. Lazarusman]

Kotelett & Zadak - My Wild Love - Original Mix - kungfu047  

https://www.facebook.com/kungfudubrecordings

https://www.facebook.com/Kotelett.Zadak

Wo die beiden Haudegen denn überhaupt herstammen, weiß eigentlich niemand so genau - Gerüchten zufolge verhalf ihnen die gemeinsame Vorliebe zum Sprottenfang zum ersten schicksalsträchtigen Zusammentreffen irgendwo an der norddeutschen Küste. Glaubt man diversen Munkeleien, verlor Zadak bei einer Razzia der Fangbehörde seine Hose, Kotelett wegen einer Überdosis von Selbstgebranntem den Kutter-Führerschein und beide Ihr Fischerei-Lizenz. Zack, weg war die Lebensgrundlage

Was blieb ihnen also anderes übrig, als übernächtig und vernebelt Skipperflucht ins Landesinnere zu begehen, wo niemand sie beim Namen kannte. "Ab jetzt machen wir in Platten", soll sich einer der beiden in den Bart gemurmelt haben, wer, ist jedoch nicht belegt. Alles in allem aber eine rein logische Entwicklung, denn die Nächte haben sie sich sowieso schon immer um die Ohren geschlagen - die dicksten Dinger gehen schließlich ins Netz, wenn alle Katzenfische grau sind.

Schnell tauschten sie also Rute gegen Regler, Backbord gegen Backspin und Nebelhorn gegen Nebelmaschine. Was früher filetiert wurde, wurde nun gefiltert, was gefischt wurde, gepitcht. Seither schrubbten sie nie wieder Decks - sie bespielten sie ab jetzt. 

Wo auch immer sie heute vor Anker gehen: Stets weht eine steife Bassbrise, Schallwellen schlagen höher und kein Schnapsglas bleibt trocken. Jede Meerjungfrau würde ihre Unschuld sofort in ein paar ordentliche Tanzschuhe eintauschen, angezogen und fast wahnsinnig werdend vom unverkennbaren Sound der beiden selbsternannten Clubsirenen. Wer sich nicht am Tresen festhält, der wird von ihrer Musik mitgerissen wie seinerzeit die Sprotten vom Fangnetz.

Auch nach tagelang dauernden Sets und hochprozentig versoffener Gage verrät ein Blick in ihre von der rauhen Clubluft gegerbten Gesichter: Kotelett und Zadak sind sich bis heute immer treu geblieben und bringen zusammen, was einfach zusammen gehört: Musik, Mensch und magische Momente. 

(Die Fangbehörde dazu: "Wir sind einfach nur froh, daß wir sie endlich los sind."


John Digweed (Live In Brooklyn: Output NYC)

atziluth