produced by Lewis Parker
Lyrics by Jacky Danz

01 Comin wit da hitz

BANJO MISSISSIPPI

9th Wonder - Real Good / Feel Good Soul

You Need Oven Mits to Touch This Shit

Man, way too many old ass songs on my iTunes.
And now most of y'all know me as the guy from Beat Haus & forgot or act like I don't rap. Here's some old raps to remind you and hold you down til the new shit drop.
Y'all welcome. 


Fly Kicks (prod. By Muneshine)

No one confronts the abyss better than Chris Orrick. The Michigan ex-factory worker formerly known as Red Pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. It’s somewhere between Charles Bukowski and Michael Moore, or maybe Atmosphere if he couldn’t ignore the arsenic in the air. 

As Orrick tells it, “Portraits,” his latest album for Mello Music Group is a return to form. 

“I tried to strip everything down to what I think I'm best at: simple, concise portraits of who I am,” Orrick says. “Whether that be finding myself through self-portraits, portraits of everyday workers, portraits of the current political moment or portraits of myself told through the eyes of people I encounter daily.” 

From the corroded arteries of the blue-collar heartland, Orrick emerges as one of the most incisive and savage critics of Trump’s America. If the American dream is dead, he unflinchingly lays the blame on avaricious corporations, crude demagogues, and structural racism. There’s nothing polemical about it: just warm-hearted, sad-eyed, gin-flooded depictions of a life where there are few right answers but a litany of wrong ones. 

The Michigan native is an acerbic poet, but too unpretentious and sarcastic to ever call himself that. In his love letter to his long-time girlfriend (“Lazy Buddies”), Orrick fantasizes about the pair decamping to a town an hour outside of Paris, where they can blissfully split a bottle of cheap wine. Then he mocks himself for being a little corny. But that’s part of its charm—through his ruthless honesty, we can see ourselves as we actually are—prone to idle delusions, indolence, and self-obsessed. 

“Portraits can often be overlooked, but there are so many details in the face that tell innumerable stories about what the person portrayed might have been feeling or going through,” Orrick continues. “I'm trying to find those details, within myself and within America today." 

On “Anywhere Instead,” he grouses about how most days he doesn’t want to leave his bed until noon, staring at his phone, wishing for imminent death. It’s a nothing matters, gallows humor that anoints him a laureate of existential dread. He captures the terror of the void, the ambiguity of not knowing where or when your next direct deposit will hit. He’s wise enough to understand how little he understands, allergic to cheap irony or forced symbolism. As he points out on stories, “not every story has a meaning, not every moment has a reason, sometimes you just let the music play and tell you what to say.” 

It’s obvious how loudly the music speaks to Orrick, who is rarely short of opinions or serrated observation. The somber piano-based melancholy and rugged drums of “Portraits” thump via a gifted arsenal of producers including Nolan the Ninja, L’Orange, Exile, Apollo Brown, and Onra. Only two guest rappers appear, Fashawn and Orrick’s partner in Ugly Heroes, Verbal Kent. Orrick carries the rest of the weight and you sense the Atlas burden he shoulders. 

But for the all the poignant complaints, there’s a soulful profundity at the core of the album. It goes further than stress over bills, nicotine and liquor compulsions, and a search for deeper revelation. If you can hear a song like “Mom” without slightly crumbling, you might be iron-born. It’s a eulogy for Orrick’s late mother, dead at 45 without seeing her children grow up, without the opportunity to take pride in her son’s ability to realize his dream—however flawed it can occasionally seem. It’s here where you sense the power of these Portraits. They capture the pain that too many of us feel, that manifests itself in so many distinct ways. For a little while, we understand the raw f&cked up complexity of what it means to be a human being in a lunatic world. The portrait is personal, but it’s all of us too. 
credits

Portraits Mp3

Lazy Buddies

Chris Orrick -  Lazy Buddies (prod. Apollo Brown)

Travel Instrumentals

So Many of Us (Instrumental)

An instrumental project produced entirely by The Audible Doctor executive produced by Large Professor & Gustavo Guerra. Purchase on iTunes https://itunes.apple.com/us/album/doctorin/id563195128

What I Need

Say Yeah

Shadoe Blac - Self Sufficient (Prod By Double Lyfe)

Greetings. I should probably be sleeping or something like that, but Instead I stayed up late to make a cool track that I was feeling. I wrote the song over the course of an afternoon two days ago, after getting this beat from a kat I've been following for a while, always diggin his sounds. 

Very glad that Jatos let me get on the beat, when I heard it - with the cool Q-tip sample.. the vibe was instantly set. 
https://soundcloud.com/jatos 
Check out his stuff, he's got plenty of sounds for them ears. 

I recorded the track today, starting with the hooks. Just trying to make something easy going to listen to, but at the same time, lyrically interesting and delivered in an exciting way that wasn't normal, really not too hard of a task with a beat that allows such. 
The song is about obvious, spreadin love - Among other things, it talks about my particular love, and desires, and talks about the inherent desire to constantly stive to be better, each day. 
We all have our different paths, and desires- was for dealing with things.. 

But we all seek, and want to feel love, in it's many forms. It's part of being human. 

Thanks for checking it out, I sincerely hope that you enjoy.


-------------------- LYRICS BELOW ----------------------------



NTRO HOOK @ 22
ONE LOVE, ONE LOVE, ONE LOVE, 
OH YES- SEE WE SEEKING, SOME LOVE, 
YES WE NEED SOME ONE. 

ONE TOUCH, ONE TOUCH, ONE TOUCH, 
SEE THAT'S WHY IM REACHING, FOR YA.. 



1ST VERSE @ 43
FROM MY STASH, 
I'M BOUT TO DEDUCT, 
IT'S THE LAST BOWL, OF ALL MY WEED'AH, 
I NEED TO RE-UP, I NEED AREFILL- ABOUT TO ERUPT, 
WITH ILL LINES & RHYMES COMING FROM CEREBRAL- 
REDO-&THEN REDUEX, WELL YA SEE I THRUST - WITH A GUST FROM MY LUNG, 
OFF THE TIP  OF THE TONGUE- 
&ARUSH OF THE BLOOD, I SURGE ON WONDERLUST, 
BEGIN TO BUST--
&MOVE WITHIN SHUSH, SILENT, 
WAC STYLES, I VANQUISH,  
&YES I LUST, 
FOR THE TEXTURE OF THE SENTENCE-IN SPOKEN WORD ELOQUENCE, 

WACC'AH RAPPERS CORRUPT, 
CREATIVELY LOST, &BANKRUPT, 
SO THUS, IT'S IN MY CONDUCT, TO ADAPT-WHEN I BUST,
THINGS CHANGE MAD-ABRUPT	
&I DO-WHAT-DO-WHAT
-I MUST JUST, TO DEVELOPE, 
TO DEVELOPE-- 

1ST HOOK @ 1:24
ONE LOVE, ONE LOVE, ONE LOVE, 
OH YES- SEE WE SEEKING, SOME LOVE, 
YES WE SEEKING, THAT ONE. 

ONE LOVE,  ONE LOVE, ONE LOVE, 
OH YES- SEE WE NEEDED, SOME LOVE, 
OH YES WE SEEKING, THAT ONE. 

TO LOVE. 


2ND VERSE @1:42

x2
OHH, WELL, SEEMS I'VE GOTTA MAKE A CHANGE, 
MY LIFES GOT ALOTTAH--
THE BOTHERS,
BUT I DO WHAT I GOTTA-
BOOMBAP&YADAYADA &SAY WHAT, 
COMIN FROM'AH, THE TOP'AH OF BRAIN

WITH THE WORD'AH I SAY-
EACH & EVERYDAY, IBESEEKIN THE GROWTH FROM'AH THAT INNER CHANGE. 
GENETICALLY ARRANGED, JUST TO BE THAT WAY
TO SEEK TO BE GREAT,
GREATER THAN YOUR CURRENT STATE, 
NOT--
FEELING WEAK IN THE LEGS, 
UNLESS ONLY AFTER, YOU'VE RELAXED &YOU'VE LAID,
CLIMAX&SENSATE, 
WITH SOMEONE TO LOVE 
& SOMEONE TO TASTE,  
IN HOPES TO CHANGE YOUR FATE,   
THAT'S WHY LOVE IS GREAT




ONE LOVE, ONE LOVE, ONE LOVE, 
OH YES- SEE WE SEEKING, SOME LOVE,  
YES WE SEEKING, THAT ONE. 

ONE LOVE,  ONE LOVE, ONE LOVE, 
OH YES- SEE WE NEEDED, SOME LOVE, 
OH YES WE SEEKING, THAT ONE. 

TO LOVE. 







Much love, 


Peace, 
Malev

Seek Love: Produced by Jatos [Lyrics in Description]

I do stuff...sometimes...

info@audibledoctor.com