Long distance Session/ 
Kollaboration mit https://soundcloud.com/ulrichlangenbach?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

12122 Ulrich Langenbach git / Kersten Ginsberg drs

silent in time / 2023

null

A sketch I did in Spring 2023. Listening back now in the Fall after not hearing it for a long time, realize that I like the flow combining ambient ideas with rhythmic elements.

I think it works in my Forest series of ambient and drone tracks.

Photo by silvana amicone on Unsplash.

Forest 05

I was moved when I read this weeks Haiku from Naviars own Marco Sebastiano Alessi.
There was an idea in my head almost straight away, a repeating piano set to a echo delay effect that could potentially never end. Anf then the feeling of an empty house, an old distorted 78rpm record playing as if from a distance (of time?) and the feeling of a place of memory but now all gone.

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Endless echo
footsteps on an empty house
once full of life

Third poem written by me that gets featured in the haiku challenge. As always, I hope you’ll find it inspiring.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 1st November 2023

Haiku by Marco Sebastiano Alessi

Picture by Raya Mal https://unsplash.com/photos/closed-window-ggeI8TyPeZM

Audio Obscura - Echo Footsteps (naviarhaiku512)

Progressive degeneration

2023-12-07

NLS - 2023 - 12 - 07 In Clouds

Tons

All music written, recorded and performed by Ryan J Raffa in Taipei, Taiwan during late 2021 on moog matriarch, modular, fender rhodes, snare drums, cymbals, percussion, op1, tape machines, and field recorders.

Every sound was captured for this specific occasion

Mastering by Taylor Deupree
Vinyl cut by Barry "Baza" Grint at Alchemy
Layout by Drew Heffron
Photographs by Ryan J Raffa

4 e and a is about the infinite spaces between. As a classically trained percussionist, Raffa sat in front of a metronome for the majority of their life. And in their mind, they would play with the spaces between those clicks. In especially challenging times, Ryan would attempt to expand and stretch those spaces into forever. Just existing in the between. This record is about these moments (and places) when we are living in those infinite spaces.

That time of intense musical focus was also Ryan's first introduction to an analog synthesizer. As a teenager, their drum teacher was Herb Flower, an incredible human with light beams of creative energy pouring out of him and his musical family at all times. A parent of another student of Mr. Flower’s was an electrical engineer who had recently been laid off during large cutbacks at Carrier, one of the major employers at that time in Syracuse where Raffa grew up. This parent, with their newly acquired free time, hand-built a drum machine, housed in a large wooden cabinet with 8 or so unmarked knobs, and they gave this synthesizer to Mr. Flower. The sound from that machine was glorious. And Mr. Flower, their drum teacher, would turn a few knobs, make a pattern and have me play along with it during rehearsal. These moments were such a gift, and I know those moments are still reverberating today. Raffa thinks about that time of experimentation, of exploration, of shared love of sound and music as a place that they can go to, a place we can all go to, whenever we choose.

4 e and a

Spirits Of Menghuanhu

Vethevinul ornur_04

About winning the lotto in my dream last night and I bought 2 lotto tickets the morning.  

Lotto Dream Terrorzine C3 Mind Melt

My other account.. since I stopped my paid account and somewhere to upload bits and bobs