imaginative use of sounds and nicely crafted fluctuating rhythms

nice work, i really like the abstract feel of this one.

Really beautiful work, got a lovely glitchy feel to it - reminds me a little of Prefuse 73 or early Telefon Tel Aviv

The opening reminds me heaps of Philip Jeck's turntable work :)

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0401: Noise Pacing

Scudyl Whirringom (Industrial Cacophony No. 2)

Friends over for tea [part 62]

Psyklotron

noxpox - BAETZZZZ

Original Music by :
https://soundcloud.com/filipmosz/marzenie-nie-scietych-glow;


Photo-Design by Ivons

Filip Mosz -  Marzenie nieściętych głów (Senglar Rmx)

Original Score inspired by the Paul Tremblay novel Disappearance at Devils Rock

Hobo Nickel

Yesterday midnight, after I got the email , I dared to sing some tracks improvising harmonies in C major.
It was fun, I did some serious Melodyne, particularly on the first basic tracks (2 of them) then two more falsetto improvisations and a 5th track using pitch shift for some extreme lows.

The rest is 4 reverbs:
Valhalla Hypemassive
Lexicon Random Hall (@22 sec)
St Patrick cathedral impulse response
Some automated LFO  filter on a long Valhalla reverb

Created on the first hours of Friday July 1st 2022.

For this challenge: https://llllllll.co/t/disquiet-junto-project-0548-drone-vox/

Photo by Jason Rosewell

Be Vocal (disquiet0548)

KORG sounds A086 The Sign - Less is more 80s synths.

The Sign

Hold

Solo Piano - Chris Bright

close quarters 1121 - 11:21:22, 6.31 PM

I utilized a clip from some Fajitas a server was running to another table that I captured. I then looped the clip and added Roland 808 drum sequencing. I then used the ROLI to add in additional tones. I added some bass and compression to the Fajitas.
I'm hungry now.
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Fajita Wolf Disquiet401

Fajita Wolf disquiet0401 (want me)

I made a bunch of drum loops to explain to my music theory class what polyrhythm is. Then I read about this Junto project and thought, hmm, making a beat out of noise, let's use them for this too! I vocoded the loops using a straight noise carrier and used an LFO to automate the vocoder's release parameter. I used Follow Actions to randomly sequence the loops, and then edited that sequence for better flow and musicality. In order of entrance, the polyrhythms are 4-vs-3, 5-vs-4, pentuplet swing, septuplet swing, and 11-vs-5.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Polyrhythmic Noise Grooves (disquiet0401)

I used my earlier track (Disquiet Junto 399 which was a previous Rauschen based track), it became a remixed version of it but processed with more noise elements, into various drumracks and rhytmic effects to create a track with more a tempo and rhythmic structure. I added little samples of melody - not quite the "something melodic atop it" that was requested but just enough to give as hint that melody might appear somewhere! 

Disquiet Junto Project 0401: Noise Pacing
The Assignment: Use background noise as a beat, as a rhythm.

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which will be held in Switzerland from September 11 through 15. For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. Select recordings resulting from these three Disquiet Junto projects will be played publicly as part of the Rauschlabor Schützenmatte (musikfestivalbern.ch) or broadcast on the festival’s radio show, Radio Antenne (radioantenne.ch). If you don’t want your recording to be used in this way, please note so wherever you post it.

Step 1: Familiarize yourself with the German word “rauschen,” the theme for this year’s festival. Understand that “rauschen” is noise in the sense of white noise, waterfall noise, background noise, static, wind in trees, rain, etc. The blurred, diffuse, continuous kind of noise, not short individual non-tonal sounds.

Step 2: You are going to make music in which one or more “rauschen” noise(s) will be used as the beat or rhythm for a track. Record and listen back to such “rauschen.”

Step 3: Select one or more noise elements from Step 2.

Step 4: Create a track using the elements from Step 3 as beats or rhythmic material, and then layer something melodic atop it.

the blurred, diffuse, continuous [disquiet0401]

release date: 06 _09_2019   
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Magnetic Traffic(disquiet0401)

"Light is to the camera obscura as sound is to audio obscura." 
 
Odd electronics for the ears, making music covering the wide spectrums of electro-acoustic music, musique concrète, idm and occasional field recordings, with post-classical minimal leanings but beats and bass as well!.  Someone described it as "experimental easy-lsitening" which I like. 
For a while I collaborated as part of a collective under the name Sound Celestial Orchestra but that is no more!  (see, https://soundcloud.com/sound-celestial-orchestra)
I'm always keen on remixing other Soundcloud users and like a challenge.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

the blurred, diffuse, continuous [disquiet0401]

Audio Obscura

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