WOOOOOOOOOOOO HELLLLL YEAAAAAAA!!!!!!   I LOVE THISSSSSSS!!!!!

I love your voice. It sounds English.  This track kicks arse. Excellent

Most enjoyable and what a beautiful bud..Truly a work of art😊

This is awesome.. can’t believe I missed it .. but now I got it .. California Krush ...

I think I cared once, I don't know when
I guess I'm going crazy
But I think the grass is greener over there

I take a deep breath and count to ten
Then I shy away all dizzy
I'm carrying around a big sign saying "beware"

CHORUS
I don't deserve to look a fool
I don't deserve that much at all
And whispers spread from friend to friend
An unplanned for revenge
We just need to agree how things should end
We all have needs too

In a distant memory I held your hand
But nothing seems to fit now
It seems a small apology is owed

Well I don't talk much although I can
And silence seems to suit now
Somethings are just much better left unsaid

CHORUS

Needs

As always, I'm honored to work with Steven @https://soundcloud.com/gothic-funk

Roll one and fire it up. Toke it up. Pass it around.

Check out our album "Mentally Superior Yet Highly Deranged". 
Free download.
https://archive.org/details/skd-1387

Original: https://soundcloud.com/audiobake/california-kush




CALIFORNIA GOLD KUSH
ENERGIZING AND UPLIFTING
FRUIT AND CITRUS
COFFEE AND KUSH

TIME AND SPACE SEEM TO BE SHIFTING
SMOKE IS SMOOTH
A MELLOW GROOVE

WOES & WORRIES, EACH ONE LIFTING
CRUISE CONTROL
PERHAPS A WING DING

LUCIDITY AND FOCUS
INDUCING HAZY DREAMY STATE
THE MAGIC MOMENTS WE CREATE
WITHOUT THE HOCUS POCUS

GOLD KUSH KUSH KUSH K-KUSH
CALIFORNIA GOLD KUSH

BREAK

CALI KUSH IS A ‘KISS YOU’ RUSH
WELL ROUNDED HIGH

CALI KUSH IS A ‘KISS YOU’ RUSH

California Gold Kush - Gothic Funk & AudioBake

Hypnose

Poverty
The "Schwabengehen", which finds its first mentions already in the 16th and 17th century, experienced its peak in the 19th century. It is estimated that at that time five to six thousand children worked annually on farms abroad as herd boys, maids or as farmhands. The background to this was the extremely low soil yields in the alpine regions and the associated poverty, which drove parents to send one or more of their numerous children abroad.

The Ways
The ways from Tyrol and Vorarlberg or from Switzerland to Upper Swabia were long and arduous. For some of the children, most of whom were between 5 and 14 years old, it led over mountain passes such as the Arlberg, which were usually still covered in snow in March and which many had to overcome with poor shoes and scanty clothing. Usually their companion was an adult, sometimes a priest, who made sure along the way that the children could settle down to sleep in warm stables and who negotiated prices at the markets. The construction of the Arlberg railroad in 1884 made the journey easier for the Tyrolean children.

The "children's markets" in Upper Swabia usually took place around Josephi (March 19). At Simon and Juda (end of October) or at the latest at Martini (November 11) they went back home. In the luggage were then the so-called "Doppelt Häs" (a double set of clothes from the headgear to the footwear) and, depending on the age and the negotiated price, a few guilders.

The Hütekinder arrived at the port of Friedrichshafen by ship from Bregenz. Since 1891, the central market place for the Hütekinder was in Karlstraße in Friedrichshafen. The children who were not placed traveled by train to Ravensburg to be placed there.

The work
In their homeland, Swabian children were exempted from compulsory schooling every year, and in the Kingdom of Württemberg the compulsory schooling that had existed there since 1836 did not apply to foreign children. The politically repeatedly demanded extension of compulsory schooling was prevented until 1921 by an Upper Swabian farmers' lobby.

Schwabenkinder (Swabian Children)

In The Early Morning Rain # 9, Gene Jumper, Elvis, ( cover)

In The Early Morning Rain # 9, Gene Jumper, Elvis,( Cover)

Tags: Robotic Rock, Electronic, Punk, Post Punk, Space Rock, Classic Rock, Ambient, New Wave, Electro, Pop.

She's Lost Control (Joy Division cover)

Witch's Vortex

Chiacchiere

F-Three Risky Monkeys

Dan ganas de irse pa siempre

Here's another in the series of semi-live recordings with Nat Daniels. Nat took an ancient recording I did back in the 80's and salvaged it, embellished it into something that gave me a really pleasant surprise. The song delivers a simple message about overlooking the most important aspects of our time in this life, often too willing to fall into step with what everyone else seems to be doing. Don't lose sight of the true relationships, the true friends and the simple, real connections. My thanks to Nat for her usual abilities to transform anything into a special experience.

Craig Durgy: guitar & vocals
Nat Daniels: piano, bass, vocals & production

Music & Lyrics by Craig Durgy

You count your blessings, you count your years
And the day’s long gone
You start undressing as another day nears
And your mind turns on
All of a sudden as the light’s dying down
You see what you could not
Love took a little but love took a little a lot

You’re working steady, you’re on the go
And the week’s long gone
The feeling’s petty but it’s all that you know
And you can’t slow down
All of a sudden as you’re driving home 
You look at the home that you’ve got
Love took a little but love took a little a lot

The radio plays and a sentiment stays
There’s a face that you’ve looked at for years
You idle in lines of idling minds
That unwind in their own rear view mirrors
The face is one, and then another
And it hurts as each one disappears

You’ve got a husband, you’ve got a wife
You’ve got a lover and the best things in life
You heard a story, you made it stick
No need to worry cause you laid it thick

Then in a moment, it’s happened before
The eyes in the mirror look away
They turn to someone you loved so much more
And you know what they’re trying to say
Ignore the moments and just earn your pay
Then you’re dead and you’re starting to rot
Love took a little but love took a little a lot

Love Took A Little A Lot

Playing with synthesizers and drum machines and all sorts of other shit while trying to figure out what I'm doing.

I make music to combat moments of mental illness. It is my therapy, and I need a lot of therapy. 

I'm enjoying exploring the Soundcloud community. There's a lot of good stuff on here. 

Thanks to everyone sharing their awesome music and taking the time to listen to what I put together.


Peace.



~A

California Gold Kush - Gothic Funk & AudioBake

AudioBake

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