Mesmerising fusion of vocal and arpeggio energy...

this is a different sound than im used to but I dig it bro...great energy tempo and sonics

A young lady with a smile
Mile to mile
Just under the age
Of the boy with the white light in his eyes
So he painted that smile down
And he put it in his room to dry
Then he could do what he wanted 
And always stay young and beguilin' to the folks of his kind
Till that paintin' in his room started cacklin'
And its beauty faded to grey


Thats why I been on the road
Thats why I been on the road
Somethings fade away
On their own
Thats why I been on the road
Thats why I been on the road


Every moment is a crossroads
To that I can attest
I drove my gocart to some folks
I truly did detest
It was far too overweight 
But in the end it all worked out fine
Or were they just tryin' to fool the kid 
Who could never ever walk the line


Thats why I been on the road
Thats why I been on the road
Somethings fade away
On their own
Thats why I been on the road

SOMETHINGS FADE AWAY

Charlie and the Fox are back , this time with Greg Willis , a knockout Sax player , we hope you like it ! We're busy working on a 60s Wall of Sound style song , it's coming together nicely ! In a couple of days me and Greg have a new one out , The Right Time . After that it's me and Gaz on the 18th , a busy time , thank you so much for giving us the time of day !

Don't Say That It's Over ( Charlie and the Fox feat Greg Willis )

i am happy to report that the bus is again rolling down the Blacktop--Terry aka Tea R Sea is again the producer and music maker on this latest leg with his magic synth, and Stephen otherwise known as TexMex Shaman, is manning his magnificent Axe, while i bring up the rear with some sqeaky noises and distant voices--A big thanks and much love to my digital homeboys and to all you out there who may find yourselves on the bus--Our good friend and percussionist Masa often refered to as Tot. has joined us again to make it jump and much respect and gratitude and love to him for his contributions!!         The wonderful Artwork is created by Terry!!

Oaxaca-(Holy Dumpling #8) featuring Tot. /TexMex Shaman /and Tea are Sea--A Smoking Trout production

takechee

Low Battery

Waiting

Recording sessions from 12/11/2023 - 30/01/2024
3 tracks MOOG Modular V3 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

The Earth Love

Soul Dreams

About the dissolution of a band.. particularly my former bands! Keeping one together is difficult and futile!! I’ve been cancelled a few times.. not for inerrant behavior, but for my beliefs, ha! I continue on! 😎… kinda like The Knaack meets Kurt Cobain, imho! Could be wrong.. I’ve def been known to b wrong, ha!!!

The Way The Cookie Crumbles

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

Gentle Hour

FREE DOWNLOAD

Paiva - Celebretion

Amateur noisemaker playing with drum machines, synthesizers and samples while trying to figure out what I'm doing to combat moments of mental illness.

~A

Waiting

AudioBake

Recent comments

degradationzero

Tsarwicc

Scratch Kelly

Razzi

Related tracks