seriously big album, love the difference in styles

Extended Jungle & Rollers_part2

[Unsocial]

Clash

15 Years Of Low Down Deep

Thrill Seekers (Serum Remix)

Emergency System

Surprise / Order Cancelled

Order Cancelled

Buy/stream: https://fanlink.to/VPR256

Longtime friend of Viper, Spanish producer Juno has appeared on some of the label’s biggest compilations, including “Raptor” on Summer Slammers 2017, “Red Blocks” on Annual 2018, and the critically acclaimed single “Akira” and “Truth in the Skies” featuring Innate MC. Known for his clean & frenzied neurofunk, Juno has long been held in high esteem by both DJ peers and tastemakers, and we’re excited to present his most recent single with “Lilith” and “Surrender”.

The first of the two tracks is “Lilith”, aptly named for its enticing opening and foreboding undertones. Chaotic but clean, Juno demonstrates impressive mastery of both sound design and arrangement. While the vocals present in the introduction carry a certain charm and grace, don’t be fooled as Juno quickly tears the track apart leading up into a drop that is as sinister as it is berserk.


The flipside of the single, “Surrender”, paints a much more ominous picture, dark yet vivid for a cinematic result. Moments of grandeur stand opposed to the more traditionally hectic sounds of neurofunk for a truly unforgettable result, fusing together sci-fi themes with a gothic/horror twist.

Dark and twisted in all the best ways, both “Lilith” and “Surrender” serve as a welcome reminder of the diversity at the core of Viper’s ethos, celebrating all facets of the genre and continuing to push a platform for artists from all over the world to share their sounds. A welcome addition to the Viper catalogue, Juno’s latest offering is monstrous and not one to be missed!

Buy/stream: https://fanlink.to/VPR256

Juno - Lilith [VPR256]

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<< DOWNLOAD >>

Alibi 'It Could Be' [DARKMTTR Records]

https://device.ffm.to/silverlining-radiohead
Next up on René LaVice's ever-exciting DeVice label is a two-track masterclass courtesy of Cry Tuff & Qumulus with 'Silverlining' and 'Radiohead'. Deep and emotive with euphoric vocals, driving basslines and crisp melodies - MEGA.

Cry Tuff & Qumulus - Silverlining feat. MNYPNY

Bogota

Don't Kill

Ninja Frog

The Beep

Abyss Sovereign - Blight

Power Up

Pre-order from iTunes HERE: http://bit.ly/FrictionLedAstray

Pre-order from Shogun Audio on vinyl or digital download from HERE: http://bit.ly/FrictionLedAstrayShogun

Friction - Led Astray EP

Friction - Stand Up (vs Camo & Krooked ft. Dynamite MC) (Sigma Remix)

Patience

This is an exclusive track for the Drum and Bass Arena 2013 compilation. It's about being underwater!

The biggest selling drum & bass compilation series of all time is back!

Now a staple date on all dedicated drum & bass junglists’ calendars, the annual spring Drum&BassArena collection is a celebration of everything that rocks, inspires and excites about upfront D&B. No re-runs, no faking; we’re talking strict freshness. From trailblazing new artists to established scene-shaping legends, Drum&BassArena dig deep to represent the widest picture possible… And always delivers a wealth of exclusives!

Release Date: 7th Apr 2013 (2CD/Digital)

InsideInfo - Trickle (Drum & Bass Arena 2013)

Critical Event x Askel & Elere - Endling

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Hoarding, just straight up hoarding. That’s how I would describe this. If it’s on my decks, it’s probably here too

Clash

Aud!o DNB

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