DER013 out October 2013
Presale: http://www.decks.de/t/evil_c_the_hustler-get_up_ep/c24-rf

Evil C & The Hustler - Get Up

Requiring no introduction for techno/house enthusiasts, DJ/producer Peter Kremeier a.k.a. LoSoul, was one of the mainstays on Playhouse, the classic label collective based in his hometown of Frankfurt. Aside from playing clubs throughout Europe (Panorama Bar, Rex, etc.), he’s kept busy doing remixes, including one for Renato Figoli on AMAM, which Sven Väth later included on his Sound of the 14th Season mix and Kerri Chandler on Watergate 15. It’s surprising to realize, now, that he hasn’t released an EP of his own in nearly two years! No sweat—he’s back in action with New Day, comprising two finely tuned, 10-minute-plus sound sculptures that will add distinction to today’s discerning dancefloors. 

“Below the Clouds” will not just move bodies but raise eyebrows with its undeniable sense of buildup and tension, like a storm forming overhead: Swarming around the thick, juicy house thump are electronic howls, menacing reverberations and metallic pads – this cut is for darker and deeper moments.

“Morning Birds” offers a stark contrast in mood; this time the commanding kick is built beneath a mélange of Francophile filter house, jazz-inflicted keys, and dewy atmospheric notes, all combining to form a euphoric haze. As the title implies, this track is especially suited for the early hours during sunrise, when night owls become early birds, ready for earworm breakfast. It’s a new dawn, it’s a New Day…

ARTIST		LoSoul
TITLE		New Day EP
LABEL		AMAM Records 
CATALOG NO.	amam029
FORMATS		12” / wav / mp3
RELEASE DATE	19 May 2014
CONTACT		info@am-am.org

A1. Below the Clouds
B1. Morning Birds

A - LoSoul - Below The Clouds - Clip

Z Funk

Alexandra Ungureanu - Lumea Viseaza

exclusive | M.S. - A Song About Feral Pigeons | Rawax

With "Columbiformes EP", Rawax once again makes space for Matthias Schildger to channel his many musical personas into one cohesive yet versatile release. Known under aliases like Star_Dub, Binary Operator, Polyfan Polyphenix, CNTRL, or simply M.S., Schildger uses his decades of experience to deliver five tracks that balance minimal precision with atmospheric playfulness.

"Pigeon Swarm (Vinyl Edit)" sets the tone with stripped-back minimal energy that harks back to the golden days of the genre. Percussive and bouncy, its groove feels both light and infectious, while a deep synth-line quietly fills the background, giving the track the depth it needs to stay locked on the floor. It’s minimal music at its grooviest and most timeless.

"Columbiformes" shifts gears into something darker and heavier. Built around a wobbling synth-line and a massive, almost physical bassline, the track still keeps its stripped-back character, but its energy is undeniable. Playful in details yet menacing in presence, it’s the kind of cut that shackles dancers to the groove without offering much of a way out.

"Breakin’ Doves" opens the B-side with a deep and breakbeat-driven mood, carrying that late-night atmosphere Matthias crafts so well. A subtle sense of melancholy runs beneath the breaks and grooves, creating a track that feels like the soundtrack to a dancefloor lost in time - irresistible, driving, but wrapped in a kind of nocturnal haze.

"Bird Hypnotizm" rounds off the vinyl edition with trippy textures and atmospheric spirals. The track is playful yet entrancing, layering Matthias’ sound design into an environment that feels otherworldly but never loses its dancefloor focus. It’s hypnotic, subtle, and perfectly suited as a closer.

The digital-only track, "A Song For Feral Pigeons," is perhaps the EP’s secret weapon. Lean and minimal, but with a deep groove that keeps listeners moving, it’s a reminder of Matthias’ ability to create understated yet captivating pieces. Its combination of groove and texture makes it a fitting companion to the vinyl cuts and ensures the "Columbiformes EP" ends on a note that is as functional as it is thoughtful.

Altogether, "Columbiformes EP" is Matthias Schildger at his most versatile - merging minimal grooves, breakbeat flourishes, and atmospheric soundscapes into a release that feels both classic and forward-looking. It’s a record that honors minimal’s past while continuing to evolve it, much like the restless flight of the birds that inspired it.

Buy the EP: https://dbh-music.com/shop/release_view/16040

Artist & label information
M.S.: @matt-star // https://instagram.com/matt_schildger
Rawax / Chiwax / Housewax: @rawax-chiwax-housewax // https://www.instagram.com/rawaxmusic
DBH Music: @dbh-music // https://www.instagram.com/dbh_music_distribution

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​
https://soundcloud.com/torture-the-artist
https://instagram.com/torture_the_artist​
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

exclusive | M.S. - A Song About Feral Pigeons | Rawax

IULY.B - Quandary (Original Mix)

B. Cabanne - Terepho [YOYAKU001]

Retrospektiv

Sweetback

From A Guy Called Gerald - How Long Is Now EP 
Release 30th November, 2012 vinyl and 25th December, 2012 digital

Side A 
How Long Is Now 
Groove Of the Ghetto featuring Taka Boom

Side B 
202

Bosconi is proud to announce the arrival into the family of one of the greatest legend of house music, the oldskool hero A Guy Called Gerald. The release randomly arrives in coincidence with the definitive closing of another legend, the place in berlin that has been a symbol for years of the cultural renaissance of the german capital after the wall, the Tacheles. When Gerald just moved to berlin, he got his house and his studio inside that very inspiring and artistic place, and as a tribute and homage to his legendary figure, some mysterious writer draw G's face on the right side of that building with the shamanic enigma above that giant mural "How Long Is Now", an existential sigh or question that perfectly sums up the uncertain past, present and future of one of Berlin's most important initiatives, as the Tacheles was, and as the things of our life that we love, as the music, can be, uncertain…But for sure this 3 tracker vinyl is real and it will last for long in our bags, these are 3 deadly club weapons by The Master between bass music, micro funk and soul excursions: A1 gives the title to the EP and it's subliminal dark and psychedelic after-hours dope session, while on B1 there's the shady and sexy atmosphere of "Groove of the Ghetto", a driving and funky house tune sustained by an ultra fat synth bass and enriched by soulful vocals and deep pads, while on B2 the EP ends wih the brutal Uk bass bonus beats monster entitled "202".

Serious Stuff. In memory of Tacheles and the good old days.

Worldwide Distributed by Synchrophone Cyberproducion. For preorders contact: Didier Alline - dalline@syncrophone.fr

All tracks published by Nanoplasmic licensed courtesy of A Guy Called Gerald Records www.guycalledgerald.com

A2 contains a sample of ‘Can’t Get High Without U’ performed by Taka Boom, licensed courtesy of Z Records Ltd. www.zrecords.ltd.uk Written by David Lee, Published by Universal Music

(P) & (C) Bosconi Records 2012

http://www.bosconirecords.com/record_info.php?rec=86

Preview : A Guy Called Gerald - 202 (from How Long Is Now EP)

hello? repeat no 021 incl "attachments of the past" and "now, not no"

Vera - Now, not no

Follow me on Bandcamp to get notified about my new releases & buy high resolution files !

https://audiowerner.bandcamp.com

Dba

Audio Werner