Free Download - EP 2 of Mahābhūta series of 4 EPs.

Entwine

Use the earholes for drinking and digesting sound.
absorb frequencies into all layers of being. 
be moved and let your expression be carried into the world.

Music and Dance = medicine

Heartfelt gratitude to all musicians in this world, brewing their potions. I love discovering sound and creating sonic journeys that inspire a movement discovery, deep listening, presence and connection. 

DJ 
Ecstatic Dance Facilitator 



I could give you my background, but it wouldn't really tell you how it shaped me. I could show you photos, but you would just see my mask. I could tell you a story, but lyrical self expressions aren't my forte. You could ask my friends, but they'd give you their version of me. 

But if you were to just listen intently to some of the music I make, you'll hear my soul ripped intricately open for all to see....

David grew up surrounded by music (at least until he took his mother’s record player apart at the age of 6 to see how it worked). His favourite toys were those that made or recorded sound. One of his most loved being the Stylaphone, which he was given at the age of 4.
David began Djing at the age of 18, playing local events and clubs whenever the opportunity arose, often for free, solely for the enjoyment and satisfaction it gave him.

Whilst at University in Manchester, UK, David co formed and ran a successful club night for 3 years, playing to a loyal, continuously growing crowd every fortnight. Success in this arena lead to David securing many bookings at local clubs and events around the North West of England.

Through his love for Djing, David felt an increasing desire to create his own music, and explore the soundscapes that were building up in his mind.

The day that profoundly changed David’s life, and enabled him to realise his life long dream occurred by chance. A friend took him into the University music studio, briefly showed him how to turn the keyboards and equipment on, gave a ten minute lesson in the music production software on the computer, and left the room. 6 hours flew by, completely hooked, he had found the path he had been searching for since he was a child.

Ever since, every penny he shouldn’t have spent, every spare moment he has, goes on letting emotions flow through sound. 

David donates much of all royalties received from the sales of his music to good causes.

EIᑎ EᑕᕼO EᑎTᔕTEᕼT ᗯEᑎᑎ ᔕᑕᕼᗩᒪᒪ ᗩᑌᖴ EIᑎ ᕼIᑎᗪEᖇᑎIᔕ TᖇIᖴᖴT.

EᑕᕼO
ᑭᕼYᔕIKᗩᒪIᔕᑕᕼ GEᔕEᕼEᑎ ᗷEᔕTEᕼT ᔕᑕᕼᗩᒪᒪ ᗩᑌᔕ ᑌᑎᔕIᑕᕼTᗷᗩᖇEᑎ ᗯEᒪᒪEᑎ, ᗪIE ᔕIᑕᕼ Iᑎ ᗪEᖇ ᒪᑌᖴT ᗩᑌᔕᗷᖇEITEᑎ. ᔕIE EᑎTᔕTEᕼEᑎ, ᗯEᑎᑎ TöᑎE OᗪEᖇ GEᖇäᑌᔕᑕᕼE EᖇᘔEᑌGT ᗯEᖇᗪEᑎ ᑌᑎᗪ ᗷᖇIᑎGEᑎ ᒪᑌᖴTTEIᒪᑕᕼEᑎ Iᑎ ᗷEᗯEGᑌᑎG. ᗯIᖇᗪ ETᗯᗩ EIᑎ KᑌᖇᘔEᖇ TOᑎ ᕼEᖇᐯOᖇGEᗷᖇᗩᑕᕼT, ᗪᗩᑎᑎ ᗪᖇüᑕKT Eᖇ ᗩᑎ ᗪIEᔕEᖇ ᔕTEᒪᒪE ᒪᑌᖴTTEIᒪᑕᕼEᑎ ᗯEG. ᗪIE ᒪᑌᖴTTEIᒪᑕᕼEᑎ ᖇüᑕKEᑎ ᗪEᔕᕼᗩᒪᗷ ᗪIᑕᕼTEᖇ ᘔᑌᔕᗩᗰᗰEᑎ ᑌᑎᗪ Eᔕ EᑎTᔕTEᕼT ᗪᖇᑌᑕK Iᑎ ᗪEᖇ ᒪᑌᖴT. ᗪIEᔕEᖇ ᒪᑌᖴTᗪᖇᑌᑕK ᔕOᖇGT ᗪᗩᖴüᖇ, ᗪᗩᔕᔕ ᔕIᑕᕼ ᗪIE TEIᒪᑕᕼEᑎ ᔕEKᑌᑎᗪEᑎᔕᑕᕼᑎEᒪᒪ Iᑎ ᗩᒪᒪE ᖇIᑕᕼTᑌᑎGEᑎ ᗩᑌᔕᗷᖇEITEᑎ.

EᑕᕼO
ᗯEᑎᑎ ᑎᑌᑎ EIᑎ ᒪäᑎGEᖇEᔕ GEᖇäᑌᔕᑕᕼ EᖇᘔEᑌGT ᗯIᖇᗪ, ᗪᗩᑎᑎ ᑭᗩᔕᔕIEᖇT ᗪᗩᔕ ᗰEᕼᖇEᖇE ᗰᗩᒪE ᑎᗩᑕᕼEIᑎᗩᑎᗪEᖇ ᑌᑎᗪ Eᔕ ᗷᖇEITEᑎ ᔕIᑕᕼ Iᑎ ᗪEᖇ ᒪᑌᖴT ᐯIEᒪE ᗪIᑕᕼTE ᔕTEᒪᒪEᑎ ᗰIT ᒪᑌᖴTTEIᒪᑕᕼEᑎ ᗩᑌᔕ. ᘔᗯᗩᖇ IᔕT ᗪIE ᗷEᗯEGᑌᑎG ᗪEᖇ ᒪᑌᖴTTEIᒪᑕᕼEᑎ ᖴüᖇ ᑌᑎᔕ ᑌᑎᔕIᑕᕼTᗷᗩᖇ, ᗯüᖇᗪEᑎ ᗯIᖇ ᔕIE ᗩᗷEᖇ ᔕEᕼEᑎ, ᗪᗩᑎᑎ ᗯüᖇᗪEᑎ ᗯIᖇ ᔕIE ᗩᒪᔕ ᗯEᒪᒪEᑎ ᗯᗩᕼᖇᑎEᕼᗰEᑎ. ᑌᑎᗪ ᗯEᑎᑎ ᗪIEᔕE ᗯEᒪᒪEᑎ ᑌᑎᔕEᖇ Oᕼᖇ EᑎᗪᒪIᑕᕼ EᖇᖇEIᑕᕼT ᕼᗩᗷEᑎ, ᗪᗩᑎᑎ ᕼöᖇEᑎ ᗯIᖇ TöᑎE ᑌᑎᗪ GEᖇäᑌᔕᑕᕼE. ᗩᒪᔕ ᔕᑕᕼᗩᒪᒪ ᗷEᘔEIᑕᕼᑎEᑎ ᗯIᖇ ᗪEᔕᕼᗩᒪᗷ ᗩᒪᒪEᔕ, ᗯᗩᔕ GEᕼöᖇT ᗯEᖇᗪEᑎ Kᗩᑎᑎ.

EᑕᕼO
ᔕᑕᕼᗩᒪᒪᗯEᒪᒪEᑎ ᔕIᑎᗪ Gᗩᑎᘔ ᔕᑕᕼöᑎ ᔕᑕᕼᑎEᒪᒪ. ᔕIE ᒪEGEᑎ Iᑎ EIᑎEᖇ ᔕEKᑌᑎᗪE ETᗯᗩ 340 ᗰETEᖇ ᘔᑌᖇüᑕK. ᑌᑎᗪ ᗯEᑎᑎ ᔕIE ᗪᗩᗷEI ᗩᑌᖴ EIᑎ ᕼIᑎᗪEᖇᑎIᔕ TᖇEᖴᖴEᑎ, ᗯIE ᘔᑌᗰ ᗷEIᔕᑭIEᒪ EIᑎE ᗷEᖇGᗯᗩᑎᗪ, ᗪᗩᑎᑎ ᗯEᖇᗪEᑎ ᔕIE ᐯOᑎ ᗪIEᔕEᖇ ᗯᗩᑎᗪ ᗯIᗪEᖇGEᔕᑭIEGEᒪT ᑌᑎᗪ Iᑎ ᑌᑎᔕEᖇE ᖇIᑕᕼTᑌᑎG ᘔᑌᖇüᑕKGEᗯOᖇᖴEᑎ, ᔕO ᗪᗩᔕᔕ ᗯIᖇ ᗪEᑎ TOᑎ ᑎᗩᑕᕼ KᑌᖇᘔEᖇ ᘔEIT ᗯIEᗪEᖇ ᕼöᖇEᑎ KöᑎᑎEᑎ.

EᑕᕼO
Iᑎ ᗪEᖇ ᑭᕼYᔕIK ᔕᗩGT ᗰᗩᑎ ᗪEᔕᕼᗩᒪᗷ, ᗪᗩᔕᔕ ᔕᑕᕼᗩᒪᒪᗯEᒪᒪEᑎ ᗩᑎ ᖴᒪäᑕᕼEᑎ 'ᖇEᖴᒪEKTIEᖇT' ᗯEᖇᗪEᑎ. ᗪEᑎ ᖇEᖴᒪEKTIEᖇTEᑎ ᔕᑕᕼᗩᒪᒪ ᗷEᘔEIᑕᕼᑎEᑎ ᗯIᖇ ᗩᒪᔕ EᑕᕼO.

EᑕᕼO
ᗪᗩᔕ, ᗯᗩᔕ ᗪᗩ ᑭᗩᔕᔕIEᖇT, Kᗩᑎᑎ ᗰᗩᑎ ᗩᑌᑕᕼ ᗰIT EIᑎEᗰ ᗷᗩᒪᒪᔕᑭIEᒪ ᐯEᖇGᒪEIᑕᕼEᑎ. ᗯIᖇᖴT ᗰᗩᑎ EIᑎEᑎ ᗷᗩᒪᒪ GEGEᑎ EIᑎE ᗯᗩᑎᗪ, ᗪᗩᑎᑎ ᑭᖇᗩᒪᒪT Eᖇ ᗩᑎ Iᕼᖇ ᗩᗷ ᑌᑎᗪ KOᗰᗰT ᘔᑌ ᑌᑎᔕ ᘔᑌᖇüᑕKGEᖴᒪOGEᑎ.

EᑕᕼO
ᔕᑕᕼᗩᒪᒪᗯEᒪᒪEᑎ ᖇEᖴᒪEKTIEᖇEᑎ ᗩᑌᑕᕼ Iᑎ ᕼöᕼᒪEᑎ, GᖇößEᖇEᑎ ᕼᗩᒪᒪEᑎ OᗪEᖇ ᑌᑎTEᖇ ᗷᖇüᑕKEᑎ. ᗪOᖇT IᔕT ᗩᗷEᖇ ᗪEᖇ ᗯEG, ᗪEᑎ ᗪIE ᗯEᒪᒪEᑎ ᘔᑌᖇüᑕKᒪEGEᑎ, ᗰEIᔕTEᑎᔕ ᐯIEᒪ ᘔᑌ Kᑌᖇᘔ ᑌᑎᗪ ᔕIE ᗷEᗯEGEᑎ ᔕIᑕᕼ ᔕO ᔕᑕᕼᑎEᒪᒪ ᕼIᑎ ᑌᑎᗪ ᕼEᖇ, ᗪᗩᔕᔕ ᑌᑎᔕEᖇE OᕼᖇEᑎ ᖴᗩᔕT ᗩᒪᒪEᔕ GᒪEIᑕᕼᘔEITIG ᕼöᖇEᑎ. ᗪᗩᑎᑎ ᕼᗩᒪᒪT Eᔕ EIᑎᖴᗩᑕᕼ ᑎᑌᖇ ᑌᑎᗪ ᗰᗩᑎ ᔕᑭᖇIᑕᕼT Iᑎ ᔕOᒪᑕᕼEᑎ ᖴäᒪᒪEᑎ ᑎIᑕᕼT ᗰEᕼᖇ ᐯOᑎ EIᑎEᗰ EᑕᕼO, ᔕOᑎᗪEᖇᑎ ᐯOᑎ EIᑎEᗰ ᑎᗩᑕᕼᕼᗩᒪᒪ.

EᑕᕼO
ᗯEᑎᑎ Iᕼᖇ ᗩᒪᔕO EIᑎ ᖇIᑕᕼTIGEᔕ EᑕᕼO ᕼöᖇEᑎ ᗯOᒪᒪT, ᗰüᔕᔕT Iᕼᖇ Iᑎ EIᑎEᖇ ᗷEᔕTIᗰᗰTEᑎ EᑎTᖴEᖇᑎᑌᑎG ᘔᑌ EIᑎEᗰ ᗰöGᒪIᑕᕼEᑎ ᕼIᑎᗪEᖇᑎIᔕ ᔕTEᕼEᑎ – ᗰIᑎᗪEᔕTEᑎᔕ 17 ᗰETEᖇ ᗯEIT. ᗷEᖇGᗯäᑎᗪE EIGᑎEᑎ ᔕIᑕᕼ ᗪᗩᕼEᖇ ᑭEᖇᖴEKT ᖴüᖇ EᑕᕼOᔕ: ᒍE ᗯEITEᖇ Iᕼᖇ ᐯOᑎ EIᑎEᖇ ᗷEᖇGᗯᗩᑎᗪ EᑎTᖴEᖇᑎT ᔕTEᕼT, ᗪEᔕTO ᗪEᑌTᒪIᑕᕼEᖇ ᐯEᖇᔕTEᕼT Iᕼᖇ EIᑎ GEᖇᑌᖴEᑎEᔕ ᗯOᖇT ᗩᒪᔕ EᑕᕼO. ᗩᕼ!#Downtempo #Ethnic #Shamanic #Organic #Soundscape #Deephouse

Entwine

Auditory Canvas