CHECK OUT MY LATEST SINGLE:
linktr.ee/klingande

https://linktr.ee/mowemusic

 
This Austrian deep house & indie pop duo have rapidly risen the ranks, stealing music hearts across the globe. Racking up a colossal 100 Million+ streams across multiple platforms, boasting 4 million Spotify listeners across 61 countries, and enticing fans by showing off their phenomenal DJ and Live PA performances at 100,000 crowd strong events such as Pride Vienna, and iconic venues and locations such as Ushuaïa Ibiza, Amsterdam Dance Event, Nos Trilhos Sao Paulo, Pacha Germany and BadenFahrt Festival Switzerland to name a few. 

Möwe was founded by members Clemens Martinuzzi and Melanie Ebietoma in 2013. Now in their mid 20’s and both music aficionados from the start, the two met while they were playing in Indie Rockbands; “Mary lost her Pathos” and “At Pavillon”. They quickly realised that their music stylings matched incredibly well, and began creating music together! First inspired by a bitter cold winter day in Vienna and their longing for something to bring them warmth and a high spirited feeling, they decided to create their new sound, which was the birth of Möwe. The rest, as they say, is history…

The unique duo released their first official track together in 2014 on Stil Vor Talent – the label of Oliver Koletzki. They then began developing their own distinct sound and style, bringing tunes like Blauer Tag (2013, 6 Million Streams), Sonnenkind (2014, 12 Million Streams), Birds flying high (2015, 17 Million Streams), and Lovers Friends (2016, 17 Million Streams). Their debut album "Back in the Summer" was released in 2016, which welcomed huge fan and notable DJ support. They have also had tremendous success on many of their single tracks, one of the most notable being Skyline in 2017, which has pulled in 10 Million+ streams and radio play worldwide including on the US taste makers station Sirius XM. 

They have stellar taste in labels, and have worked in tandem with Universal Music, Atlantic Records, Ministry of Sound, Big Beat, Armada Music, Ultra Music, Spinnin’ records and the powerhouse that is Discowax Sony worldwide. Among other interesting facts, they are extremely proud of their singing prowess, the fact that they both play guitar and bass, and that they both play keys. This impressive show of musicianship is just one of the reasons their live shows are a unique wow factor for the fans and are not to be missed! Showing no signs of slowing down for 2018, Möwe are bringing a stack full of new music including a collaboration with Sam Feldt, while also continuing to entertain fans with their live PA performances across the globe and Möwe’s Flying High Radio Show expanding to new levels. This duo is clearly a force to be reckoned with, and without question, they are artists to watch!

for booking inquiries: steffen@dusteddecks.de
www.dusteddecks.de


Phantasie, Einfühlungsvermögen, musikalische Version und natürlich ein untrügliches Gespür für die Trends von übermorgen – Eigenschaften, die einen guten Künstler erst von einem hervorragenden Künstler unterscheiden. Der Leipziger DJ und Producer David K. besitzt alle vier im Überfluss, wie der 26-Jährige bereits mit seinen gefeierten Remixen für Robin Schulz, Tiesto oder Faul bewiesen hat. Pünktlich zu den beginnenden Sommerfestivals startet David K. nun so richtig durch. Mit im Programm: Sein brandneues Club-Brett „Like The Dawn (David K. Remix)“

Er ist auf dem Sprung an die absolute Spitze einer ganz neuen Generation von DJs und Producern, die statt auf durchgehend wummernde Bässe und stumpfe Hands-in-the-Air-Parts mehr Wert auf Atmosphäre und Emotion, wie auch auf Tanzbarkeit legen: Mit seinen Mixen, Tracks und Edits wie seinem viel beachteten Debüt-Tune „Meet You“ sowie dem ebenso begeistert aufgenommenen Follow-Up „Open Eyes“ hat sich David K. ab 2012 innerhalb kürzester Zeit eine stetig wachsende Fanbase erspielt – heute wird der Leipziger als das kommende Next big Thing innerhalb der europäischen Deep House-Szene gehandelt. Ein kommender Shootingstar, der allerbeste Chancen hat, selbst Robin Schulz schon bald seinen Thron als momentan erfolgreichster deutscher Clubhitlieferant ernsthaft streitig zu machen! Bereits Anfang des Jahres war David K. auf der renommierten Winter Music Conference in Miami nach Robin Schulz an den Turntables vor einer absolut geflashten Crowd zu erleben.

Als „gut ausgewogenes Mittelding aus romantischen Vibes und Clubtauglichkeit“ bezeichnet David K. selbst seinen sanft nach vorne pushenden Signature-Sound, auf dem sich warme, akustische Elemente mit einer fließenden Bassline und treibenden Beats zu einem melancholisch-entspannten, tanzbaren Mix verbinden. „Einerseits ein wenig verschmust, andererseits geht es absolut nach vorne“, so David über seine ganz eigene Interpretation von Melodic Deep House. „Ich würde meinen Style als melodiösen House mit Vocals und organischen Instrumenten beschreiben. Mich selbst würde ich als Romantiker bezeichnen; das spiegelt sich auch irgendwie in meinen Tracks wider. Ich mag es, aus ruhigen, schönen Songs tanzbare Clubtunes zu basteln. Ich fände es toll, wenn die Leute zum Sonnenaufgang an einem Strand zu meinen Tracks abfeiern. Eine sehr schöne Vorstellung.“

Bereits im Alter von 14 Jahren hat der erklärte Nachtmensch David K. mit dem Auflegen begonnen; nach Zwischenstationen in lokalen Clubs sowie Sets in ganz Deutschland, Österreich, Ungarn, Belgien, der Schweiz, Holland und den USA hat sich der 22-Jährige mittlerweile bis auf die Stages großer Festivals wie dem SonneMondSterne oder der Sputnik Spring Break hoch gespielt. Und auch als gefragter Remixer hat sich David K. einen exzellenten Namen gemacht: So zeichnet er u.a. verantwortlich für Remixe von Robin Schulz` „Headlights (feat. Ilsey)“, Tiestos „Light Years Away“ und Fauls „Something New“.

Und auch mit seinem nächsten Clubhit, einem Remix des Folksongs „Like The Dawn“ vom texanischen Duo The Oh Hellos, sorgt David K. schon jetzt für rappelvolle Tanzflächen. The Oh Hellos „Like The Dawn (David K. Remix)“ erscheint am 01.05.2015 über Tonspiel/ Warner Music.

Booking : joran@wartiste.com
Management : matt@kidding-aside.com
Presave 'Invisible' : https://nto.backl.ink/invisible
The story behind NTO started with a match made in heaven, a kid from the South of France always hooked to his guitar, and electronic and dance music. After going to the Sziget Festival when he was 18, NTO started to hang out regularly at La Villa Rouge, and Bar Live, two legendary clubs in the South of France. At the time, German minimal techno music was booming and Anthony Favier would spend his nights listening to Stephan Bodzin, James Holden, or the very beginnings of Paul Kalkbrenner: "My biggest music crush of all time”. The evocative power of music, strong kicks and the unifying atmosphere of dancefloors: this is the triple focus that will inspire him to create and produce music without going through the usually mandatory DJ phase.

The story behind NTO is also about his friendship with Worakls and Joachim Pastor, with whom he created Hungry Music in 2013. Performing together on the Olympia’s stage to the Vieilles Charrues Festival, they learned to master the stage, and seduced a new generation that would follow them faithfully from this moment on. Thanks to his hits "Trauma" and "La clé des champs", which account for several millions of streams on DSPs, NTO's career took off internationally: from The Netherlands, to Germany, to Eastern Europe to Canada...  

Today, NTO is about to start a new chapter of his career. With deep basses and lysergic harmonies, he filters different layers of his melodies to make them sparkle even more, just as if they emerged from the water after hitting rock bottom. NTO is currently working on his first album.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

🇮🇹 Dj/Producer from Milan, Italy 

📩 CONTACT: addalmusic@gmail.com

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