The Very Best of 2022

audric's music

shizz

Grabado en el año 2006 - Re mezclado año 2013

Amarrocandote con pasion

2021 | VOODOOVIBE - GRANDPA'S DINNER (A MIDTEMPO GLITCH FUNK EP) 
▶ Listen Now On Spotify 
https://open.spotify.com/album/78HKWC...
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Music by VoodooVibe
Rec, Mix & Master by VoodooVibe
Artwork & Video by VoodooVibe
All rights reserved © 2021 - IndiePendente Label  
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Spotify 🟢 
https://open.spotify.com/artist/2zReb...
Instagram 🔴
https://www.instagram.com/voodoodelve/

01 - VoodooVibe - Grandpa's Dinner

'For Now' is a dedication to "Mother Earth and is in part, the sorrow that I feel for the desecration of Planet Earth. The piece is in the form of a soundscape, for the want of a better genre description. However that aside, I still have a positive attitude towards over coming the forces of darkness, that are intent upon destroying this beautiful place that we all call home. So Happy New Year to all and health and happiness for 2022.

For Now

Sevenes 55,000

Love Is Better In The Morning

Demo del año 2005 - Re masterizado en el 2013

A night in tunisia

Here's a guitar jam/solo I wrote that takes inspiration from the guitar solo section of Poison's Bodytalk, as I am a huge Richie Kotzen fan, he's one of my favorite guitar players. I made this long jam and just free-styled over it. I added a lot of layers with the use of organs/electric pianos and some trumpets. 
All guitars, bass guitar and organs/pianos were recorded by me, as well as the programming for the drums, trumpets and sax.
My go to guitar for the entire song was my schecter custom

Dirty Talk

Demo 2014, tema de Mikrokosmos Jazz Fusion

Fire Deparment

About MATRIX MAN~
This track represents an exploration of an idea that for many years was back-burner/kind-of experimental material, but finally I had the desire to finish it.
Overall… Matrix Man has two main sections. The first section actually has a couple parts within it, one being the initial concept from which the rest of the tune was written around. 
This initial concept involves ascending and descending suspension chords, along with a syncopated “melody” weaving throughout, with the added element of rhythmic tension created by repeated cycles of three measures in 7/8, and a fourth measure in 5/8.  The chordal basis of this crafty part just described becomes quite evident as this track progresses in about a minute. 
But for the intro, I decided to solo only the melody without the background of suspension chords from which it was extrapolated from.  Eventually… the first section morphs into the remaining section which maintains a steady 7/8 time signature.  Here an infectious groove develops as the bass and drums drive the foundation punctuated by guitar and piano solos.
I originally called this tune “Suspended Matrix”, which makes sense due to it’s quirky suspended chord form from which the whole tune was derived from. But as I worked on it, a light went on in my head telling me to retitle it “MATRIX MAN” (after all… I was the man... the man suspended in this matrix for a month!).
I think the new title’s got more of a ring to it anyway!
I hope everyone enjoys the listening experience despite the technical nature of this composition!

MATRIX MAN (Audric Jankauskas-2016)

This track is a sonic interpretation of a storm as it progresses from it's beginning stages all the way to it's closure.
In my case…. observing the first snowflakes falling so gently as a
winter storm approaches, only to be followed by a powerful driving blizzard.
With that in mind… I hope you enjoy “Atmospheric Metamorph”
All sounds and instrumentation heard (except for my guitar), were programed/sequenced.

ATMOSPHERIC METAMORPH (Audric Jankauskas-2016)

This high energy track has a mix of stylistic elements of some of my favorite jazz/fusion guitarists that have influenced me over the years. (Metheny, Scofield, Henderson, Martino). I did not necessarily intend this... the track just seemed to develop this way on it's own.  
Except for my guitar, I programmed/sequenced every instrument that is heard. 
I also must give additional credit where it's due. This composition and track, as it exists now, would never have come to be if it weren't for a free-form jam session recorded in 2013 with local musician friends Mitch Shelly (on bass), Don Plowman (on drums), and myself (on guitar).  While listening back to the jam recording, one particular spot caught my ears in which I realized could easily turn out to be the heart of a new composition. Thankfully, the combination of the bass line, drum pattern, and melody that now makes up the main theme of Intrepid Spirits was captured! Of course, much more was added to this main theme to build it into the composition and track as it exists now.

INTREPID SPIRITS (Audric Jankauskas-2016)

This track titled “Serendipitous” features the extraordinary musical talents of violist Themis Nikoloudis.  It was a great experience collaborating with Themis from beginning to end on this tune! “Serendipitous” was something I wrote about 20 years ago… a rather simple composition with just two distinct parts.  I was never sure about ever publishing it.  But when Themis approached me suggesting to collaborate, I thought it would be nice to bring this particular tune to life with the magical sounds of Themis’s violin playing.  I hope everyone enjoys this collaboration!  Also… I highly recommend checking out Themis’s SoundCloud page to listen to his music!

Serendipitous

SERENDIPITOUS (Audric Jankauskas/Themis Nikoloudis-2016)

Full of time signature and key changes, along with plenty of angular lines played against a rhythmically tripped-up jazz-funk groove, this track was created to take you on a challenging, yet fascinating sonic journey!   
Every instrument that is heard (except my guitar) was programmed/sequenced.

Auspicious Angularity

AUSPICIOUS ANGULARITY (Audric Jankauskas-2016)

a bit of chilled out jazz influenced guitar

Dream On

WELCOME ALL to my SoundCloud page!

It's always a pleasure to discover through SoundCloud the wealth of wonderfully talented and creative musicians out in the world... all sharing their own distinct and artistic creations.  I'm very happy to be a part of this amazing, creative, and supportive community.

My main instrument is the guitar (mainly electric... sometimes acoustic). I also play on occasion bass and keyboards (strictly for recording on my own compositions).  Most of my music tracks on SC are created, recorded, and produced in my home studio.  Recently, I've been making good use of midi sequencing to ultimately produce tracks that I otherwise would find almost impossible to do by other means. 

Fusion (my mix of jazz, rock, funk, soundtrack, etc.) is the best way to describe most of the music that I produce these days.  I've enjoyed playing and recording many styles/genres of music in the past, and all these past musical experiences influence me today in the way I compose and play.

You will find here on my SC page samplings of new and older works of mine.  The track picture icons more or less help identify what tracks belong to other associated tracks. And I will try to present some extra information for the individual tracks for those that are interested as well.

Thanks for reading... and I hope you enjoy listening! 
Audric Jankauskas