This sounds awesome!!! Great to hear it fully fleshed out.

Project 99

Min serenad till dig. 1034 ( 1996 ) Margareta Theorin - Eddy Mango ( Margareta )

Cast of Characters:

Cgmaness – https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?si=pJS46q9cRDmArzLu-g_3qQ – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to her name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....


Better Not Say (The Eclectic Collective)

The Cowboy Rides Away

Ray and I made another song together. Well, maybe it's not exactly a song. But it's something!

Please visit Ray here if you haven't already https://soundcloud.com/user-364196783-552705040 You'll be in for a treat.

Home Lonely

Un avenir radieux

"Unfolding Visions" all began with an unusual and intoxicating drum rhythm loop created in Garage Band.  Visions of cascading and descending jazzy chord harmonies bookend the heart of the tune, all complimented by the beautiful textures of vocal pads sung by Roger Whittlesey and Christy Bluhm.

UNFOLDING VISIONS (Audric Jankauskas-2025)

MISSING YOU  (From Open Collab Paploviante)
Backing Track:
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
Vocals Leslie (Ghosthack) Missing you
Lillithe:  Mix, Arrangement and Production

Missing you (From Open Collab Paploviante)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

maybe it's just me, but the end of summer has always felt like someone suddenly flipped a switch and changed everything overnight. the light, the air, the mood, everything. of course, there's this spectacularly beautiful transition called indian summer in canada and north america, and simply "herbst" here. but the beginning of this magnificent end always feels abrupt to me. recently, it happened again. just like when I was a child, I felt a sense of melancholy, as if it were a permanent farewell. maybe for it will actually be that way. someday.

anyway, in 1981, I had the bizarre idea of writing a musical. I was attracted by the complex challenge. but, above all, it was because I had always been immensely impressed by the musicals of the 60s and 70s: just freaking divine melodies, usually too dramatic, playful and operetta-like for radio.

I got started and wrote a musical about mice (while in london someone way more talented was creating one about cats;-) of course, autumn had to play a role, with all the feelings I associate with it, which I also attribute to mice. scene: two mice sitting together, watching a beautiful sunset, one of them starts singing and dancing.

over the past 40 years, I have reinterpreted the theme of this special part countless times (just example in the case of massive curiosity: ( https://youtu.be/az0T2Uzkgk0?si=QLOK4hJ5i5GcsDbr ), but it has only now become a song with the vocals written once.

I’d also like to share the very first sketch on the subject, once recorded in my band's rehearsal room with a working text. we shared the room with a keyboardist with an unimaginable amount of money. this allowed him to afford things I secretly used for this recording: a brand-new wonder machine called the teac tascam portastudio 244 80s 4 track multitrack cassette tape recorder!!! a yamaha cp 70 grand piano!!! a korg cx-3 organ!!! and a roland tr-808 rhythm composer!!! absolutely insane!!! the rest is my “voice” and, of course, the strat.

And since I’m already at it, I created a template-free hip hop interpretation of the lyrics that more closely reflects my current mood, which is certainly age-related;-)

©music and lyrics written by Hans-Michael Albers, instrumental cover and vocal performance by suno 4.5+

One last warm ray of sunlight.
reflected in the leaves' dance.
A flock of birds flies away.
A sky full of differences.

Nothing blooms or sparkles in the air anymore.
Only the weary scent of farewell.
Of all the strength that once was.
Now, only memories remain.

A quiet dying, piece by piece.
Looking forward, we look back.
To everything light and carefree,
that returned every morning.

as if nothing was ever too late.
Because time turns in circles.
in a boundless world,
where nothing lasts forever.

Do you feel it, too?
Do you feel it, too?

Colourful and enchantingly beautiful to this day.
A play of colours, no farewell.
One last warm ray of sunshine.
There won't be another one.

There won't be another one.

Do you feel it, too?
Do you feel it, too?


Spürst du das auch? (Musical Version)

Inspired by a really old tune, written by B2K whilst playing in the groundbreaking college band, William's Doll!  Then further inspired by the juju music of West Africa, Nigeria, and musicians like Fela Aníkúlápó Kútì, King Sunny Ade', and his African Beats . . .

-----------------------------------------------------------------
B2K: electric guitar, loops, MIDI: rhodes piano, saxophone section, tenor saxophone, trombone

and endless gratitude for both the intrepid:

Oh: drum kit/trap set/e-drums, and

Tree: bass guitar, e-bass
-----------------------------------------------------------------

Electric Guitar: 1984 Alembic Electrum (prototype)

Pedals: Musictronics: Mutron Octave/Divider, Mutron Phasor II, Mutron III (envelope); Tube Works Real Tube Overdrive, Ibanez AD-9 Analog Delay, Thomas Organ Cry Baby Model 95, Ernie Ball Volume, Saturnworks 6-pedal connector - Loops: Digitech Trio+ - MIDI: Roland GR-20 Guitar Synthesizer + GK-3 Divided Pickup

Guitar Amp/Speaker: Fender Rivera-era Super Champ - 8” JBL K-110 speaker

Looper recording: Looper pedal stereo direct to Tascam Model 12, (24 bit @ 48kHz) - initially all live, one take, edited for duration only.

Lesson to be Learned-a-lope

WELCOME ALL to my SoundCloud page!

It's always a pleasure to discover through SoundCloud the wealth of wonderfully talented and creative musicians out in the world... all sharing their own distinct and artistic creations.  I'm very happy to be a part of this amazing, creative, and supportive community.

My main instrument is the guitar (mainly electric... sometimes acoustic). I also play on occasion bass and keyboards (strictly for recording on my own compositions).  Most of my music tracks on SC are created, recorded, and produced in my home studio.  Recently, I've been making good use of midi sequencing to ultimately produce tracks that I otherwise would find almost impossible to do by other means. 

Fusion (my mix of jazz, rock, funk, soundtrack, etc.) is the best way to describe most of the music that I produce these days.  I've enjoyed playing and recording many styles/genres of music in the past, and all these past musical experiences influence me today in the way I compose and play.

You will find here on my SC page samplings of new and older works of mine.  The track picture icons more or less help identify what tracks belong to other associated tracks. And I will try to present some extra information for the individual tracks for those that are interested as well.

Thanks for reading... and I hope you enjoy listening! 
Audric Jankauskas

UNFOLDING VISIONS (Audric Jankauskas-2025)

Audric Jankauskas

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