Artificial Memory Trace - Tidal, excerpt track 1

Desensualized

no one wants to admit that i am afraid (for W.B.) (emotionally overextended version)

interreferences II

interreference.8

Harbor Darkness

Harbor Darkness (for C&C)

on a continuous form

on a continuous form 4

Specification.Twelve

LINE_157

A decade is a long pause… how the world has changed since…

Longtime friends and collaborators, iconic ambient composer William Basinski and sound artist/composer Richard Chartier return to LINE with 'Aurora Terminalis', their first new work together since 2015’s ‘Divertissement’ LP (Important Records, US).

From an unexpected sudden burst of sound jaggedly spiraling outward, the tumult fades and shockwaves slide into lulling haze of a melody. Background nuance—nearly imperceptible—and foreground romanticism ripple near each others’ edges. Then, rhythmic and liquid, an erratic drifting over a clouded void... an 'un-still' life... a slow tracing.

'Aurora Terminalis'… a fading gauzy signal for a finality.

Basinski and Chartier have previously released two collaborative works on LINE; Aurora Liminalis (2013) and Untitled 1-3 (2008, an expanded reissue of 'Untitled' originally on Spekk, Japan, 2004), as well as the archival Bandcamp exclusive 'Something from the Pink House' a live improvisation recorded in 2004.

William Basinski's archival album 'The Clocktower at the Beach (1979)' was released on LINE in 2023.

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composed & recorded by Basinski & Chartier 2024

William Basinski: Voyetra 8 + loops
Richard Chartier: electronics, field recordings, processing, mixing

Mastered by Lawrence English at Negative Space

cover image: detail of 'Glass Eye', 2024 by James Elaine (acrylic and house paints, razor cuts on canvas, 62 in x 92 in)

© 2025 LINE

William Basinski published by Musex International (BMI)
Richard Chartier published by Touch Music/Fairwood Music UK Ltd

Aurora Terminalis (excerpt 2)

from 'Eventual'
901 Editions (Italy) (9ED031)
CD + digital / edition of 300

OUT NOVEMBER 14, 2025

Los Angeles-based sound artist, composer and LINE imprint curator Richard Chartier returns to 901 Editions with Eventual, his first solo album for the label. This work follows two collaborations with fellow American artist Yann Novak (Undefined, 2013), and Dutch harpist Gwyneth Wentink as Pinkcourtesyphone (Elision, 2016). Eventual probes the nuanced interrelations between sound and silence, engaging audiences in attentive listening and a heightened sense of spatial and temporal perception. Chartier shapes a terrain of vanishing tones and subtle variations, a quiet tension that dwells within sound’s slow unfolding.

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Formed & recorded 2024-2025 by Richard Chartier.
Mastered by Giuseppe Ielasi.
Design + photography by Fabio Perletta.

Thank you to Fabio Perletta, Asmus Tietchens, and Robert Eckhardt.
Published 2025 Touch Music/Fairwood Music UK Ltd.

Artificial Memory Trace - Tidal, excerpt track 1

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