12 channel sound installation in a concrete spherical hall.
6 analogue clocks (amplified) & 6 processed clock rhythms playback.
Thunder and rain as indeterminate natural elements.
Recorded on 4channel ambisonics microphone.
Concept: Zoya Zerkalski.
Installation : Shun Momose , Zoya Zerkalski.

Rhythmintervention 13.07.21

site specific performance by Daria Redkina feat. Shun Momose. 
Accordion reeds and sine tones in motion through a resonant concrete space. No effects have been added, natural resonances of the architecture preserved.

Microtonal Intervention at Uji Station, Kyoto 08.02.2023 (binaural mixdown)

diffused on 8 channels and acoustically 
inside frei-raum.berlin gallery. 
Prenzlauerberg, Berlin
March 2023

Zoya Zerkalski Live at frei-raum.berlin 25.03.2023

Ryosuke Kiyasu, Shun Momose, Zoya Zerkalski in a giant ruin somewhere in Karlshorst, Berlin.

14.06.2024 
instruments used : body movement, zither, harmonica, flute, found objects, forest foliage, construction pipe, space resonance.

Daria Redkina solo improv in a theatre of Vogelsang, Oranienburg

As a result of and a response to the confinement of spring 2020 a new sonic collaboration was formed between three artists, challenging the idea of isolation and perception of space we are confined within.

Exploring empty vacated sites in East Berlin, the trio found their creative recluse in an abandoned hangar built in 1918, an architectural heritage, protected but abandoned, where a sequence of dome-like structures provided a stage and an instrument at once for musical improvisation to occur naturally.

A sense of sacred den, the building itself felt like a sonorous body, with high concrete ceilings swirling upwards and hollow, porous flooring below allowing a psychoacoustic phenomena of natural resonances to manifest.

Spontaneous improvisation took place, using found objects inside the hangar - pieces of wood, rock, glass and metal, together with other acoustic instruments brought by the musicians - double bass, accordion, cello, turkish cymbal, tibetan bowl, bells, and the voice as an omnipresent tool.

The supernatural echo of the building, almost sinister at times but hauntingly transient depending on the position of the sound source allowed the musicians to experiment with textural elements of their instruments and the impulse responses of the building.

Embodying the endless flux of vibrational energies, the trio created interpersonal resonances by engaging in a ‘Deep Listening and Deep Playing’ rituals, taking in the entirety of the sound-world around them including the acoustics of the space and the incidental sounds such as birds, insects, children in the playground, or rain dropping from the indented ceiling of the ruins.
All the elements in the compositions have been recorded on site and their unedited and raw qualities have been persevered in the pieces.

Music by Zoya Zerkalski, Edvina Fahlqvist, Charly Roussel.

Supermoon 2020 Demo

Augmented Aural is a collective of contemporary musicians and sound artists using unconventional spaces as their instrument.  Working with site-specificity as the determinate factor for artistic interventions , various formats are applied , including collective improvisation,  sound installation and psychoacoustic research. 

Founded and coordinated by D.Redkina / @zoya_zerkalski
Participating Artists:  Edvina Fahlqvist, Charly Roussel, Shun Momose, Ryosuke Kiyasu, Victoria Martinez, Ali M.Demirel, Emanuele Porcinai

Augmented Aural

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