A new music initiative & ensemble. An international collective of composers and musicians based in Leipzig.
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Yarn/Wire is a quartet of two percussionists and two pianists. This instrumental combination allows the ensemble flexibility to slip effortlessly between classics of the repertoire and more modern works that continue to forge new boundaries.

Founded in 2005, Yarn/Wire is admired for the energy and precision they bring to vital performances of today's most adventurous music. The results of Yarn/Wire's collaborative initiatives are pointing towards the emergence of a new and lasting repertoire, and partnerships with genre-bending artists such as Theatre of a Two-Headed Calf and David Bithell have led to the creation of work that is "spare and strange and very, very new." (Time Out NY)

WWW.ERICCHASALOW.COM

Please try to listen to music with reasonable speakers or headphones. Be aware that this music has lots of subtleties and your experience of it is highly compromised when reproduced through phone speakers, computer speakers or cheap earbuds


Eric Chasalow is a composer known for both electro-acoustic music and music for traditional instruments.  Among the last generation to work at the original Columbia-Princeton Electronic Music Center, since 1990 he has directed BEAMS, the Brandeis Electro-Acoustic Music Studio. Eric’s music is programmed throughout the world and he holds awards from the Guggenheim Foundation, the National Endowment for the Arts, and the American Academy of Arts and Letters.  The Library of Congress established an Eric Chasalow Collection in 2009, and his music may be found on a number of record labels, including New World Records, and his own, Suspicious Motives Records.  A library edition of his complete works for solo instrument and electronics was released in 2015 for his 60th birthday (available through Tfront.com).

Eric is the Irving G. Fine Professor of Music and the Dean of the Graduate School of Arts and Sciences at Brandeis University.

Joshua Banks Mailman is a theorist, analyst, critic, philosopher, performer, technologist, and composer of music, teaching at Columbia University, and previously at NYU, UCSB, U of Alabama, and U of Maryland. A graduate of University of Chicago (AB) and Eastman School of Music (PhD), he researches musical form from flux, temporal dynamic form and is published in Perspectives of New Music, Music Theory Spectrum, TEMPO, Music Analysis, Sonic Studies, Leonardo Electronic Almanac, and others journals and books. He is co-chair of the Analysis of Post-1945 Music interest group of the Society for Music Theory. 
	He developed interactive technologies presented at the 9th Sound and Music Computing Conference (Copenhagen 2012) and International Conference on Music Perception and Cognition (ICMPC) and European Society for the Cognitive Sciences of Music (ESCOM) (Thesseloniki, Greece). www.joshuabanksmailman.com and http://soundcloud.com/joshua-banks-mailman

Pianist and Composer. The Hague/Tel-Aviv.

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In January 2014, Erin Gee was cited by Alex Ross, music critic for The New Yorker, as a member of the short list of the most influential composer-vocalists of the 21st century. Her debut portrait CD, Mouthpieces was released in January 2014 on the col legno label in Vienna. Other works can be found on CDs by the TAK ensemble, Ekmeles Ensemble and the RSO Wien. Erin Gee is a composer and vocalist who performs with two microphones in her Mouthpiece Series.

Contemporary Music Pianist. Artistic Director, Collide-O-Scope Music.

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