from the Important Records release, Forse 1. Available on limited edition vinyl at www.importantrecords.com

Basta

In Float Fields

dreams speak to us in a language that is sometimes unknown but perfectly capable of leaving an imprint on the next day once we wake up ..

voice sample is taken from a vocal message send to me by the dear friend: Ugo Pisco Lumaja. link on his soundcloud page below.

https://soundcloud.com/12-days-for-a-new-way

version update on 15/08/2022. 
work in progress

...a little disclaimer: the image was taken from the web, but i can't say who is the autor, it's a broken link

 last night dream © 2022 by Nadìr is licensed under CC BY-NC-SA 4.0

Last Night Dream

Immerse yourself in vast spaces of inner peace and contemplative simplicity. Perfect for meditation, relaxation or simply unwinding after a long day.

Produced and mixed by Lewis Broad-Ashman (Winter Silhouette)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Cover design by Dionis Afonichev (Dionisaf)

Unity Drift

Whispers In The Mist

https://community.vcvrack.com/t/dreamworld-plus-one-challenge-september-2024/22722/1

Holy Voices

Paul Amlehn - Text, vocals, arrangement, production
Eraldo Bernocchi - Synthesizer, treatments and effects on Paul Amlehn's voice, vocal sculpting
Brian Eno - Vocals, vocal manipulations, production
David Byrne - Vocals, vocal manipulations, production
Grimes - Vocals, vocal effects, synthesizers, engineering, production
Trent Reznor - Vocals, vocal manipulations, synthesizer, engineering, production
Atticus Ross - Synthesizer, vocal manipulations, engineering, production
Alan Moulder - Synthesizer, vocal manipulations, engineering, production

This composition utilizes sonic elements from three previously existing compositions from the albums "My Life In the Bush of Ghosts" by David Byrne and Brian Eno, "Ghosts I-IV" by Nine Inch Nails, and "Miss Anthropocene" by Grimes, as well as new material created by Eraldo Bernocchi and myself.

"Music for Beings on Other Worlds" is a series I began working on in 2021. Each sonic composition is designed for a specific exoplanet, and the hypothetical beings that live on that particular world.

This composition for the speculative race that lives on the blanet designated "M51-ULS-1b."

A "blanet" is a member of a hypothetical class of exoplanets that directly orbit black holes.

Blanets are fundamentally similar to other planets; they have enough mass to be rounded by their own gravity, but are not massive enough to start thermonuclear fusion and become stars. In 2019, a team of astronomers and exoplanetologists showed that there is a safe zone around a supermassive black hole that could harbor thousands of blanets in orbit around it.

The team led by Keiichi Wada of Kagoshima University in Japan has given this name to black hole planets. The word is a portmanteau of "black hole" and "planet."

M51-ULS-1b is an unconfirmed extragalactic blanet in Messier 51a (also known as "The Whirlpool Galaxy"). Although its status is as yet unconfirmed, evidence was recently discovered which supports its existence.

Music for Beings on Other Worlds: M51-ULS-1b

Sensing amongst evening Trees

Debut #mallsoft album from #vaporwave artist Lifestyle. Released on Business Casual Feb 21 2025. "Like being on hold with the 1980s" - A guy on Reddit

Lifestyle - Promenade Promises (2025) | Full Mallsoft Album/Mix

DZRTD

dd1_4

this is a remix of https://soundcloud.com/rylo-3/drakes-equation-open-for

more about the thematic background of this track: https://en.wikipedia.org/wiki/Drake_equation

Drakes Dream [Ahornberg Remix]

Very few musical acts achieve the levels of unanimous acclaim of Autechre. The English duo of Rob Brown and Sean Booth are not an act you simply like; they are an act you love, fawn over and dream about. They’ve got themselves here over the course of the last 28 years, and have done so by amassing a discography that’s about as perfect, influential and accomplished as could ever be possible. A key Warp label act from day one, they have released tens of albums, well over a ten EPs and have featured on a dizzying amount of essential compilations, mixes and remixes in that time. Without their contribution to the IDM canon, its fair to say the modern musical landscape would look very different. 

Rhythmic but experimental, absorbing yet abstract, cerebral and psychedelic, their ever evolving output is up there with the likes of fellow luminaries Boards of Canada and Aphex Twin as some of the most important in all of electronic music. As well as being fine craftsmen in the studio, Autechre are also revered live performers who really manage to conjure up captivating and otherworldly soundtracks that marry heavy bass with ethereal melody. The pair themselves do not care for genre, but suffice it to say that they have mastered everything from hardcore to ambient to glitch and plenty of indescribables in between. 

When the pair recently laid down an impressive set at Dekmantel Festival, we asked if they might be up for a doing an early inspiration mix, whereby they put together a collection of the sort of electro and hip hop tracks that turned them on as youths. At first they hesitated, pointing out that "we don't do strictly retro stuff, it's too corny.” But alas, a few days later, a huge file landed in our inbox… That file is a 4 hour and 18 minute mix that basically encapsulates not just Autechre’s own influences, but also acts as a fine anthology of the greatest electro sounds of all time. Every sub genre imaginable gets touched upon along the way, with nods to forefathers like Kraftwerk, killer cuts from Man Parrish, classics from Newcleus and retro gold from the likes of The Beat Club. It is a thrilling ride and a truly rare treat that reminds us just why we love Autechre, as well as shining a light on a vast genre that often pays second fiddle to house and techno.

Dekmantel Podcast 035 - Autechre

“Through the edge of dreams a sawtooth sound cut, a faint jagged droning…”

-Ursula K. Le Guin (City of Illusions)

dd1_4

Auldwav

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