Matt LaComette - Microphone, Electronics, Tape.
Recorded 02/02/11.

I Cannot Remember

I create seamless fusions of just about everything. All visceral, atmospheric and psychedelic with hidden depths upon closer inspection. The flow is also important. It exists on a continuum with micro-variations and subtle evolutions along the way.
The music can range from low down heavy darkness to softer and more positive, higher-vibrational new age. Yet even at it’s most crushing and industrial never succumbing to nihilism and instead feeling warm and inviting.
Very often humorous (in the form of deliberate cinematic pastiches), freaky and surreal. Inspired by dystopian sci-fi. Retro-futuristic.
I often wear my influences on my sleeve like Kraftwerk and Tangerine Dream but at my core I’m still self-referential with my sound. It operates at my own personal frequency.

http://specialistmorgenj.bandcamp.com/

http://tripleyoutapes.blogspot.com/2011/12/specialist-morgen-j.html

<p>recrea33 aka bob wardrobe was one half of recreational research (the other erstwhile member being <a href="http://soundcloud.com/puffingbillyarchibald">puffingbillyarchibald</a> aka mr matherson). of course there were other collaborators, who shall remain nameless.....
after matherson's cult acid rock band 'citizen wayne' imploded in the summer of 95 and wardrobe moved back down south, mad as a bag of frogs, having loved and lost in manchester, recreational research began to crystalize in an unlikely squat in pimlico. they had a tascam 4 track, an alesis hr-16 drum machine, a classic dod fx90 delay pedal, and a trusty roland jx-3p.
in the autumn of 97, after wardrobe returned, energised from an enlightening 3 month stint in the graveyard slot at pirate station, radio tonka(104.7, blauwe aanslag, den haag) clutching a cd full of radium software and a bag full of ambient drum &amp; bass in one hand, and an mc-303 in the other, the operation shifted to the computer...
using recrea33's extensive charity shop vinyl collection rrf carved out a mashtastic niche for the 'and finally' tune. bells rung and phones were ringing...but no-one was home...hiho.
software/instruments: acid, fruity loops, hohner melodica 26, squire stratocaster, zimmermann upright piano, roland mc-303, DOD delay fx90, ts 404, rebirth rb-338, superwave p-8, wavosaur, ohmboyz delay, steinberg magneto, waves reverb, tc native reverb, tc native eq, bpm calc, wavedrop, vst host, loopBe, sanford arpeggiator, <a href="http://sampleswap.org" rel="nofollow" target="_blank">sampleswap.org</a>, oblique strategies...
techno funk, funky techno, trancey breaks, techhouse chillbreak, deep funky house, trancey techhouse, hard chill, deep chill, deep hard chill, iberian chill, ambient tribal, drum & amp; bass, dub, breaky techstep, hip-hopstrumental, funk hop, housey broken beats, jazzy broken breaks, alien bossanova, bouncy grime, bouncy garage, wonky dubstep, chilltronica, ambient incidental, post modern classical, experimental broken pop, soundtrack, minimal, mashup...
rrf enjoy having a crack at twisting anything that tweaks their noodle.
in a cheesy nutshell: eclectronica.

Mark C. Jackman began composing/producing scores for experimental film and dance in 1984 while studying Experimental Electronic Music under Vladimir Ussachevsky (the co-inventor of electronic music/musique concrète, in 1927 with Otto Leuning - see http://en.wikipedia.org/wiki/Vladimir_Ussachevsky ) and Music/Art/Aesthetic Philosophy with Paul Banham at the University of Utah.

Jackman relocated to San Francisco in 1988 at which point he began using the project name "skozey fetisch."

The current focus of skozey fetisch is acoustic cacophonies and field recordings presented with minimal, or no manipulation. While per suing this new focus, the project is still actively recording electronic experiments as well.

I Cannot Remember

Aunt's Analog