Aural Nouveau's Repost Exchange Support Playlist All Genre's- @re-ex- Volume 2

This is a live jam from a Halloween Party in 1987. 

Greg Michalski - SLIDE GUITAR
Ron Snyder - BASS
Jim Doyle - DRUMS
Rob Rodriguez - DRUMS

This tape was digitally restored from a different anolog speed. It is still strangely entertaining now.

Zombie Party Blues (Halloween 1987) FREE DOWNLOAD

Bret Tobalske plays lead guitar.
Jerred Seveyka plays rhythm guitar.

Rain on a Sunny Day

Daybreak

Polvojack
Record Label
Polvojack
Release Date
1/21/2024
Primary Genre
Electronic
Secondary Genre
Electronic
Primary Subgenre
Dance
Secondary Subgenre
Experimental
Mood/Style
Mood: Dreamy
Album Language
English
CANADA - Québec

6 and 7

The Seventh Ephemeral Dream

Did you know?

From the new album by Cloud Stalkin - 'Gone to the Disco''

His take on digital Inspired Disco #DID

© Copyright 2024 Cloud Stalkin
LMS records
Thank you for all the support.
Spotify: open.spotify.com/artist/4apLC...
SoundCloud: @cloudstalkin

Follow the journeywww.instagram.com/cloud_stalkin/

Album work designed by Lawrence Moffat
www.canva.com/

VIDEO MADE ON - wondershare.com
Enquries at: cloudstalkinmusic@gmail.com

Disco Exists

Do It Again

Orchestrating Galaxies

A fiery hard-rock banger fueled by ripping guitars, gritty vocals, and explosive drum energy. Touch My Fire blends modern rock intensity with 80s-inspired aggression — perfect for fans of high-octane rock.
🔥 Drop your favorite FIRE moment — timestamp it!

Touch My Fire

Fan Price Buy Now

Touch My Fire (Hard Rock – HollywoodPKR)

Label: ALIMABEATS
Preorder date: 31. Oktober 2025
Releasedate: 7. November 2025

Holding on

Buy here

Holding On (Original Edit)

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor (From the Original Novel Soundtrack)

🎺🎶 Velvet smooth. Razor sharp. "VELVET AVENUE" by QWAY-LO turns a midnight drive into a cinematic headtrip. 🎶🎺

Drenched in A minor and gliding at 130 BPM, this instrumental trap x cloud rap beat blends the dreamy with the deadly. Wavy synths shimmer like neon in the rain, while sub-heavy 808s and tight hi-hats lay down a pulse you feel in your chest. It’s elegance with an edge—luxury cruising through a city that never sleeps.

“VELVET AVENUE” isn’t just a vibe—it’s a zone. Built for rappers who drift between clarity and chaos, it gives you the velvet backdrop to paint raw emotion, sharp bars, or pure flex. Every loop feels cinematic. Every drop hits with purpose.

🎧 Whether you're plotting moves, reflecting in the rearview, or just floating through smoke and thought—this beat rides with you, and stays with you.

No brakes. No filler. Just smooth menace.
Welcome to the avenue.

VELVET AVENUE

Composer : Karl Heimgartner Dat / August  / 05 / 2025 / © Copyright
Artist: Carlito Home 
Genre: LO-FI – Chill – Blues 
Single: 2025
Instrumental; Karl Heimgartner  
Title: A Cafe with Soft Music.
Track :  08

Production - Mix and Mastering by Karl Heimgartner 
My studio workstation Presonus Studio One 5 Professional

A Cafe with Soft Music

In a time where R&B is constantly shapeshifting, Tiffany Nichelle stands out as an artist who blends timeless emotion with a fearless modern edge. Her latest release, “Love In Reverse,” is a hypnotic journey into the messy beauty of heartbreak, desire, and the thin line between holding on and letting go.

Crafted alongside the visionary pen and production of Yung Adamsville, the track flips the typical love story on its head—literally. Built on lush, slow-burn chords and a bassline that moves like a late-night confession, “Love In Reverse” paints the picture of a relationship unraveling in rewind. Tiffany’s vocals glide effortlessly between honey-smooth runs and raw, cutting delivery, making each word hit like it was pulled straight from a diary you weren’t supposed to read.

From the opening beat, Adamsville’s production feels cinematic—layered with atmospheric textures, haunting harmonies, and a pulse that mirrors the chaos of love that’s falling apart. It’s the type of record that plays in your head long after it stops, not because it’s just catchy, but because it feels true.

Tiffany Nichelle isn’t afraid to stand in her vulnerability, and “Love In Reverse” proves she’s entering a new era—one where her artistry is just as daring as her storytelling. This is R&B for the lovers who’ve been burned, the ones who replay every moment wondering where it all went wrong, and the ones who know sometimes the only way to move forward… is to go backwards first.

Tiffany Nichelle - Love In Reverse (Prod. By Yung Adamsville) R&B & Soul

Beat Produced By: Prod By Esco

Lyrics: 
(Chorus)
Go 
On my flow
On my flow
Oh, catch me running with it

Go 
On my flow
On my flow, oh
Catch me running with it

Go 
On my flow
On my flow, oh
Catch me running with it

Go 
On my flow
On my flow, oh
Catch me running with it

(Verse)
Im holding up your stacks like its wanted like its needed like Im pleading for needy but I know that its gone now
I can’t keep the pressure on me like its loaded like its coded like I write for moments that’s for sure now
But now they talking crazy cuz Im move early watch me work it
How they praying for my fall while they quote my earnings
Keep receipts in every word cuz it bleed through verses 
Built a throne from the sticks now they say its undeserving 
Smile inside the chaos I find peace disturbing 
I don’t even know 
What they really want to know
Guess we call em silly Joes
Cuz I’m steady over here just talking about some 

(Hook)
Sound, sound 
I don’t even know why they hate now
They don’t even know why they fear me now
Im still the same one when the block around

Sound sound 
I don’t even know what to prove now
Cuz every single move getting seen now
Like everything I drop got a clean sound

Sound sound
I don’t even know what to do now
Like everything I do I gotta groove now
Can’t even say that its new now

Sound, sound 
I don’t even know why they hate now
They don’t even know why they fear me now
Im still the same one when the block around

Sound sound 
I don’t even know what to prove now
Cuz every single move getting seen now
Like everything I drop got a clean sound

Sound sound
I don’t even know what to do now
Like everything I do I gotta groove now
Can’t even say that its new now

Sound

African People ^ ( Mudlark^ Summa like Dat Mix )

Sure is Hot in Here

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen