As always, it's the best! Just listening to it makes me feel good.

Aural Nouveau's Repost Exchange Support Playlist All Genre's- @re-ex- Volume 2

Bret Tobalske plays lead guitar.
Jerred Seveyka plays rhythm guitar.

Rain on a Sunny Day

Polvojack
Record Label
Polvojack
Release Date
1/21/2024
Primary Genre
Electronic
Secondary Genre
Electronic
Primary Subgenre
Dance
Secondary Subgenre
Experimental
Mood/Style
Mood: Dreamy
Album Language
English
CANADA - Québec

6 and 7

The Seventh Ephemeral Dream

She´s So High

Fantasma

Beat Battle 106 https://discord.com/channels/1075579383781261322/1400522135679799448 hosted by guska https://soundcloud.com/user-303492270 themed "in D - the Terry Riley experience". Nothing more to say, really. Except, I made a more contemporary arrangement. Enjoy.

picture by By Takahiro Kyono from Tokyo, Japan - Terry Riley, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=111804903

Who is Terry Riley? Go, look it up! (beat battle 106 on discord)

I Won't Forget You

Saved

Born Again

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor

Composer : Karl Heimgartner Dat / August  / 05 / 2025 / © Copyright
Artist: Carlito Home 
Genre: LO-FI – Chill – Blues 
Single: 2025
Instrumental; Karl Heimgartner  
Title: A Cafe with Soft Music.
Track :  08

Production - Mix and Mastering by Karl Heimgartner 
My studio workstation Presonus Studio One 5 Professional

A Cafe with Soft Music

In my dreams

In a time where R&B is constantly shapeshifting, Tiffany Nichelle stands out as an artist who blends timeless emotion with a fearless modern edge. Her latest release, “Love In Reverse,” is a hypnotic journey into the messy beauty of heartbreak, desire, and the thin line between holding on and letting go.

Crafted alongside the visionary pen and production of Yung Adamsville, the track flips the typical love story on its head—literally. Built on lush, slow-burn chords and a bassline that moves like a late-night confession, “Love In Reverse” paints the picture of a relationship unraveling in rewind. Tiffany’s vocals glide effortlessly between honey-smooth runs and raw, cutting delivery, making each word hit like it was pulled straight from a diary you weren’t supposed to read.

From the opening beat, Adamsville’s production feels cinematic—layered with atmospheric textures, haunting harmonies, and a pulse that mirrors the chaos of love that’s falling apart. It’s the type of record that plays in your head long after it stops, not because it’s just catchy, but because it feels true.

Tiffany Nichelle isn’t afraid to stand in her vulnerability, and “Love In Reverse” proves she’s entering a new era—one where her artistry is just as daring as her storytelling. This is R&B for the lovers who’ve been burned, the ones who replay every moment wondering where it all went wrong, and the ones who know sometimes the only way to move forward… is to go backwards first.

Tiffany Nichelle - Love In Reverse (Prod. By Yung Adamsville) R&B & Soul

Depuis la pandémie mondiale, plusieurs pays ont décidé de restreindre les sorties des citoyens pour les protéger du virus. Bonne idée ou mauvaise idée, là n’est pas le propos de la chanson. Le titre parle plutôt de ceux qui avaient déjà, ou qui ont maintenant de la difficulté à sortir de leur maison depuis cet évènement. Cela se nomme  le SYNDROME DE LA CABANE. Dans la chanson, une amie essaie de venir en aide à la personne qui a peur de sortir mais ne sait pas si ça va fonctionner.


Since the global pandemic, several countries have decided to restrict the exit of citizens to protect them from the virus. Good idea or bad idea, that’s not the point of the song. The title talks rather about those who had already, or who are now having difficulty leaving their house since this event. It is called the CABIN SYNDROME. In the song, a friend tries to help the person who is afraid of going out but doesn’t know if it will work.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles, musique & arrangements, guitares, back vocals et programmation.
Michel Otis : synthétiseur
Frank Corneau : Basse
Sébastien Savard : Violons
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

Prison de Verre

Prison de verre

African People ^ ( Mudlark^ Summa like Dat Mix )

Werewolf

Lullably

Blue Checks

Thank you for your support.
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Welcome : Karl Heinz - Heimgartner

A Cafe with Soft Music

Karl Heinz - Heimgartner

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Combstead

𝔻𝕒𝕗𝕝𝕠𝕠𝔻 🇲🇶🇲🇶

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Aure-Lion

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