Really like the drums tone here the general lighthearted musical mood <3

yes man🔥🔥🔥 I luv French reggae 🙏

@clement-roussel-240470552 ouai mais tu sais faire mieux hehe

Positive Vibration ❤️💛💚 Tout est dis ...Et musicalement c'est top , Big up bredda 👆🏼👆🏼

a gauche ou a droite sa na pas dimportance
il faut ecouter son coeur allez de lavant
si vous avez des parents,profitez en
car on a pas le temps, faut y allez!
la vie est est une question de sentiments
il faut apprendre a ecouter aimer les gens
la veriter te libere tout doucement
le soleil ma appris, vous savez
le matin te reveille, il a toujours raison
si tu le remercie il te donnera aussi
un peu de bonheur et couleurs dans ta maison
et tout sa c est gratuit ouai ouai ouai
il n y a pas si longtemps un vieux sage ma dit
 ce n est pas violent d aimer son ennemi
rapproche toi et partage avec lui un fruit
un jour on sera reuni!
c est pas tout les hommes qui veulent un batiment
moi je prefere un jardin pour mes enfants
chacun sa route, chacun son gouvernement
moi jeteind ma tele, laisse tombez!
quelques touches sur mon clavier de temps en temps
ou je prend ma gratte, et je vais au lac
excusez moi je ne sais pas faire semblant
moi jai deja choisi mon cotez!
grace au animaux je suis independant
avec mon potager, pas besoin d argent
n ai pas peur de tes factures on te ment
la vie n est pas facile mais y a assez!
faut voyager allez sur les continents 
vas y molo je te conseille lentement
tu verra que nous somme pas different 
l amour c est le chemin pas l arrivé!

Yes I

l amour c est le chemin pas l arrivé

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L'amour c'est le chemin, pas l'arrivé

A soft piano interacting with a gentle viola creates a worrying mood contemplating about things to come. This subtle duet resolves into a chorus which is accompanied by a flute promising everything will be alright. This piece is Ideal for dramatic, moments full of deep feelings or deep decisions, crossroads, departure, leaving.

Purchasing this track permits you to use it unchanged in your own non-commercial productions with an attribution to Covert Acoustics.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses. https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

Rsing Fog

Rising Fog

An orchestral composition inspired by recent events.

Background image by sspiehs3 on Pixabay: https://bit.ly/3u4LaOb

Shadows That Are

La Forêt du Sabbat

Well I’m a Big Bad Man from Rockingham
Gonna set this town on Fire
I got a hell of a thirst, I just gotta be first
I am burning with Desire
But regular Joe who wants the world to know
That he’s the main attraction
So I track him down to a bar down town
Now I’m ready for some action
And we had one hell of a fight 
yeah I was shaking all through the night
But I soon put out his lights
Tonight, when I saw her
Watching me, in the corner
By the window, under a red light
But when I met her first, She said I’ll quench that thirst
you gotta learn some manners  
Oh well she teased and squeezed, till I’m begging please
I got a face like a bag of spanners
She said I’ll ease that pain if you play my game
I’ll show you some affection
After 3 or 4 days, I’m in a hell of a haze
I can’t believe my own reflection
But she gave me a hell of a fright
Yeah I was shaking all through the night
But she soon turned down my lights
That night, when I saw her
Watching me, in the corner
By the window, under a red light
I must confess that I’m in a mess
you got me waiting in distress
She got a key and she’s watching me
She got my measure by degrees
So sweet and clean, Know what I mean
I’m just another James Dean
I’m laying low, I curse and Moan
You gotta give the Dog a bone!
Now in the pale moon light, under a blue porch light
She’s got a head upon my shoulder
She said you ain’t no use unless you pay those dues
But I guess we’re getting older
But she gave me a hell of a fright
Yeah I was shaking all through the night
But she soon turned down my lights
That night, when I saw her
Watching me, in the corner
By the window, under a red light etc

Redlight

Virus

Soul Transit

Earth People Wake Up

This piece was inspired by and written for my classmates in conducting class taught by Lucas Vis:

Ella van der Woude voice, Jakob Lundbak alto saxophone, Jesper Ankarfeldt tenor saxophone, Eren Önsoy piano, Lennart Altgenug piano, Kristijan Krajnčan cello, Markus Larjomaa trombone, Igor Iofe conducter. It was performed at the Conservatorium van Amsterdam on the 6th of December 2012

The Crucial Point

Heart Ways

This track was created entirely of virtual instruments that resemble machines and helps portray those "dark night of the soul" moments in the Christian life where I needed peace and resolution in my faith.

Rusty Tears

FREE Download Here!

Elegy for Two Cellos and Piano
Duration 10'
View Score: https://issuu.com/robertpaterson/docs/elegy_for_two_cellos_and_piano_fs_b
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1074

PROGRAM NOTE(SHORT VERSION — FOR PROGRAMS)
After hearing my music, and in particular, my Sonata for Bassoon and Piano, bassoonist Charles McCracken asked me to write the original version of this work, Elegy for two bassoons and piano, in memory of his father, Charles P. McCracken, a well-known and highly-regarded cellist in the New York musical community. His only request was that I quote a work that his father loved to play, one of the cello suites by J.S. Bach. I also love Bach’s music, so this was an easy request. I quote Bach’s Fifth Cello Suite, one of his father’s favorite pieces, and also Bach’s Third Cello Suite, a work that Charles Jr. likes, creating a sort of father and son pairing of references. Although Charles described his father as gregarious, fun loving and larger than life, this work is perhaps more earnest than humorous, but with a sense of playfulness in the way I manipulate the musical materials. Since this piece references Bach’s cello suites and Charles Sr. was a cellist (and played principal with the New York Metropolitan Orchestra for two seasons), and the cello and bassoon have very similar ranges, I made this transcription for two cellos and piano, a version I think Charles Sr. would have appreciated.

The original Elegy was commissioned by Charles McCracken and Gordon Harris through the American Composers Forum and is written in memory of Charles P. McCracken.

Spheres

Elegy for Two Cellos and Piano

A FUSION OF REGGEA AND OTHER STYLES :) I was born in Belgium in 1990 and grew up in Ghana since August 99 till October 2010. I discovered music instruments at around 16 years old and never really tought of living from it but my surroundings really encouraged me to.. gradually i realised thats the most joyfull way on earth where to place in your efforts. I also realised music is not something you invent but rather capture in the existing frequencies and vibrations surrounding us, its all over the place.. everything is music and made of music :) 
My inspirations definitely comes from the roots, African Nayabingi, Jazz, Bob Marley, Lucky Dube, Pierpoljak, Alborosie and my father s cd s i found in his room when i was a kid, pink floyd, supertramp ect..
i have a lot of songs done with lyrics and im still training myself on fruity loops and with friends, i can see myself improve very fast and i can promise you good things to come.. while this is going on i gradually post some instrumental tracks that i work on some hours everyday just for the joy of music and inspiration :)
If you hesitate to contact me please dont, i love to meet people and i answer to everyone as soon as i can, to hear your suggestions or your projects and ideas/collaboration will be a pleasure for me. 

 ENJOY AND SHARE!! :)

L'amour c'est le chemin, pas l'arrivé

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