Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

Bookings: chris@lb-agency.net ||

Musician and technologist. I love to make music from scratch in the moment using live sampling and looping. I built my own instrument the Flow Machine to allow me to do this. I've released music on Warp Records and software in collaboration with Native Instruments

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

A true pioneer of the Drum and Bass sound, Gridlok remains one of the most highly regarded artists in the industry. With a discography spanning over a two decades and featuring classics such as ‘Moodswings’, ‘Bottomfeeder’, and ‘Standing Room Only’, it’s little wonder that the Gridlok name has become synonymous with timeless Drum and Bass.

Involved with music from an early age, Ryan Powell aka Gridlok picked up a variety of instruments, but it was after experimenting with a cheap radio shack microphone paired with a 4-track tape recorder that he soon found himself in the murky world of production. Now with the use of a computer and an E-mu sampler along with an ever-changing combination of analogue gear and production techniques, this West Coast producer has led by example, constantly exploring new ways of injecting emotion and attitude into his art. 

The grimy uncompromising style that Gridlok has developed forms the foundation for his glittering career, gaining him the attention of his peers with household names such as Shy FX, Pendulum, and Dom and Roland lining up to work with the American producer. Acknowledged by artists in and out of Drum and Bass, Gridlok has put his spin on other genres, remixing for the likes of electronica giant Josh Wink and house legend Sasha. Gridlok’s original music and remixes have also branched into other media, with his work appearing in titles such as Konami’s Dance Dance Revolution and MTV’s Challenge series. Covering a wide spectrum within Drum and Bass, Gridlok’s versatile production has allowed him to release on a diverse range of labels, spanning from Ram Records and Playaz to Commercial Suicide and Moving Shadow, whilst maintaining his signature sound....

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-Drummer for Obsidian Mind
-Guitarist
-Songwriter/Producer

Total Fucking Garbage is not your Nana's trash heap. Total Fucking Garbage is a collaborative effort based on the bizarre fabrications within the minds of Clinton Schultz, Charlie Tekulve and Jeff Stout.

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