Automatenfall is an approach from Gabriel Castillo and M.S. Montellano, an space in Berlin where music improvisation and sound experimentation take place. It´s a collaborative project with the participation of different musicians and artists that meet without any compositional pretension and by which they record, document and select the sound material here exposed.

https://soundcloud.com/automatenfall

when i sing for Automatenfall

Anders5

Landschaftsbild

Buy: https://sameheads.bandcamp.com/album/vax

“Vax!” - Reminiscent of all the slippery vinyl that glitched under so many sweaty wet fingers in a steamy basement before time - a picture that seems highly illegal in our current antiseptic climate of hopefully germ free adolescents. Vax-inate! Give them the needle! It’s time.

The B-Side of the six-track compilation on @sameheads opens with @automatenfall - a hardware electronic three piece, previously appearing live at Sameheads during a “My Friend calls it K-Jazz” event. A yearning that eventually gets us on a spiritual path and headed toward enlightenment through the meandering melange of chimes, that little sounds that usually overcome us in the weirdest of times.

More exclusive music

Premiere: Automatenfall 'Die In Seconds'

From forthcoming LP "Murmurations" available on Cibachrome Editions April 1st 2022 https://leabertucci.bandcamp.com/album/murmurations

A Vast Interiority - Lea B + Ben Vida

Flag in the wind, in front of the visitor center of Canaveral National Seashore. At the end of the afternoon, ocean in background.

Recorded by a MS Setup, a Geofon and a H2a
MS Setup Schoeps CCM41+CCM8
in a Cinela Pianissimo suspension/windscreen
Geofon by LOM
H2a by Aquarian
on a Sound Devices MixPre6
Original recording in Wave 96kHz 24bit
Done during a residency at ACA Soundscape Fieldstation at Canaveral National Seashore in December 2021
GPS 28.927358, -80.824311
Sound Ref : FL-211212-009

Flag in the wind

Terry Jennings – Piece for Cello and Saxophone (SLT-007)

Saltern’s latest offering marks the first-ever release of “lost minimalist” Terry Jennings’ visionary 1960 composition, Piece for Cello and Saxophone, as arranged in just intonation by legendary composer La Monte Young for renowned cellist Charles Curtis. Born in Los Angeles in 1940, Jennings was a close associate of Young, Terry Riley, and Dennis Johnson, and an early adopter of minimalist tendencies, creating slow, sustained music, influenced by jazz, modalism, and late romantic classical music. Jennings died tragically in his early forties, most of his work lost to a chaotic life; however, his forward-looking music quietly exerted a lasting influence on composers including Young and Harold Budd. Composed over sixty years ago, Piece for Cello and Saxophone, foreshadows a number of movements in postwar avant-garde music.

Despite the title, there is no saxophone on this album. At over eighty minutes, La Monte Young’s justly tuned realization of Piece for Cello and Saxophone for cello alone unifies and extrapolates Terry Jennings’ dense harmonies, creating an extended field of complex sonorities in motion, all brought to life by the immaculate playing of Charles Curtis. The recording captures Curtis in a performance from 2016 reflecting more than twenty-five years of dedication to the piece. Piece for Cello and Saxophone is released physically on double LP and digitally with kind permission from MELA Foundation. Mixed by Anthony Burr, mastered by Stephan Mathieu, and cut to vinyl via direct metal mastering by Hans Jörg Maucksch at Pauler Acoustics. Pressed at RTI and printed at Stoughton. Includes a four-page insert with liner notes by Young, Curtis, Burr, and Tashi Wada, and a download of the full recording.

Piece for Cello and Saxophone

Terry Jennings – Piece for Cello and Saxophone (excerpt)

■概要(overview)
bandlabのweb版を使ってみました！
sampler機能もあって楽しかったです。

I tried using the web version of bandlab!
It was fun with the sampler function.

■歌詞
「変わらない日々」
いつものように　朝が来て　歯を磨いて
今日のニュースを　何となく　眺めている

「同じような毎日」と私の手鏡がいう

丸い顔の私
何もないわ
それ以外は
それでいいわ

いつものように　日が昇り　「私」になる
昨日の事なら　何となく　覚えている

同じような毎日がどれだけあったでしょうか
丸い顔を覗く

歩いてきた
全ての日が
愛おしいわ

■ lyrics
"Unchanging Days"
As usual morning comes and I brush my teeth
I'm vaguely watching today's news

"Same days," says my hand mirror

i have a round face
nothing else
that's enough


As usual, the sun rises and becomes me
I vaguely remember what happened yesterday

How many similar days have there been
looking round face

I love all the days I've walked

■A
EM7→E♭m7→C#m7→B→

■B
A→B→Am→E6→F#m7→E6→EM7→

Kawaranai Hibi

Math of You

End Melody

Conscioust Triplect

'Bun Bu Ryo Do'.
For Yukio Mishima.
https://maybles.bandcamp.com/album/bun-bu-ryo-do
https://maybles.bandcamp.com/album/bun-bu-ryo-do

Ichigaya Camp [Feat. NTsKi] - Eugene The Oceanographer

Kei Yamazawa, Violoncello

Recorded live on April 13, 2017
Tiara Koto, Tokyo, Japan

Recording mastered by Yoshiaki Onishi

Written from August to October of 2015 as part of "Five Dialogues," project initiated by Anssi Karttunen, this work is dedicated to him. This work utlizes the clothespins attached to the strings, and this technique was first shown to me by Theresa Wong, composer and cellist while we were in the residency at Civitella Ranieri Foundation together. The "prepared sound" from this technique plays an important role in the development of the musical materials in this piece. Furthermore, the fact that the tuning of the instrument being identical to that of the Fifth Cello Suite by Johann Sebastian Bach is a way for me to pay tribute to the masterpiece; there is also a passage from the Sarabande of the Suite, encrypted and hidden within the piece.

Envoi I - for violoncello solo (2015)

路地楽 × 打花鼓 (RUJIGAKU × TAFAKU)
Remix by Harikuyamaku
7inch Analog released by COLUMBIA

info
https://xn--u9j9gocyg7c6671b.jp/items/kanasu-remixes-inkyara-nu-uta-rujigaku-x-tahfahku

RUJIGAKU × TAFAKU (sample) ...7inchRelease!!!

MISAKO OSHIRO - Kataumui feat Churashima Navigator

Extracted from the session 27/08/2019

Drums: Salvador Martinez
Vocals: Saeko Killy Ohkuchi
Guitar: Jose Luis Gómez
Bass: M.S. Montellano
Synths, Rhythm: Gabriel  Castillo

Tape 1

Automatenfall - Late Copla

Recorded live @ Sameheads 21.02.20

My Friend calls in K-Jazz with:

Automattenfall LIVE
Menqui
Lars Noll
Oscar der Winzige

www.sameheads.com

Automatenfall LIVE @ Sameheads - My Friend Calls It K-Jazz 21.02.20

Extract from session 23/01/2020

Saeko Killy: Vocals
M.S.Montellano: Bass
Gabriel Castillo: Synths

Automatenfall - Takosy Tamama

Trrmà
The Earth’s Relief
Release date: May 1, 2020
5841

CD / DL
577 Records
www.577records.com

Dhaulagiri from album 'The Earth's Relief' (577 RECS)

ひでちょー 4ce asogi #妖怪倶楽部

Vocal, Sanshin by Sanshin Girl Yukino Inamine (三線がーる稲嶺幸乃)
Produce, Dub, by Harikuyamaku

Buy 7inch

Oshima Yango Dub

SEAN R_1 YEAR AGO

Automatenfall is an approach from Gabriel Castillo and M.S. Montellano, an space in Berlin where music improvisation and sound experimentation take place. It´s a collaborative project with the participation of different musicians and artists that meet without any compositional pretension and by which they record, document and select the sound material here exposed.