Super 👍🏻❤️‍🔥🔥! Repost !

My first signed track, "Solstice", is officially out now on Infinite Resistance! 🌟 While its release came a bit later than expected, I’m still incredibly proud of it and excited to finally share it with you.

📀 Now available exclusively on Beatport and coming soon to other streaming platforms.

Thank you for your support—it means the world to me! 🙏

Solstice (Infinite Resistance)

Bound, the rising Australian duo, is set to release their latest track, "Over Now" on Widerworks.

This melodic techno masterpiece features a deep, driving bassline, an intense hook, and an emotive breakdown that culminates in an exhilarating drop.

"Over Now" promises to captivate listeners and leave them enthralled from start to finish.

Over Now

Bound - Over Now [Widerworks]

Axioma, vol. 7

Paul Anthonee - Metensarcosis [Eleatics Records]

Henri Bergmann and Wennink, the dynamic husband-and-wife duo are back with their latest melodic release, ‘How To Get Lost’. Set to drop on November 8 via Bergmann’s own Automatik label, the duo’s new record is a bold new offering from Bergmann and Wennink, one that perfectly encapsulates their forward-thinking vision. An emotive journey driven by a fusion of trance, melodies, and techno, ‘How To Get Lost’ resonates long after the final beat.

The duo's previous collaboration on Crosstown Rebels, 'Guardian Angel' received widespread radio and DJ support, including being selected by Pete Tong as BBC Radio 1 Dance's Essential New Tune of the Week. Serving as the follow up to the duo’s successful 'Guardian Angel', ‘How To Get Lost’ promises to deliver a bold fusion of uplifting energy and a driving bassline woven into its fabric. The track explores the tension between control and surrender, rising melodic leads, and a 303 that nods to Bergmann's favorite elements of the underground scene.

“We wanted to do something dark, driving, and a bit grittier, incorporating some of my favorite elements of the scene,” explains Bergmann and Wennink. “It was all about finding the hooks—the rising lead melody and its bassier response—and building the track around those and the vocal. In a way, the track is a bit of a fond farewell to that melodic drama, as all the tracks we’ve been making since are different in their sound.”

Despite its grittier undertones, the warm synths from ‘How To Get Lost’ create a euphoric contrast to the more brooding basslines and textures. Wennink’s vocal line, ‘how to get lost without losing it,’ serves as a powerful hook that captures the thrill of letting go and embracing the unknown. “Getting lost is an exciting thing to do,” Wennink says. “It heightens your senses, and there’s an element of danger—something we all crave. That line could go in so many directions, but for me, it was about needing to escape ‘reality,’ to see how far you can take it.”

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Henri Bergmann, Wennink - How To Get Lost  [AUTOMATIK]

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Kradriff, Unseen. - Drive Me Crazy (Wailey Remix)

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PREMIERE: Mariz, Nery - Runaway (Monophase Remix)[Astral Records]

REDOT are Kfir Lankry and Elior Sabbah, a dynamic electronic music duo known for their innovative soundscapes and pulsating rhythms. With a shared passion for electronic music, they have crafted a unique style that blends cutting-edge technology with deeply emotional melodies and aggressive sound design, creating tracks that resonate both on the dance floor and in the hearts of their listeners.

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Unhuman

REDOT - Unhuman (Extended Mix)

"Blackout" a new single by Innēr Sense is a captivating journey through the depths of melodic techno. The track builds with a deep, driving bassline that gradually evolves into uplifting melodies and atmospheric textures. The tension between the dark, brooding elements and melodic progressions creates a hypnotic energy that draws you in. With its immersive sound design and careful attention to detail, it stands out for anyone who enjoys rich, evolving soundscapes on the dancefloor.

Release date: February 14th
Label: Innēr Sense Records

Blackout (Original Mix) [Innēr Sense Records]

Well holy hell Andre it's mushroom-spaceship bananza or maybe it's just a banana OOORRR MAYBE a bandana! :) enjoy crew!
Hahah I might of taken it too far with the spaceship scene but I just couldn't get enough :)

(●'◡'●)
Stream / download / buy ➜
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https://music.apple.com/us/artist/grass-patch-bum/1596136340
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https://soundcloud.com/grasspatchbum
ᓚᘏᗢ


The Story ➜
The first time the stars breathed, Kiera thought the station’s windows were fogging from the inside. A ribbed pattern shimmered over the night—fine, parallel lines radiating outward, folding and unfolding like the underside of some celestial creature. Then the pattern vanished and the sky returned to the ordinary cold scattering of points.

Kiera held still, counting. Three seconds. Five. Eight.

The pattern returned, faint but certain: silver lamellae sliding across the constellations, as if the dark itself wore gills.

She killed the cabin lights of the Kite of Radials and let her eyes adjust. The ship—a grafted thing of bone-white ribs and black ceramic tissue—hung docked on Harbor Nine like a seed caught in a spiderweb. In the dim, the cockpit felt more grown than built: vein trails in the console resin, organ-glass curled around the navigation core, the slow pulse of the hull’s self-healing membranes.

“Show me the sky raw,” she said.

The glass peeled back its filters. Deep field flooded in, along with the faint photonic noise the station usually scrubbed. There—again—the slow, tidal sweep of lines, not atmosphere, not lensing, not a glitch. It was a rhythm. A breath.

Kiera’s left hand eased toward the lamina compass she wore on a cord around her throat. It was an old, illegal thing: a coin of frost-glass with a thin gold filament threading inside it like a living maze. At first breath the filament trembled; at the second it traced a curve to starboard. By the third, it formed an arc that settled toward a patch of nothing near the Mirror Belt.

“Coordinates,” she whispered, and the Kite woke by degrees—panels unfurling, thrusters whispering, marrow engines tasting vacuum.

Three months earlier, a courier had handed her a cloth-wrapped bundle with no name. Inside: the lamina compass and a single line of handwriting, shaped like a sigh.

Find where the stars learn to breathe.

Kiera had laughed then, because she had spent years mapping lies dressed as mysteries. Contracts with extraction fleets taught her that most wonders hid pipes and price tags. But now, with the compass thrumming and the windows showing parallel ridges slipping over starfields, the old skepticism felt thin and brittle. This wasn’t a trick. The sky had gills.

She undocked without asking permission. Harbor Nine came from a culture that never said no if you didn’t ask first, and Kiera had long since learned to protect that balance.

The Kite drifted, then glided, then became a line spreading away from the station into the black.

Continues on the website.


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Henri Bergmann, Wennink - How To Get Lost [AUTOMATIK]

Automatik

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