One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – playing music, breaking tunes.

Fifth album 'Inhale / Exhale' is out now: https://rufusdusol.llo.to/t/DsqJZm 

Dates & Tickets: www.rufusdusol.com

BOOKINGS: 
Alex Becket, Marlene Tsuchii, Darryl Eaton, Roman Trystram;  rufus@caa.com

MANAGEMENT:
Leisurely
rufus@teamleisurely.com

MEDIA: 
mfrieser@infamouspr.com

BOOKING + OTHER INQUIRIES: kaptainmusic@gmail.com

http://iamkaptain.com

“I'm the dude playin' the dude, disguised as another dude.” - Kirk Lazarus

I am a Denver based DJ and I spin mostly lazers, glitch, hip hop and dubstep. I am also a producer, check out any of my songs to get a taste, though they are mostly hip hop fused with monster basslines.

Booking
Idk hmu

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Passion for Danceable Deep House Music. 

From Vinyl DJ Junkie to Digital Sync Slut!

Tryna get your party super lit? Snake Bones brings the bass to get a booty bouncing. With chart-topping releases on Spoon Fed Recordings, Avocaudio, Dubs Alive, and his own Viper's Den imprint, he's been making an impact in House Music with his unique musical creations. 
 
Tripping the rift between House and Bass music, his productions are bass-forward rhythms designed to get the dance floor vibing. A listen through his discography reveals influences drawn from 90's Rave culture, Boom-Bap Era Hip Hop, Jamaican Dub, 70's Funk, and 80's Synthpop.
 
With a residency at Space Taco in Pomona CA, his own Viper's Den imprint, and web hub www.snakebonesbeats.com, he engages with fans across platforms, zip codes, and time zones. 
 
Tune in, turn up, vibe out!

Shoestring DIsco is Jason Roth. He launched the successful Synthwave and Chillwave @NeonCities project with long time friend and collaborator Chase Dobson.  The project built steam and to date has amassed over 3 million streams on Spotify.  His next move was a dark and experimental album under his @Crowdrock moniker. But alas, Jason is now ready to dive into his Shoestring Disco alias, aptly named after his first disco-ball that holds together with lots of epoxy and, well…a shoestring.  For Jason, the ethos is there, in that object, put what you can together, and hold it there, do it yourself, and do it with a simple, naked, honest, love of the craft.

av8or74 is following