~Out of Time~

Thank you for inviting me to be a part of this @ednamartinezdj . Made a mix with songs that say more than anything I could write really.....Going to play two songs I wrote a while ago, one which I performed live in January 2020 at the Museum of Memory & Human Rights in Santiago and another which was made shortly after, they're both influenced by what was taking place in Chile at the time which mirrors in some ways what we are seeing in Colombia now. As some of you may know, since the end of april in Colombia there have been more than 2,000 cases of police violence against protesters, 33 victims of eye injuries and more than 40 civilians killed by the police. Since the beginning of the year more than 60 rights defenders have been assasinated, and among them 20 were indigenous leaders. Since 2016, over 400 human rights defenders have been killed. In all this darkness, there may be some hope that the protests can create meaningful change. Last Sunday, Chileans elected a new group of citizens who will write a new constitution for the country. This was one of the core demands of the huge protests of 2019/2020.  It will be the first anywhere in the world to be written by an equal number of men and women and it will replace the constitution that has been in place since the years of the military dictatorship.  The only reason this moment of hope is possible in Chile is because of the incredible social movements that rose up to demand change. As I've said elsewhere, the courage and determination of Chilean students, activists, protesters, writers, artists has been astounding and they have/are shifted/shifting the political landscape and will continue to do so. In the past month I've heard stories of Colombian protesters taking cues from Chilean protesters and beautiful solidarity between Colombians and Palestinians also. We have so much to learn from each other. May this solidarity and interconnectedness bring us better days and in the meantime may music sustain us and nourish us. Much love to you all ♡♡♡♡ - May 22nd 2021

Nicolás Jaar - Radio Alhara Sonic Liberation Front curated by Edna Martinez

Exhibition “On the edges”. Audio installation “Memories of the stone”. Moscow, Triumph Gallery/Pavilion, VDNH Optics, 2018. Curators: Nail Farkhatdinov, Kristina Romanova

The installation reflects on the relationship between the direct experience of multi-day hiking trips in remote regions of Russia and the experience of this experience upon returning from nature to the city. According to Kant, the feeling of the Sublime is provided by the distance in relation to the source of dangerous natural beauty. Similarly, the acoustic picture in the room changes when the listener stands at the maximum distance from the corner sound sources, i.e. in the center of the room, the only place where the additional voice is heard.

Граница леса

Ivan Napreenko - Memories of the Stone

Les Yeux Orange começou no início de 2013, quando Raph e Stan se uniram para compartilhar sua paixão e conhecimento sobre música eletrônica. 

Colecionadores de longa data e DJs, eles começam criando seu canal no Youtube e compartilhando podcasts de DJs internacionais.

Sua capacidade de cativar a pista de dança através de um amplo espectro dos melhores sons eletrônicos underground, sempre uma trilha musical que promete uma viagem mágica!

Les Yeux Orange - Alter Disco Podcast - 160

For eight years now, songwriter and producer Sebastian Lee Philipp has been steering his project https://soundcloud.com/diewildejagd through the field of tension between contemporary electronic music and avant-pop. Between 2015 and 2020, three studio albums were produced as documents of Philipp's rigorous musical creativity. Most recently, «Atem», a composition for Roadburn Festival, was released in 2022, documenting yet another, more experimental side of the project. On the new, eagerly awaited fourth album, all these multi-faceted worlds are brought together in an impressive way.
«Ophio, Ophio» you say. Lies in the end of you Still the best ahead of me?
With these lines from the title track, Sebastian Lee Philipp poses the question that spans over the entire album like a parenthesis. The work entitled «ophio» tells of constant transformation, the blurring of beginning, end, and the various dimensions in between.
«It's about the constant unfolding of the self, about the seductive forces of life, an ode to existence and the transformation to happiness.» Says Philipp himself about his conceptual direction of the album.
The meandering between leaving behind and starting anew is not only found in the lyrics, but also in the music itself. The production seems more consistent than ever before, stripping away all frills and trinkets, like a skin that has become too tight. The compositions form a concentrate in which every single sound finds its space. In a certain sense, it's like listening to an introspection in which the bundled voices become a single, demanding murmur that is both drone and whisper in equal measure. I see you in blows of delight
Where have you been?
Make my eyes to love the things that want to love (From «In Wonnenhieben», engl. «In Blows of Delight»)
As on the previous album «Haut», the drums were played by long-time stage partner Ran Levari. The new album also features cellist and singer Lih Qun Wong («Lihla»), who first joined Die Wilde Jagd for the Live performance of «Atem».
This collaboration sounds particularly impressive on «The Hearth», the band's first English-language song. A beguiling track as if of shiny, heavy tar, carried by Philipp's dense composition, Levari's pulsating beats and lyricist Wong's voice. Other production partners were Philipp Otterbach («Kelch») and Vactrol Park («In Wonnenhieben»). Nina Siegler, who could already be heard as a duet partner in the song «Himmelfahrten», also lends her voice again to the tracks
«Ouroboros» and «In Wonnenhieben».
When the journey ends after just under 50 minutes with the questions «Will your songs blind me again? Be sparkling eyes
to me in the dark?» and dissonant choirs release you out into the distance, it's as if you're right back at the beginning again, only to set off once more. An album as strange as it is beautiful

PREMIERE : Die Wilde Jagd - The Hearth (ft. Lihla)

Guillaume de Machaut / Puis Qu'en Oubli(Rondeau R18, fb)

A fast edit of a beautiful music from Central Africa.

Gbaya sounds - Mbodomon (Ollie edit)

We have been a fan of John Maus (@john-maus-official) for a long time, loved 'Love is Real' and listened to 'We Must Become The Pitiless Censors Of Ourselves' on @upset-the-rhythm on repeat,  so we are super excited for his new record out on @dominorecordco imprint @ribbonmusic and this mix that he has made especially for you.

Check the album here >>> http://link.bleep.com/John-Maus-Screen-Memories-LP

Armed with a keyboard loaded to the brim with melodies so catchy you will have to be admitted to quarantine to escape them, and more sing-along choruses than a karaoke machine on a Friday night, John Maus returns with his first new long player in six years - Screen Memories. A joyful return that further investigates the quasi-synth-pop and electrocuted soul that has made him a legend in our and many others' eyes and ears.

And yes, we Saw John Maus Live. 

(so should you)

For full tracklisting and his new album on @ribbonmusic click here: https://link.bleep.com/BleepMix16

Bleep Mix #16 - John Maus

L'Orfeo, favola in musica, SV 318 / Tu se' morta (T):

Tu se' morta, mia vita, ed io respiro? 
Tu se' da me partita 
Per mai più non tornare, ed io rimango? 
No, che se i versi alcuna cosa ponno, 
N'andrò sicuro a' più profondi abissi; 
E intenerito il cor del Re dell'ombre, 
Meco trarrotti a riveder le stelle, 
Oh, se ciò negherammi empio destino, 
Rimarrò teco in compagnia di morte.

Mirko Guadagnini, tenor
Claudio Cavina / Ensemble La Venexiana

Claudio Monteverdi / L'Orfeo, favola in musica / Tu se' morta (frgmnt)

Il Nono Libro de Madrigali, 1599

Crudele, Acerba, Inesorabil (Francesco Petrarca, Canzoniere 332) (SATTB):

...non vanno in rime,
e 'l mio duro martir vince ogni stile

La Venexiana / Claudio Cavina

singers:

Rossana Bertini, soprano 
Marina de Liso, mezzosoprano 
Claudio Cavina, countertenor 
Sandro Naglia, tenor 
Giuseppe Maletto, tenor 
Daniele Carnovich, bass

Luca Marenzio - Crudele, Acerba, Inesorabil (fragment)

Eric Satie / Ogive N 1 (fragment)

untitled fragment #1

KV 626, 3, 5 (coro): 

<i>Confutatis maledictis,
Flammis acribus addictis</i>

Collegium Vocale, La Chapelle Royale / Philippe Herreweghe

Wolfgang Amadeus Mozart / Requiem / Sequenz: Confutatis maledictis (fragment)

@user-133935668

YELLOW CENTER

https://fictionaljournalofbbwomans.tumblr.com/

Defeat Patriarchal Society's control over female body and Population / Speak without fear / Love yourself / Say Vagina / Enjoy music from real babes: Pillow Queen, D.Tiffany, Astrid Monroe, Burial, Satœna, Miss Kittin... and more / Hear about the real untold history of humanity in other words Bonobos / Get a lesson on how to wax, what sex work really mean for women, and hear the truth from my soul mother; Audre Lorde / Devour an exquisite menu of words from: Ruin, Karolina Bartczac, Dalel Blink, Evelijn Forrest, Jenny Grant, Kaylin Eu / Remember to masturbate every day and if possible record yourself and send it to me for my next mix... all gender / Come to Radiant Love tonight Lucy X is on and siiiiick / Hopefully get empowered and come talk to me / Watch out for Yellow Center / I love U

SATŒNA – IWANNASPLASHWITHU

"From the distant, faint knocking discernible at the outset of Die Wilde Jagd's new album “Haut", the gateway to the other world is now well and truly being hammered upon. Today we present to you Gondel - a pulsating mantra to mark the crossing to the other side."

From the upcoming album HAUT. Preorder via https://orcd.co/die-wilde-jagd

https://soundcloud.com/diewildejagd

Buy album

Die Wilde Jagd – Gondel

Twitch livestream recording from April 16, 2020 - https://www.twitch.tv/againsta111ogic/

Hope I'm not breaking any rules by sharing this here. Enjoy.

april16.19.00GMT

Nicolás Jaar - april16.19.00GMT

Laurent Fairon is a French musician, DJ and record collector. Active as a sound art blogger and archivist from 2007 to 2016 via Continuo’s Weblog and Continuo’s Documents. As a composer he has published several cassettes in the early 1990s on various DIY labels.

‘Eclipse Profonde – Experimental Church Organ Music 1970–2020’ is a two hour long mix, focusing on organ+electronics or electroacoustic treatment, as well as organ+live instruments.

Tracklist:
Codespira1 – Triangular Progression (2020)
Alfredo Costa Monteiro & Bruno Duplant – Un cercle autour du soleil (2020)
Pierre Alexandre Tremblay – BWV1080-1 (2015)
Alex Bonney – Liebster Jesu remix (2015)
Michel Estellet-Brun & Gerard Berlioz – Jungle (1972)
René Baptist Huysmans – Accretion (2014)
Thomas Demenga & Horst Reber – Cellorganics I (1981)
Mudboy – Live at the Providence Performing Arts Center (2008)
Bronius Kutavicius – Jubiliejinis Koncertas (1982)
Juan Allende-Blin – Mon Piano Bleu (1970)
Winfried Mühlum-Pyrápheros – Musica Nova Contemplativa (1970)
Michael Bonaventure – Interlude (2017)
Davorin Kempf – Interferencije (1981)
Michael Bonaventure – Coronach (2019)
Xavier Darasse – Organum I (1970)
Franz Richter Herf – Alapa (1980)
Franz Richter Herf – Wie schwache Fontänen (1974)
Gilius van Bergeijk – Over de Dood en de Tijd pt 3 (1980)

Luca Marenzio - Crudele, Acerba, Inesorabil (fragment)

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