You know me, live from the board recording plus crowd mic. One of my final festival sets of 2022, closing out Making Time ∞ in one of my favorite cities, Philly (long live dave p!) eternal gratitude crystals to all and to all a good night <3

Avalon Emerson Live in Philadelphia 2022 - 09 - 24 @ Making Time ♾️

All Night Long in London (DJ Mix) Dec 2023

Closing set in the warehouse on Thursday night. 
Huge thanks to Aurora and all the festival staff. It meant the world to me!

Ben UFO - Sustain Release '23

Recording of @call-super's set from Butik 2024.

IG: https://www.instagram.com/call_super/
RA: https://ra.co/dj/callsuper

▻ www.facebook.com/butikfestival
▻ www.instagram.com/butik_emf/
▻ www.youtube.com/channel/UCMH6jMLQ…HP91lhAQ/featured

Call Super - Live at Butik Festival 2024

Six hours recorded at one of my favourite clubs in the world, between the hours of 6am and 12pm. 
I absolutely loved doing this - taking the party deeper and deeper into after hours, and bringing everyone back to consciousness again in the second half. 
I LOVE NYC!

Ben UFO - Six Hours At Nowadays Nonstop 2024

Avalon Emerson - 9000Streams (Triple J Mix)

A queer icon steps up for RA.998's B-side.

The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture.

This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward.

Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole.

Foxman takes the B-side and makes her RA Podcast debut. As a vocalist for Hercules & Love Affair and a sought-after producer in her own right, the New York-based artist blends club heft and melodic flourish with a distinct pop sensibility shaped by '90s dance music. (She got her first job making smoothies at an all-ages club in Hawaii while Deee-Lite performed live behind her.)

Like Roza Terenzi, Foxman draws from across eras. Her contribution to RA.998 is warm, expressive and emotionally tuned, unfurling a palette of house, breaks and trance laden with bright pads, bold hooks and an ear for atmosphere. Listen out for the Whitney Houston sample and you'll know what we mean. 

While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle.

Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP.

@kimannfoxman
Find the tracklist and interview at ra.co/podcast/1003

RA.998 Kim Ann Foxman

"Cargo Cult" EP is not just a collection of songs. This study of human tendency to create illusory systems of faith and rituals in pursuit of unattainable or false ideals, criticism of the consumer society and blind, as well as deep immersion in personal existential dead ends and disappointments. This is a powerful conceptual frame for creating a memorable, thinking and emotionally charged musical work; created, produced and mixed by mandruvá & Ruksby.

External imitation without understanding the essence, blind faith in the ritual as a means of achieving the desired, the gap between action and the real result, the creation of illusory systems to obtain an unattainable good. The combination of "primitive", acoustic, ethnic sounds (drums, percussion, folklore motifs) with cold, mechanistic electronics, industrial, noise. 

This reflects a mixture of traditional and modern, ritual and technology. Repeating rhythms, mantras, looped samples, increasing tension - creating a sensation of the transient state of the participants in the cult.


mandruvá & Ruksby - Lakshmi (Original Mix)

Trilica - Want Me

Recorded Live on April 30th 2018 in Berlin.
Broadcast on BBC Radio 1 on June 9th 2018.

Tracklist

Intro
Maurizio - Domina (Carl Craig's Mind Mix) [M - 3]
Skatebård - Stalheim-Mix [Digitalo Enterprise]
The Plan - Red Shift [Submerge]
 Project Future - Ray-Gun-Omics [Capitol]
Dexter - Echo Park [Klakson]
Stingray313 - Armchair Psychiatrist [Naked Lunch]
Monika Ross - Ever After [Entity London]
Octave One - Empower [430 West]
Marcel Dettmann - Quicksand [Ostgut Ton]
Get Fucked - Dark & Dirty (Matthew B. Remix) [Eukahouse]
Yak - Zephyr [Le Chatroom]
Artist Formerly Known As P. P. - Ruffneck Chicken [White]
A.W.E.S.O.M.-O. - Excellence Of Execution [Zyntax Motorcity]
Pangaea - Cuba Vox [Unreleased]
Syclops - Spin Cycle [BubbleTease Communications]
Pure Science - The Art Of Being [B+Positive]
EGZR - Untitled [Wania]
W.V. - Nachschub (B) [Auftrieb]
Donato Dozzy - Cleo [Eerie]
Shackleton - Blood On My Hands [Skull Disco]
Optic Nerve - G-Man's Journey (Mystic Mix) [Puzzlebox]
The Experience - Tubes [Mystic]
Barker - Filter Bubbles [Ostgut Ton]
Chino Amobi - Law II [NON]
Bitstream - Step Retracing [Touchin Bass]
Call Super & Michael Smith - SE X Mi Cyaan Believe It
Embaci - Walk On May 5th [Discwoman]
Dianne Lynn - Forever My Sunset (MAN-D.A. Dub) [Flying]
Powder - Spray [Born Free]
Chez Damier - Help Myself [KMS]
SMX - Sleep [Whities Blue]
Terre Thaemlitz - Admit It's Killing You (DJ Sprinkles' Dead End) [Comatonse]
Maurizio - Domina (Carl Craig's Mind Mix) [M - 3]

The Essential Mix for BBC Radio 1

Eris Drew is one of those artists who seemed to blow up over night, but who had actually been hard at work for decades. A long-time residency at Chicago's Smart Bar brought her to international attention, and her own Motherbeat parties at various places around Europe furthered that reputation. It is there that she manages to cook up pure, unadulterated dance floor love and euphoria with hi-energy selections and a unifying sense of oneness that is put together with her own so called “orchestration” mixing techniques. An inquisitive musician and innovative recording artist, she has also just put out her debut solo EP on Interdimensional Transmissions and runs T4T LUV NRG with partner Octo Octa. 

This week's mix is all of the above and more: a throbbing, impulsive and full bodied experience that serves up the most bumping house grooves but run through with the warm ambient glow of a post-rave comedown. The music feels at classic but also thoroughly contemporary: it will make you pump your fist in sheer joy, but also sends warm waves of euphoria through your body. This is the sound of the Motherbeat.

Eris on her mix:
"In a recent interview for DJ Mag I talk about my connection to the song “Secrets of Mediation” by Dutch producers Alex Dijksterhuis (Jamez) & Gaston Steenkist (Dobre). At Chicago raves in 1994 and 1995, this track revealed to me that modern dance music contains archaic ritual elements such as trance-inducing resonances, penetrating sacred drums, and language transformed into glossolalia. My DJ mix for Dekmantel is inspired by my formative dance experiences and by the intense extended sets I play at psychedelic raves such as Motherbeat and No Way Back. The mix includes bass music, progressive, breaks, house, techno, and minimal, all of which I collage, drop and scratch to put us into a tunneling trance."

Full tracklist here: dkmn.tl/270-ErisDrew

Dekmantel Podcast

Dekmantel Podcast 270 - Eris Drew

https://avalonemerson.com/andthecharm

Now one of dance music’s most respected DJs, Avalon Emerson first made a name for herself in the storied warehouse scene of her birthplace, San Francisco, before relocating to Berlin in 2013. Over a decade of performances at the famed Berghain led to appearances at numerous festivals around the world which all cemented Emerson, and her evocative, genre- and decade-spanning sets, as perennially in demand. 

In 2020, she released her first full-length collection: a contribution to the longrunning DJ-Kicks series (which Resident Advisor described as “The sound of a well-honed DJ at the top of her game.”), nestled alongside a steady stream of remix releases for the likes of Four Tet, Slowdive, Robyn and more.

Next up was 2023’s Avalon Emerson & The Charm, an instant classic which saw Emerson exploring her singing voice and more traditional songwriting outside of the boundaries of her dance music work.  Created after a move to New York, the resulting & The Charm album was released to critical acclaim, landing on numerous critics’ best-of-the-year lists.

The stage is now set, then, for her to carve out a wholly unique path, and with the help of new label home and indie giant, Dead Oceans, Emerson is poised to connect her various musical endeavors to create an untouchably rich output of material. First up is Perpetual Emotion Machine, consisting of songs created for her DJ sets, delivered via a living, evolving project and announced ahead of her worldwide tour.