Relaxing

GT Reposted Mix 2016 Part Five

Releases Canal Electro Rock (November 2016) #Rock #Indie #Alternative #NewWave #Electronic

Visite:
www.canalelectrorocknews.com

Releases Canal Electro Rock (November 2016) #Rock #Indie #Alternative #NewWave #Electronic

November 2016

2016#NOV

Moody Reminiscing 134/Electr. Melange Review

Horny Expanses

Thought i'd add my own remix of 'Embrace' for your listening pleasure.

The original is available via SoundCloud and iTunes 

https://soundcloud.com/goldroom
https://itunes.apple.com/gb/album/embrace-ep/id695400644

Visit my own Facebook page for info https://www.facebook.com/iambenmacklin



Buy Original

Goldroom - Embrace (Ben Macklin Remix)

Psychedelic - Progressive - Goa - Trance - Hd

Pinkshinyultrablast
Release single ‘Holy Forest’
Out 19th January on Club AC30

•	“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern Russia via the early-90s Thames Valley.” Guardian 

•	“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” NME

•	“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” Q

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

Pinkshinyultrablast, a five-piece band from Saint-Petersburg in Russia, are set to release their debut album ‘Everything Else Matters’ on 26th January.

Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess  not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realised the local indie scene was totally boring and wanted to play something radically different”. That vision has been realised – this is an album brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There is a sparseness to the album that in turn gives spaciousness, even expansiveness.

The second single ‘Holy Forest’ is released 19th January. The song is indicative of an album full of melodic gems and shimmering shoegaze - euphoric with spectral guitars, its sharp edged pop has a radiant charm.  Welcome to your new favourite Russian band.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.


Pinkshinyultrablast - Holy Forest

Thank you for comments, likes and shares. 



DANCEFLOOR MEDITATION

<a href="http://www.tracksandfields.com/track/request_license?track_name=Falling&amp;user_name=fashionpeople&amp;from_sc=1" rel="nofollow" target="_blank">Request license for this Track.</a>Written and engineered by, Howard. &#13;
Produced by Howard and Alex Chakour.&#13;
Mixed by Alex Chakour.

Falling

Taken from 'The Epic', released 4th May 2015 on Brainfeeder.

Buy:
iTunes: http://found.ee/kamasiepic-it
Ninjashop: http://found.ee/kamasiepic
Amazon: http://found.ee/kamasiepic-am

Follow:
Twitter: https://twitter.com/KamasiW
Soundcloud: https://soundcloud.com/kamasi-washington
Youtube: https://www.youtube.com/user/KamasiWashington

http://kamasiwashington.com/

'Re Run Home'
Composed, Arranged and Produced by Kamasi Washington. Copyright Control. Recorded at King Size Sound Labs. Engineered by Tony Austin. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering.

Kamasi Washington - Tenor Saxophone
Ryan Porter - Trombone
Igmar Thomas - Trumpet
Cameron Graves - Piano
Brandon Coleman - Keyboards
Miles Mosley - Acoustic Bass
Stephen "Thundercat" Bruner - Electric Bass
Tony Austin - Drums (Right Side)
Ronald Bruner Jr. - Drums (Left Side)
Leon Mobley - Percussion


Pre-Order

Kamasi Washington - 'Re Run Home'

Holy Tunics - Clutching The Straw Map To Your Heart

Chess Northern Soul

Let's Wade In The Water

My Debut EP 'PHO' is out now!
 
iTunes: http://smarturl.it/PHOAriLennox
Google Play: http://smarturl.it/PHO.gp
Amazon: http://smarturl.it/PHO.amz

PHO EP

Night Drive

ORDER Bye Bye Berta LP here - www.wharfcatrecords.com/
ORDER on Bandcamp here - wharfcatrecords.bandcamp.com/album/bye-bye-berta
ORDER on Apple Music here - itunes.apple.com/us/album/bye-bye…rta/id1173685980

In an industry that favors niche branding and subgenre packaging, Palberta is a difficult band to place. Their music is free and uninhibited in a way that makes it all their own. Often, Palberta songs are marked with a child-like communication -- chants and lullabies are met with snarling tantrums, while their instruments coo and careen towards an often abrupt finish. Their playful approach to writing produces work that is hyper-emotional -- as jarring as it is soothing and as loopy as it is sinister. 
 
Palberta was formed when Lily Konigsberg, Anina Ivry-Block, and Nina Ryser met while attending Bard College. They honed their sound in basements across the Hudson valley, and quickly gained a reputation for their brazen and feverish live shows. Through prolific touring and recording, they have developed a dedicated nation-wide following without the aid of a major label. Outside of the band, the three of them actively pursue solo endeavors, with Palberta serving as a culminating force - a band driven by uncompromising personality. 
 
Bye Bye Berta is their seventh release and their most sonicly expansive release yet. Recorded by frequent collaborator Paco Cathcart at a library in Roxbury, Connecticut, the record features contributions from artists in their community. 

PRESS
Premiere of “Ode to Honey” on Impose – http://www.imposemagazine.com/bytes/new-music/palberta-ode-to-honey
PAST PRESS   
Band Interview on The Media -  http://www.fvckthemedia.com/issue35/fan-club

BUY LP

Palberta - Ode To Honey (from the Bye Bye Berta LP)

Glass Gang - Ballet

Our brand new single "Next Time I'm Around" is OUT NOW!

Download: http://awal.lnk.to/T4pmB

Fronteers - Next Time I'm Around

Engineered by Dean Baltolunis at Wild Arctic. 
Derek Archambault - Vocals
Joe Longobardi - Drums
Mike Poulin - Bass & Vocals
Jake Woodruff - Guitar
Originally written and performed by The Misfits

Defeater - Where Eagles Dare

'Celebrate Life' is the new single from Las Kellies taken from the new record 'Friends & Lovers' out now on Fire Records. They tour Europe from November.

Forming in Buenos Aires back in 2005, they debuted with ‘Shaking Dog!’ (2007) and concentrated on ensuring their prominence on their home turf first. They independently released second album ‘Kalimera’ (2009) that took inspiration from Devo and ESG – at this time the group ventured on their first international tour. Soon after they joined Fire Records releasing ‘Las Kellies’, a 7” split of ‘Erase You’ featuring both ESG and Las Kellies versions dropped with their last full length ‘Total Exposure’ following in 2013 and EP ‘Dubby Exposure’ (Crang/Rastrillo Records) a year later.

On ‘Friends & Lovers’ Las Kellies are Silvina Kelly and Cecilia Kelly. They will joined by their newest member and bassist, Manuela Ducatenzeiler, who tours with them across Europe in winter 2016.

EU Tour Dates

06 Nov: Moth Club, London, UK
07 Nov: The Hope, Brighton, UK
08 Nov: Ramsgate Music Hall, Ramsgate, UK
09 Nov: The Bassment, Chelmsford, UK
10 Nov: Night & Day, Manchester, UK
11 Nov: Arden Arms, Halifax, UK
12 Nov: The Tin at The Coal Vaults, Coventry, UK
13 Nov: The Ferret, Preston, UK
14 Nov: Harley, Sheffield, UK
15 Nov: Oporto, Leeds, UK
17 Nov: The Exchange, Keighley, UK
19 Nov: Rotown, Rotterdam, Netherlands
20 Nov: Oedipus Brewery, Amsterdam, Netherlands
23 Nov: Kinky Star, Gent, Belgium
24 Nov: ACU, Utrecht, Netherlands
26 Nov: 1000 Fryd, Aalborg, Denmark
27 Nov: Astra Stube, Hamburg, Germany
29 Nov: Zoro, Leipzig, Germany
30 Nov: Klapperfeld, Frankfurt, Germany
01 Dec: Espace B, Paris, France
04 Dec: L' ecurie, Geneva, Switzerland
05 Dec: Schwarzer Engel, St Gallen, Switzerland
06 Dec: Rhiz, Vienna, Austria
07 Dec: Spazio Aereo, Venecia, Italy
08 Dec: Moog, Ravenna, Italy
09 Dec: Mr Rollys, Vitualazio, Italy
10 Dec: Beat Café, Vasto, Italy
11 Dec: Zazza, Carip, Italy
13 Dec: El Pati, Perpignan, France
17 Dec: Le Twist Komintern, Rennes, France

Las Kellies - Celebrate Life

"Awaken, My Love!"

Me and Your Mama

"Cartoon Rock" by Delicate Steve from the album 'This Is Steve,' available January 27th
Pre-order on CD & Vinyl: http://found.ee/dsTiS_store
Pre-order on iTunes: http://found.ee/dsTiS_iT

Official Site: http://delicatesteve.com/
Facebook; https://www.facebook.com/DelicateSteve/
Twitter: https://twitter.com/delicatesteve
Instagram: https://www.instagram.com/delicatesteve/

Delicate Steve - Cartoon Rock

Released via Beyond The Wall on Friday 4th November.

Recorded, Mixed & Mastered by Chris McManus at Blank Studios.

Youth

Jerry and the Bandits' first single off of their second EP, 'Fiction In Folktale'.

Fiction In Folktale

Monsters (Free Download)

Official audio of Gabriel Garzón-Montano’s “Sour Mango” from his forthcoming LP, Jardín (available 1/27 on Stones Throw Records).

Download Sour Mango now: http://smarturl.it/SourMangoIT

Lyrics
Atop a hill under the mango tree
Wishing on a memory
Hoping you were sitting thinking of me

Although I played with myself baby I had to weep
In tribute to a very funky tragedy
Plucked a piece of fruit it wasn't so sweet

Ah ah ah woo woo yeah

And the sun shone down so ferociously
Though my skin burned my heart was stone cold you see
Hoping you were siting thinking of me

Come Naeja won't you pretty please rescue me
At the bottom of my barrel on bended knee
I'm sick of sour mangos give me some sweet

Ah ah ah woo woo yeah

I had a dream and it felt just like you
I'll never know if our love was true 
Keep on dancing I'll keep on dancing

Atop a hill under the mango tree
Wishing on a memory
Hoping you were siting thinking of me

Ah ah ah woo woo yeah

Follow Gabriel on
Facebook: http://facebook.com/gabrielgarzonmontano
SoundCloud: https://soundcloud.com/gabriel-garzonmontano
Instagram: https://www.instagram.com/gabrielgarzonmontano/
Twitter: https://twitter.com/MrGabrieLorenzo

Jardín

Sour Mango

All In Red

Taken from Soviet Soviet's upcoming album, Endless

Artist: Soviet Soviet 
Track: Pantomime 

http://felte.net/
https://sovietsoviet.bandcamp.com/ 
https://www.instagram.com/soviet_soviet/ 
https://www.facebook.com/sovietsovietband/

Endless

Soviet Soviet - Pantomime

Spotify: http://spoti.fi/2fvK6uu

She could have been your lover
But she was just your doll
She could have been your best friend
But she was just your dog

People like you can't take it
and so you build a wall 
You built a wall between us
One that will never fall

You could have been the one that they hold on to and remember
You have been the reason they stay warm and waste their time
You could have been that feeling you hold on to in December
Could have been a reason good enough to call you mine

She could have been your housemate
But she was a wall
She could have been your sister 
but you forgot to call yeah you forgot to call

Knife in, knife out
Got me feeling left out

Could have been someone


***************************************************
Follow Estrons Online:
Facebook: www.facebook.com/estrons
Twitter: www.twitter.com/estrons_music
Instagram: www.instagram.com/estronsband

Call You Mine

for our friends. for our family. for everyone who is hurting or scared right now.  here is a song we wrote months ago. we werent planning on releasing it yet but… well it feels right, now.  its about fear and its about love and its about wanting more for all of us.   its called 2100. we hope it finds you well. 

love,
jaime and mike


"2100" feat. BOOTS
Produced by El-P
Co-Produced by Little Shalimar and Wilder Zoby
Mixed by Joey Raia
Mastered by Joe LaPorta
Photo Credit: Meredith Graves

#RTJ3
www.runthejewels.com

2100

2100 feat. BOOTS

Moon

Huntly - Please

Fixed

Naw I dont remember shit come to think of it...
I was high
And I don't even give a shit
Girl you're my alibi

And by the way
Your homegirl got a lot to say
If she want in invite her babe
Right away

And she can find out how we
Fell in love
We just fell in love...

(Dude like how...wanna know right now)


instruments/prod by someone who loves you

Fell In Love

OFFICIAL AUDIO // MAJOR LAZER & BAD ROYALE - MY NUMBER

GET MAJOR LAZER GEAR 
WEBSTORE (worldwide shipping as low as $6) http://www.LazersNeverDie.com
AMAZON - http://majorlazer.fm/Amazon

MY NUMBER OUT NOW - http://majorlazer.fm/MyNumber

STREAM MY NUMBER - http://majorlazer.fm/MyNumber
SPOTIFY - http://majorlazer.fm/MyNumberSP
APPLE MUSIC - http://majorlazer.fm/MyNumberAM
PANDORA - http://majorlazer.fm/Pandora

DOWNLOAD MY NUMBER:
ITUNES - http://majorlazer.fm/MyNumberDL

LAZER ON TOUR - http://majorlazer.fm/Tour

FOLLOW MAJOR LAZER:
WEBSITE - http://www.majorlazer.com
FACEBOOK - http://majorlazer.fm/Facebook
TWITTER - http://majorlazer.fm/Twitter
INSTAGRAM - http://majorlazer.fm/Instagram
SOUNDCLOUD - http://majorlazer.fm/SoundCloud

FOLLOW BAD ROYALE:
WEBSITE - http://www.badroyale.com/
FACEBOOK - https://www.facebook.com/badroyale
TWITTER - https://twitter.com/badroyalemusic
INSTAGRAM - https://instagram.com/badroyale
SOUNDCLOUD - https://soundcloud.com/badroyale

Major Lazer & Bad Royale - My Number

My remix of the mighty Lakuta's single, Rice and Peace

Lakuta - Rice And Peace (J-Felix Remix)

Taken from the single "Pretty Fucking Sick (Of It All)" out now on Fortuna Pop!/Slumberland Records.

http://smarturl.it/prettysick

Pretty Fucking Sick (Of It All)

Joanna Gruesome - Occult Bookshop

Lahar

Matthew E. White 
"Big Inner" LP/CD/DIG
Out January 2013 in Europe on Hometapes and Spacebomb.
www.matthewewhite.com
www.home-tapes.com
www.spacebombrecords.com

Like all of us, Matthew E. White was born into a constructed world. His unfolded out of the mingled sands of Virginia Beach and Manila, the youngest son in a family that raised him barefoot between the blurred racket of that far eastern jungle city and the backyard lightning-bug-hum of a trimmed southern lawn. His first moves, from picking up a basketball to picking up a guitar, were cast in the dual glow of these latitudes. Something between them taught him to love. Something between them taught him to time travel. Here began the lessons of Big Inner.

On that day in August, when the earth shifted into the shape of Matthew E. White, there was so much to listen to, so much to put your heart into, already. The dusts of the Delta had swirled into Rock and Roll. Alan Lomax's recordings sat in a big building in Washington, DC. Lee Perry had built The Black Ark in his backyard in Kingston. Somebody else lived in Big Pink. Mac Rebennack was Dr. John. King Tubby was dubbing. Terry Riley was overdubbing. Sly Stone had hit #1. Randy Newman's Sail Away was a decade old. Caetano Veloso had just turned 40. Muddy Waters was just about gone. Jimmy Cliff had sung "Many Rivers to Cross." So had Harry Nilsson. White shared this common inheritance. He stitched his own flag out of it.

And so it begins with "One of These Days," looking in, up, and over in its declarations of love. It's waking up next to someone. It's feeling the wood of the church pew on your back. This is your introduction to Matthew E. White and the world of Spacebomb; he's convincing you to stay the night. You give me joy like a fountain deep down in my soul. You can hear him breathe in. The first time around, White only hums the chorus. Hums it. Plants it in your head as it blooms in his. Strings enter like a siren. The guitar only talks when it has something to say. The choir lets you know you're not alone. Overdubbed woodwinds and muted brass like it on top, dancing around the embers of the bass line. Whether you're a woman or man, White's mournful, get-it-on voice may be all you can hear: I don’t want to live a day longer than you, so let’s meet the Lord together. You can call it soul music if you want. It's his soul and it's his music. 

Big Inner is told in seven songs that mingle memory with the rawness of any given human moment. The references — from the lyrics that echo the common conditions of love, death, seeking, and finding, to open tributes to artists like Washington Phillips, Allen Toussaint, Jorge Ben, Jimmy Cliff, and Randy Newman — are their own scavenger hunt through history and through White's place in it. "Big Love," the album's whopping second track, evolves the serenade of the opener into an all-out field holler. The vibe is farmed by Trey Pollard's cinematic string arrangement, Megafaun's Phil Cook on near-frantic keys, baritone sax squawks, pacemaking congas, and the first appearance of a burning White guitar solo. I am a barracuda, I am a hurricane. You don't need the seven-voice choir chasing White's voice to make you believe it, but it sure doesn't hurt.

For a record so personal, built on such code, it's never been a secret. Inseparable from Matthew E. White is Spacebomb — the process, the sound, the spirit, and the record label which White's debut launches. A gifted jazz arranger and exceptional guitarist, White is joined by bassist Cameron Ralston (the Wise) and drummer Pinson Chanselle (the Mighty) in the formation of the Spacebomb House Band. You won't forget those names. This core group, multiplied by horns, strings, and a choir (all culled from and roused by the venerable landscape of Richmond, Virginia), was captured to tape in White's own tricked-out attic on the west side of town. This is Spacebomb: an inimitable House Band, a producer, and a unified crew of arrangers and musicians join with an artist and cut a record — with staggering results. White assumed the actor-director role for Big Inner; it's the first Spacebomb album, the playbook and the highlight reel all at once, for a colossal series of upcoming albums from Natalie Prass, Karl Blau, Joe Westerlund (Megafaun), and Ivan Howard (The Rosebuds, Gayngs). A conductor in every sense of the word, an ambitious new label and a solo album were an easy segue from White's well-known post as the leader of the avant-garde jazz band Fight the Big Bull. 

As you swing into "Will You Love Me," you're a goner. Big Inner is an album of firsts, for White and for our place in time. He trades his guitar in for piano. He coos into the piano mic on the first take, a hunch that turns into an ice-breaker for the tingling dirge of "Gone Away." Written on the night of his young cousin's death, it walks the line between worldly gloom and heavenly lightness — and questions the validity of both. As on the rest of the album, White arranged the horns; they speak volumes beyond the limitation of his earthbound vocabulary.

The album culminates in the riverbed of "Brazos," a parable for the whole of Big Inner. Take every story you've heard, every note that's shaken your bones, every sunrise, and every friend you've got — and run. Like the rest of Big Inner, this closing track stands at full attention, the Spacebomb House Band, Horns, Strings, and Choir waiting their turn to kindle a flame that lights up the endless desert. Like every man before him, Matthew E. White is leaving a mark on the landscape. It's there, on records. It's there, on stage. But, like rare few, what Big Inner has brought to its glistening surface is what very well might be right inside of you.

-Sara Padgett Heathcott, Hometapes

Fixed

Ava Luna