‘Every Shade of Blue ’ out NOW!
https://theheadandtheheart.lnk.to/ESOBAlbum

mt. davidson is the current singer of these songs and has been for the past ten years.  in this time, he has had the privilege of appearing before audiences world-wide.  people who have heard him sing have used words like "mercurial" and "eerie" to describe the sound of his voice. it is not a forceful voice, but moves in the air with a certain deliberation.  aside from twain, mt. has been seen performing with the likes of Spirit Family Reunion, the Low Anthem, and Annie & the Beekeepers.  

Life Labors in the Choir is the fifth album of songs from twain.  it has a lot to do with death and the unattainable present.  it also has to do with the boundaries of love, deceptive feelings of loss, water, and many other things.  it features the consummate playing of Ken Woodward and Pete Pezzimenti and was expertly recorded by Adrian Olsen.  available here twain.bandcamp.com

With four songwriters, four singers, and 11 tracks of guitar-saturated rock & roll, Avers' second album, Omega/Whatever, is proof that there's strength in numbers. 

The record shines new light on a band that made its first splash with 2014's Empty Light. Avers supported that debut release by leaving their hometown of Richmond, VA, and crisscrossing the country on tour, opening for bands like Foo Fighters and J. Roddy Walston along the way. They made a national splash during the 2015 SXSW Festival, too, with everyone from Esquire Maga-zine to The Daily Beast listing them as one of the week's breakout bands. 

Two years after Empty Light's release, Omega/Whatever finds them returning to their unofficial headquarters — Montrose Recording, a modern studio located on a historic Richmond plantation and operated by bandmate Adrian Olsen — and creating another self-produced album of rumbling rock, shot through with pop hooks, layers of percussion, and coed melodies from four different vocalists. It's a mix of old and new, much like the studio that birthed it. 

It's an album about balance, too, centered around the struggles of living in the modern world. There are songs about divorce, technology, late nights, corrupt politicians, and societal norms, all delivered by a group of songwriters who share their creative duties equally. Olsen, Alexandra Spalding, James Mason, and JL Hodges trade off vocal duties, too, with multi-instrumentalist Charlie Glenn pitching in on keyboards, harmonies, and swells of electric guitar. There's no consistent frontman, no singular leader, no main guitarist. Those roles are fluid, which makes Omega/Whatever very much the product of a band, not just one bandmate's vanity project. 

Like the album that came before it, Avers' second release came together during a series of in-spired sessions at Montrose, with each song beginning as a fledgling idea brought to the table by one of the band's four writers. The entire group would then pitch in, turning that idea into something nuanced and layered. Avers would ultimately finish each song as a collective unit, recording the track the same day it was written. The result is an "infectious" and "ebullient" (The AV Club) sound that not only reintroduces the band, but not also offers an insider's look at their creative process. 

Mixed by Peter Kadis (The National, Kurt Vile) and mastered with Greg Calbi, Omega/Whatever is a battle cry from a band that's fighting the good fight. 

AVERS is following