Join myself and paul gill every tuesday night from 10 tl 12 gmt on dublins playf.m.dublin.com with our weekly show people like house.

Bryan Kearney / Karney / Key4050
Kearnage Recordings
bookings : rob@musicfirstagency.net

Worldwide Bookings:
mra@abeat.co.uk  

**DJ Promos:**  
mra@abeat.co.uk  

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Follow the Sound of Artilla & mixing by Mr. A

With roots steeped in the vibrant underground music scene of London, Mr. A's journey began as an MC, captivating audiences at radio shows across the city. Over time, his passion for music evolved, leading him to transition from the microphone to production, crafting an eclectic array of sounds spanning House, Garage, Drum & Bass, and Experimental 140 BPM tracks.

Then Mr. A embraced the turntables, discovering his true calling as a DJ. In just a short time, his talents have propelled him onto some of the most iconic stages and venues in the world. From intimate London club nights to international festivals, Mr. A’s sets are a masterclass in energy, rhythm, and connection.

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Notable Performances
Mr. A has electrified crowds at esteemed venues and festivals, including:  
- UKF NYE - Brixton Academy (London)  
- Let’s Go Crazy - Fabric (London)  
- Ministry of Sound (London)  
- Studio 338(London)  
- Together - Amnesia** (Ibiza)  
- Bora Bora Beach(Ibiza)  
- Hideout Festival (Croatia)  
- Groovefest(Malta & Dominican Republic)  
- We Are FSTVL(London)  
- Abode In The Park (London)
- D4Dance (Ibiza)
- HotBed  (ibiza)
- Lio (ibiza & London)
- Obeach (ibiza)
- E1 (London)

 
Whether it’s the pulsating energy of Studio 338, Egg London or E1, the sunlit vibes of Oceanbeat Ibiza, or the immersive experience of global festivals, Mr. A consistently delivers unforgettable performances.  

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Mr. A’s unique sound and infectious energy have earned him the respect of music lovers and industry professionals alike. His ability to blend genres, craft seamless transitions, and connect with his audiences sets him apart as an artist who truly understands the power of music.  


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Peace, Music, and Endless Vibes
Mr. A continues to push boundaries, creating immersive experiences that resonate far beyond the dancefloor. For bookings or collaborations, reach out via the contact details above.  

The sound of Mr. A is more than music – it’s a movement.

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Moduse has forged out a unique production recipe which focuses on creating  basslines contrasted with smooth textures blending into a genre of techno that rebels against being pigeonholed to any specific category.

Already shared stage and warmed up for renowned international djs as Nina Kraviz, Hot Since 82, Solomun,  and many more...

Over the last few years Paul Denton has established himself as a household name on the trance music scene. He accomplished this by creating a broad spectrum of productions that covers everything from vocal, uplifting, psy & tech-trance

At present he is in such demand that he has been seen performing at premeire events such as Tomorrowland, EDC Las Vegas, Dreamstate So Cal & a constant presence at Luminosity Events.

He has also been touring the globe in countries such as USA, Argentina, Australia, Thailand & extensively in clubs all over Europe. You can see him pumping out a wide variety of music during his sets with the crowds journey always in the back of his mind. A clubber a heart, Paul understands better than anyone what it takes diversify his sets.

He honed his production skills over the last decade; ensuring that he releases on only the highest calibre labels in the trance music industry. His tracks have been admirably on display on the likes of FSOE, Armada, Kearnage, Subculture & Afterdark, racking up several beatport #1 and millions of Spotify streams along the way. 

As Paul continuously evolves in the global trance scene you can expect to hear him play in a city near you in the soon. 


promos - promospauldenton@gmail.com

bookings/info - barry@pauldenton.net


DeepIntoTheBowelsOfHouse series every Tuesday night from 10pm until 12am GMT on www.deepvibes.co.uk

Past Guests at D.I.B.H 
Alex Celler (Cecille,Freak 'N' Chic)
Agnès (MINIBAR, RESOPAL, PERSPECTIV, DRUMPOET)
Boris Werner (Moon Harbour)
Trus'me (Prime Numbers, D3k)
Matthias Tanzmann (Moon Harbour Recordings)
Alex Niggemann (Supernature, 8bit, BlaBla)
Butch (Bouq) Eyes Wide Open Album Tour
Kasper (Esperanza)
Massi Dl/Massimo Di Lena
MoodyManc

For bookings or queries contact
DeepIntoTheBowelsOfHouse@gmail.com


Kearnage encapsulates all that is Bryan Kearney. 

Originally conceived as a record label for his own productions that were "a little crazy and out there", Kearnage has matured into a forward thinking underground brand with a firm emphasis on energetic dance-floor driven music.

Now encompassing a respected label with multiple chart topping releases, a globally renowned radio show approaching its centenary and an ever-growing dedicated fan base, the popularity of Kearnage continues to increase at an exponential rate while never compromising its musical essence or fans.

Irish DJ and producer Aaron Cullen has been on the scene since 2009. He began experimenting with music production and for years he remained a regular performer on the electronic music scene across Ireland, the UK and most notably, the magical White Isle, Ibiza.

The versatile DJ accumulated many influences throughout his early career, primarily trance and techno but Aaron’s passion and connection to deep Progressive House has now solidified his style of music production and performances.
In 2020 Aaron’s track Dissonance was released on Full Tilt Recordings with producer Element 108 and reached Number 1 on Beatport’s Progressive House hype chart.
As a DJ, Aaron has gained a loyal following and has supported artists such as Alex O’Rion, Paul Van Dyk, Giuseppe Ottaviani, John O’Callaghan and Bryan Kearney.
In 2022, Aaron relocated to Montenegro which has allowed him to break into the Balkans thriving Progressive House scene. His focus remains on music production and more recently his DJ Residency at Moonwalk Nightclub and building his own monthly radio show exclusive on Radio Porto Montenegro.

Avi23 is following