I go by RedSun
www.youtube.com/user/redchris221
I'm on spotify, itunes, amazon etc.

If synth pop wandered into a dark alley and found itself viciously beaten by a gang of guitar distortion and layered rhythms, it might sound an awful lot like The Town Monster.

The band's 8-song release "New Life" had media citing influences as diverse as "Midnite Vultures"-era Beck to "Ministry at its most crushing." The resulting melange is propulsively agressive and unrelentingly groovy. Oh, and it's a two-piece that's making all that racket.

Vocalist and multi-instrumentalist Nathan Photos rains down guitar riffs and shoots up synth lines with a vocal range that runs from black metal growl to Prince falsetto. Drummer Matt Grady's piercing beats add the right level of organic to the electronic, making this musical cyborg's eyes glow red.

The band has shared stages with appropriately diverse national acts including Weezer and Crystal Castles with radio airplay ranging from regular Top 5 play on local independent juggernaut CD102.5 in their hometown of Columbus, Ohio, to spins on L.A. modern rock staple KROQ.

The music all culminates in The Town Monster's crushing live show, an electro bath of sensory overload. It finds out what happens when noise becomes symphony.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

info@roevy.com

booking@roevy.com

DIM MAK

SEX CULT 

Emerging from the clutches of eternal darkness, roeVy began in 2008. Their live show revolves around a high energy 
performance that puts as much emphasis on visuals and atmosphere as the music. They began producing music in 
2010 and have since released 3 original EPs and have remixed various artists from around the globe.

Believe in darkness. Believe in roeVy.


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