“Faust’s Bargain” lyrics

[INTRO]

When your world turns upside down
Wish away the depths of hell
God, what is that awful sound?
It looks just like your angel fell
Now come on
They’re coming
What is wrong?
Set me free
Why do we chase?
(You’ll see it’s a long, long time)
Righteous faith
(Keep living your best damn life)
Is it too late?
(You better be right on time)
Which side do I take?
(My god is the only one)

[VERSE 1]

Why are you skipping the vowels?
Are you writing a spell?
Now, if something goes wrong here
You’re gonna face judgement and go straight to hell
If I should die before I wake
I pray to God my soul to take
I’ll toot your horn if you ring my bell
Boy, I got a story to tell

[CHORUS 1]

Is it too late?
(You better be right on time)
Which side do I take?
(My god is the only one)
When your world turns upside down
Wish away the depths of hell
God, what is that awful sound?
It looks just like your angel fell

[VERSE 2]

Now, whose in control?
Are you in it for gold?
When the devil went down to Georgia
They sold their souls for Rock and Roll
Can you tell me if the price is right?
For fifteen minutes in the limelight?
I’ll tell you one thing man
I won’t shed blood for a ritual sacrifice

[CHORUS 2]

Is it too late?
(You better be right on time)
Which side do I take?
(My god is the only one)
When your world turns upside down
Wish away the depths of hell
God, what is that awful sound?
It looks just like your angel fell

[BRIDGE]

Is it too late?
(You better be right on time)
Which side do I take?
(My god is the only one)

[CHORUS 3 / OUTRO]

Is it too late?
(You better be right on time)
Which side do I take?
(My god is the only one)
When your world turns upside down
Wish away the depths of hell
God, what is that awful sound?
It looks just like your angel fell

When your world turns upside down
Wish away the depths of hell
God, what is that awful sound?
It looks just like your angel fell

[END]

Faust's Bargain

Outro(SongCry) (prod. by DanielHighs)

Mysteries In Moon Dust(NaviarHaiku526)

Alzira Bessa

https://www.youtube.com/watch?v=GCFjAj9oO9I

(10/02/24) O Mandamento Maior - Cap. XV, Item 4 - Evangelho CAK

This week's prompt was to "make the most of the disturbance within a field recording."

I did this in a rush and misremembered the prompt a little, but my plan was to grab the sound of wind blowing across the mic and turn that into a piece. I thought that a duet between an oscillating fan and an instrument would be nice, but unfortunately I couldn't borrow an oscillating fan quick enough and I ran out of time!

So, I pointed my phone at a box fan, hit record, and turned the fan on and off. Close enough!

I kept the idea of the wind noise interrupting a song, but the song ended up being a 103 bpm groove. The wind noise overpowers the song twice, and the third time it becomes part of the song, its peaks driving the volume automation for a synth pad. Then, it ends by overpowering the song into a fade out.

* * * * * *
More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

Disquiet 0632 Wind Shearing Voicings - Nate Trier

Christmas in My Heart

Christmas Blues

A silly, fun, over-the-top, big 'ol mess of a thing.

Levity In Blues

Freek Banning - Floyd Lee - Djaman Can ' Devil at Blues DnB Third Degree Charm Dub '

Devil at Blues DnB Third Degree Charm Dub

movie here

This is an asynchronous duet with https://soundcloud.com/dandante and https://soundcloud.com/blaaroed. 

I really enjoyed the Suborbital Hang Glider piece from @tt16tt and @dandante. I hope they forgive me for making the abstract approach of the drone a bit more tangible. I added a bassline with Generate, some strings with with Blisko Viola, metallic noises from Kinetic Metal, and a simple ping with AAS Chromaphone. The additions sit right in the middle of the mix. 

* * *
Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0637). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began, filling the space between them. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. 

(...)

When choosing a track, consider checking out the two previous projects’ discussion threads, as there may be additional information in them that could be of use, such as BPM or key signature:

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5:  In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. You can do up to three total this time. For your first, you can choose any track from the duets, no matter how many times others may have employed it. If you choose to do a second or third, you should do a track no on else has used yet (it’s understood that between when you select a duet track and finish your trio, someone else may have popped up and used it, which is perfectly fine). Throughout the project I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Tasks Upon Completion:

Label: Include “disquiet0638” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). 

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

Discuss: Listen to and comment on the other tracks.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 25, 2024, 11:59pm (that is: just before midnight) wherever you are.


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Midways (with dandante and blaaroed) [disquiet0638]

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

I looked in the sheet for something unused and opted for https://soundcloud.com/xhg/disquiet0637-marsh-bones-factory-with-raincat because of the sheer feeling of reality it had to me. I played different instruments but nothing worked for me. So instead I used old samples, a recording of a turnstile on a train track near Munich and a door that creaked wonderfully in the wind near Assisi, Italy. It seemed to me to fit in wonderfully with the duo's palpable spatiality.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/66559

Swamp Bone Factory Building [disquiet0638] (with Raincat & xhg)

2 Pills ft. sincerelymarr

Ruben's bedside music productions. 

If you would like to record vocals on any of my songs, please hit me up.

Faust's Bargain

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