Because I am pretending that spring is a gentle thing.  Actually it can be quite violent--but I'm in charge of this music so it's gentle. :)

Thank you to David Dunham for his relentless help in mastering my tracks
Listen to more of his beautiful guitar music here: @david-dunhamuser589535203

Bloom

The Dwarven Path

Hobbit -  Back in the Shire

Prelude (Choral)

She comes as light or as shadow, as storm or as breath. She appears and she disappears, untamed. 
Love, a fleeting spark that molds our soul, giving us strength, taking it again, and often she is just an echo lost in time's quite depth. 
A sensual saxophone, a contemplative piano, and a restrained string orchestra mourn the elegy of love. Behind the veil of tender notes and simple melodies and harmonies, there is a straining pulse, uneven, aching, drowned in melancholy. Deep within it is quietness, a love undone, too sad to tell.

Pandemic Suite – 11. Lost Love

Mendelssohn Op.85.No4 (performer Ad van Nederpelt)

This composition, "Memoriae Gregorianae," features three "Kyrie Gregoriani" themes:
The first was sung (and notated by me) at the Mass for the enthronement of Pope Leo.
The second theme is the Kyrie theme from the Mass "Cum Jubilo" (IX. - In Festis B. Mariae Virgis).
The third theme is taken from the Mass "In Dominicis Adventus et Quadragesimae" (XVII).
The themes are prepared, introduced, and varied by me very freely.

Questa composizione, “Memoriae Gregorianae” presenta tre temi di “Kyrie Gregoriani”:
il 1° è stato cantato (e da me annotato) nella S. Messa di intronizzazione di papa Leone.
il 2° tema è il tema del Kyrie della Messa “CUM JUBILO” (IX. - In Festis B. Mariae Virgis).
il 3° tema è tratto dalla Messa “In Dominicis Adventus et Quadragesimae” (XVII).
I temi sono da me preparati, introdotti e variati molto liberamente.

Memoriae Gregorianae

Made this piece with the Claire Fazioli piano. I think it has a positive proud vibe and a radio like tune. Hope you like it....

Claire Star Shining

From Shadows to Light

Raven's Call

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

The Dwarven Path

Axel Kroll