I dared to try my hand at a "Lullaby". The piece was created with Cubase 12 and some VST. I hope you like it. If so, I'm looking forward to your comments  - if you haven't fallen asleep ;-)

Music:  © Axel Menningen

Lullaby

Flight 0966 
Departure from Amsterdam (AMS) at 08:08h
Arrival at destination Cloud Resort (CLR) at 11:11h

Buckle up and enjoy the flight.


Flight 0966   - Valentino

peter manto's Album

Ullyde

Mollie's Mad - 7_24_24, 11.47 AM

Cast of Characters:

Jeff Roberts-- @jeff_roberts – bass, seed idea

TexMex Shaman– @texmex-shaman –Stephen– guitar solo, rhythm guitar, arrangement , production, mix, and mastering

Mistermark – @user-432503709 – Mark – production, editing, synth bass in the break section

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer

Llanpsych-- @llanpsych -- Tez – guitar solo

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, lyrics and lead vocals in the bridge section

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – rhythm guitar, lap steel, vocals and lyrics for the verses, vocal harmony in the bridge
Composition – The Eclectic Collective

This song began with a bass part that Jeff came up with and shared with Stephen, who had added some fiery guitar and foundational rhythm guitar to it. However, it languished on his digital shelf for many months as two parts, until he recently remembered that he had it. So, he decided to share it with the rest of the group. We were salivating, all of us, when we heard Jeff's bass line, so we began with Ken laying in the groovy drums and the tight, driving percussion, which propels the entire song. Once we had a beat, we decided to edit the part to include the break you hear about a minute into it. Mark took on that task, and deftly added the bass in that section, too.
Josh was up next, and decided to add a rhythm guitar inspired by Talking Heads. Once he had done that, he started hearing a simple, catchy melody in the main verse part, too, so he came up with some simple lyrics and recorded the vocals for that. At the same time this was happening, Ken also came up with some lyrics and a vocal melody for the breakdown part, which he added. After Ken had added his vocals, Josh added a harmony part on them. He also added the lap slide melody you hear in that section, as well.
JJ was next up to bat, laying in the breathtaking organ throughout. He also backdropped a canvas of synthesizer throughout and put in some electric piano too. Tez came along not long after and added the ripping guitar solo in the jam section. Once everyone had added their parts, it was up to Stephen to produce, mix, and master it. He arranged and added some length to it, then mixed it in his usual expert manner.
This is the first song the Eclectic Collective has done with Jeff, though Stephen has worked with him in the past, and we were all fans of his music, and thus very excited for the chance to make music with him. Hopefully, this will be the first of many.
We all hope you enjoy listening to this as much as we enjoyed making it. If you comment, please share, too.

Original lyrics by Josh Clary:

The trees talk to each other
They send messages through the breeze
There's magic all around us
If we look for it, we can see

Original lyrics by K2 and the Three:

Hey, how you feeling about love and lust
Hey how you feeling about all the lies you trust
We're here to be clear
Just a walk in the dark

A simple Wowlelujah
A simple Halelujah!

Hey!

Wowlelujah (The Eclectic Collective)

In The Night

The only symbol or Emoji I used before becoming active on social media was the heart and happy face.  I have since expanded my knowledge at least 500%! However, I would rather write or say what I'm feeling, and I don't like the guessing game when texting with others.  BUT, I do have a favorite Emoji, Sparkles!  I love the overarching meaning of celebration, excitement, joy, happiness, love of life, and gratitude.  I also love pairing sparkles with the heart (my second favorite Emoji) to mean a deeper feeling of admiration and love.  When I started to create this piece, the tones and melody sparkled with shimmering magic.  The style of Impressionism is just that! I hope you love the sparkle too!

Jennifer
Music Dreams
September 1, 2024

Sparkles

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

Just you (Piano Version)

🎹 Gentle Echoes – Soothing Piano & Dreamy Instrumentals (Jaded Sounds Records)

Gentle Echoes is a tranquil journey through the art of piano music, blending the intimacy of solo piano, the warmth of lo-fi piano textures, and the ethereal beauty of dreamy, whimsical string arrangements. 🌙🎶 Released under Jaded Sounds Records, this collection captures emotion in its purest form — soft, reflective, and timeless.

Each composition drifts effortlessly between tenderness and imagination — the sound of quiet mornings, starry evenings, and moments of calm between thoughts. With gentle melodies and cinematic grace, Gentle Echoes invites listeners into a world where every note feels like a breath of peace. ☁️🕯️

Cosmic Velvet

Buy by Apple Music

Con Las Mejores Intenciones

Hi, I’m Axel.
After a longer musical hibernation, I started making music again about three years ago – and honestly, it feels amazing! I’ve been hanging around on SoundCloud for about two years now, and I’m constantly blown away by the creativity, variety, and real talent to be found here.

Music is just a hobby for me – which is exactly why I have zero ambitions to make money with it. I’m here simply because it’s fun. So, a small request: Dear annoying promoters with your shady offers – please save us both the trouble, I’m not your guy. I’m not chasing follower counts, click records, or streaming millions. Sure, I’m happy when people listen – but what I value most is connecting with a few honest musicians who feel the same way I do. Quality over quantity, you know?

I play keyboards and have already had the pleasure of creating songs together with some wonderful musicians I met right here on SoundCloud – something I’d love to keep doing. For me, collaboration and exchange are a huge part of what makes music so exciting.

Tech corner, anyone? All my tracks are produced in Cubase 13 Pro. Over time, more and more VST instruments have snuck into my setup – from Spitfire and Native Instruments to Spectrasonics and more. My go-to drum sounds usually come from Toontrack, which have become the rhythmic backbone of many of my tracks. I’ll admit it: I’ve caught a bit of a collecting bug here. Sadly, it’s eating both my wallet and my hard drive space. Will it ever stop? Probably not. 🙄

Style-wise, I love exploring different genres with no limits. For me, the goal is simple: have fun, stay inspired, and keep growing creatively. And every time I stumble upon a track here on SoundCloud that really moves me – the kind of song you’d probably never hear on the radio – it feels like discovering a hidden treasure.

I’m really glad you found my channel – and I hope my music brings you as much joy as it brings me when I create it.

Visit me also on Youtube:
 https://youtube.com/@axelmenningen?si=c01MyCiAEs39qZPZ

On Instagram:
https://www.instagram.com/axel_menningen_music/


