REBILLET

I stole the song - I need a chance and had an imagined vocal conversation with Marc through song.

Marc Rebillet [I need a chance] -  Feat. Me

Marc Rebillet Ft. Madison McFerrin - Don't Hate

"In the Summer" 2019/6/21
A simple tribute to Marc Rebillet work, all credits are for him, the tall man, the Loop Daddy

Marc Rebillet - In the Summer

Overdub instrument at Home Recording - 5/16/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Don't tell him   -  Vocal n Drums.wav

Metropolitan Jazz Affair -Yunowhathislifeez [Motorcity Mix]

Antananarivo

Shotgun

Steal Chickens From Men And the Future From God

Marcy Son What

Original beat is by Marc Rebillet and the song/ edited version is me. I hope you enjoy this new track!

My Links
SoundCloud: https://soundcloud.com/realninebullet
Twitter: https://twitter.com/Nine_Bullet
Facebook: https://www.facebook.com/ninebulletofficial/
Instagram: https://www.instagram.com/ninebullet/
Nine B of the 928 SoundCloud: https://soundcloud.com/user-93833692

Marc Rebillet
Youtube: https://www.youtube.com/user/marcrebillet

Linda (feat. Nine Bullet) (Prod. by Marc Rebillet & Bullet)

You've Been My Girl

Funk Me

Funk Me (The John Morales M+M Extended Mix Instrumental)

Try to Think

Marc Rebillet x Childish Gambino - Bridge Redbone

Download: https://apexfaction.lnk.to/Clarity
Stream: https://apexfaction.lnk.to/Clarity

Clarity

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"Old Graffiti" by Bibio

Curated by: Mike Floeck

Spotify: http://bit.ly/OldGraffitiBibio

Genre: #indierock

Stephen Wilkinson has figured out a thing or two about timing and tempo: Ribbons is Wilkinson’s tenth album as Bibio, and although his tenure resulted in a bit of diversion and experimentation, his predominant lane resembles folk music and experimental electronica without breaking a sweat about the comparison. Ribbons sits right in this lane: “Old Graffiti” settles down like a fresh spring rain shower of medium density, pattering against the windowsill, drops randomly striking at different angles and intensities. Wilkinson’s voice apparates from seemingly nowhere, echoing short syllables that he coos and barks through the song.

Bibio has credited phonemes as influences for his uniquely bizarre lyrical phrasing and articulation. Phonemes, per Merriam-Webster, are “[members] of the set of the smallest units of speech” that separate and identify one syllable from another. An example is when two words end in different consonants yet sound phonetically similar, e.g. “tad” and “tab”. The phonemes would be the “d” and “b” sounds, distinguishing the two words but just barely. You feel the tension of the “p” hanging on Wilkinson’s lips as he sings “makeup” and the word echoes rapidly behind; you sense the restraint as he transitions from the hard “e” sounds in “graffiti” into a yodel, howling over the plains of his percussion-driven arrangement.

Speaking of percussion, Bibio says “Old Graffiti” began with it whereas most of his compositions begin on guitar. He was “inspired by listening to old Batucada and Capoeira recordings,” both influenced by African percussion and native to Brazil. This broad-reaching influence lends an exotic air to “Old Graffiti”, a lost gem in a modern world.

Marc Rebillet x Childish Gambino - Bridge Redbone

Axel Sneitz-Björkman

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