Featuring:
8dio - Solo Violin
8dio - Adagio Strings
8dio - 1928 Steinway Grand

8Dio 2014 Stand Out Contest Submission: "Bushido - Life In Every Breath" by "Akshay Kalawar"

Keith Kenniff - Resolve

Mark Eliyahu - Journey

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

Instrumental Track featuring the 8Dio 1928 Legacy Steinway Scoring Piano throughout the composition. You can also hear some 8Dio Claire Flute and 8Dio Claire Oboe during the track.

Something Familiar

Relief.

Ripples

Time is nothing but an illusion… this is the message of this composition. Life consists of single moments. Time is the attempt to make these moments coincide with each other, to organize chaos, to build a structure where there’s none. The past is gone, the future is at best a theoretical concept. Only the present is tangible. This composition is about overlapping rhythms rather than a succession of seconds, about pulse and musical coincidence rather than a timely one. It’s about memories coming to life again in the present defying the laws of time...

Time

My song "Receives", which was recently featured in a new ad by Apple. 

Purchase this song:
<a href="http://unseen.bigcartel.com/">My shop</a>
<a href="http://heliosmusic.bandcamp.com/">Bandcamp</a>
<a href="http://www.youtube.com/cthru?v=VpZmIiIXuZ0&c2b=itunes&key=9N-dBiGvGlkPwAJf7iHIRCNIqpGjvCgiqKwTBNaUQ5DTv7l1Qqexds6rpYQzGBmMsXhhE5B6JrhnfpR56hISJVaiwfGK81SVvAQBQZw-3AqGsavpiP0aAKDfno6_6R3rmC_AdLK_FoD3aczRSJ3KHMopWlVEUopZ">iTunes</a>
<a href="http://www.youtube.com/cthru?v=VpZmIiIXuZ0&c2b=googlemusic&key=5TgR6OZYI5UVfSf_Jym61i_nqMdeMnt5mq2wrxGpt1pcP2bkV90L9aO7Y9gDS8QbV4jOwrB_8lPMRejd03fw7Izy1GWdBprN5bruv4eIj8DUJgfTV_qzCeEPcivAujV5mqcaPcAfYys68rNEtErjmuFwvI224mWF2voibYxcej8wiDuFEoJeTfwYmvEWXGdKXQ0PEIvQ2TV88shN_eRG7fhDqeqM1XgBQtDGoIKKXhabpP-RGWCLSTxg7PzThe0X6mrgjMmvkVfrUR939hSr0A%3D%3D">Google Play</a>

© Apple, Inc., All rights Reserved

http://www.unseen-music.com

Watch the ad: http://www.youtube.com/watch?v=VpZmIiIXuZ0

Keith Kenniff - Receives (from Apple "Intention" ad)

Axel Deluggi
Is an Italian composer/producer born in Bolzano,Italy, the 5th of December 1982.
Early exposure to great music ranging from The Beatles and Pink Floyd, through eighties superstars Phil Collins and Dire Straits all the way up to Classic Legends like Beethoven, Debussy and Schubert woke his interest for this particular form of expression. At the age of ten he started playing guitar and a few years later he used to play at every occasion, from school events to local festivals.
His teenager years were heavily influenced by the increasingly popular Alternative movement. Among his preferred bands you would find Radiohead,Oasis,The Verve, R.E.M. And The Smashing Pumpkins. He also further nurtured his knowledge about the classical genre. There was something absolutely pure and profound to him about instrumental music.
In 2002 he joined a local funk band in his hometown Bressanone as a Singer and spent the next five years performing live on stage on several festivals in Italy, Austria and Germany.
In 2007, driven by his love for soundtracks of every kind, from Hollywood movies to Japanese anime series he decided to learn more about orchestral music. So he moved to the beautiful city of Hamburg, Germany, where he studied composition and mixing engineering to become an artistic producer three years later.
"Something Familiar" marks the published debut of Axel Deluggi whose intention is to release his work track by track because as he notes, every composition is a distinct project with a unique message.
 Asked about his preference for instrumental music, he offered the following explanation:
"Words can be pretty restrictive, where notes and sounds on the other hand are free to float and better suited to describe every so nuanced kind of emotion. They also leave a lot of room for interpretation which in turn engages the listener on a deeper level."
A.D.