Collaboration!
The Unbreakable Plastics & PlanetYes

Check out The Unbreakable Plastics here:
https://soundcloud.com/theunbreakableplastics

BURNDAIL - Calm As The Color Is Black
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Funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

Check out The Unbreakable Plastics here:
https://soundcloud.com/theunbreakableplastics

BURNDAIL - Calm As The Color Is Black

Autumn Breeze deals with themes of despair and melancholy - where the narrator is undecided on whether to give life another try, or fade into oblivion.

Autumn Breeze

A little something about 'cumulative disruption'

Lyrics:

You know
Just because you have a freedom
You don't have to exercise it 
Every given moment of everyday you know
Well I'm rather more interested in
What happens when I run out of embarrassment

And he went on to say
Hey look, not everyone's xenocidal galactic socialistic theocracy 
Is perfect okay


Just about everyone agrees
It's tough being a lady's warder
Sex for a man
Because you know we aim to please
Is like trying to solve a rubik's cube
With an anxiety disorder
While trying not to sneeze

They've altered the terminology for festive occasions
And so for Fourth of July we're going to be setting off
Fire-Caucasians

There was an auspicious southerly breeze
On the day we unburdened ourselves from the Queen of Pinot Gris

The government was saying in a particularly rude way
That just because you have a freedom
You don't need to use it at every moment of every day
And I thought why would they feel the need to be free to say that
At this particular moment anyway

One thing seems to be incontrovertibly true
In Soviet Britain, social media posts you

They went on that governance has to be done steadily
And without stumbling upon regret
Like performing a minuet
Or making a smashing omelet
Not to dirty some egg yolks
But anyway so yeah we coerced some folks

As the thought of trying to obliterate me was tightening their rectum
The painted sybil was strumming her plectrum
The Greek chorus decried equal amounts of economic illiteracy 
On either side of the spectrum
And then his backing singers really went to town
Like crabs in a bucket clawing each other down

And then my traveling companion
Had had enough of being restrained
And complained a very millennial complaint
That now it takes four singing fish to be entertained

The high court jester 
Concluded with a pretty shrewd remark
As he was busy collecting the necessaries
The key to isolating his mark
And causing things to fester
Was to forget a man's ancestors
Hide his descendants
And separate his contemporaries

In the ultramarine dark
He was caparisoned as if strolling on a lark
Resembling a tasseled wobbegong carpet shark

She was quite a debutante for a start
And hard to hate for anyone with half a heart
An epitome of discernment
Like the connoisseur of detournement

We were bantering the specifics to and fro
And even though I was doing it a little bit slow
It had been a pleasant trip so to speak

After a long time of being on the shelf
As poignantly as having a sword run through
If something seems painfully obvious to you
But obvious to no one else 
That fact is more real than reality itself

Every Given Moment / Chnospinci

When the seagulls sing

The clock's a flirt with perfect teeth
It bites each hour beneath my breath
I lead, it follows - no, the reverse
A tango measured in rehearse

Step, slip, sign, send
The dance begins again
She whispers, "Late is still on time"
I nod - her logic tastes like wine

Footnotes wink, the data moans
Each theorem grinding on its bones
I count to ten, revise, delete
The mirror mocks my tangled feet

My dear Deadline
you move like smoke
I chase, you choke
When I catch you
I vanish
and you begin again

Step, slip, sign, send
The song pretends to end
The paper breathes, the cursor blinks
The tango winks, the tango thinks

Tomorrow, same time?
Of course

Deadline Tango

Nostalgia (Let's Take a Ride)

Artist Name
Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
UPC
199800877476
Release Date
Nov. 10, 2025
Primary Genre
World
Secondary Genre
Blues
Primary Subgenre
World Traditions
Secondary Subgenre
Chicago Style
Mood/Style
Type: Improvisational
Album Language
English
Artist Location
Canada

Harmonica Session 2

NickJC Chasing Forever Ft Frank Zozky

She (Remastered)

“ORA TOCCA A ME” is the debut album by Ni Nà, a powerful female voice bringing pop rock energy back to Italy.
Ten songs about strength, freedom, and rebirth.
Created and produced by Claudio Monni with Suno AI, it blends human emotion and innovation.
A declaration: now it’s my turn.

Non Resto a Guardare

"Ghost At The Table" is a powerful and highly emotional rock ballad told from the perspective of a married woman whose dinner date is brazenly interrupted by an uninvited rival. The song captures the intense frustration and initial shock of being treated as invisible while a younger woman shamelessly attempts to seduce the singer's husband, motivated by low self-esteem and the thrill of chasing a taken man.

The climax arrives when the singer finally breaks her silence, delivering a cold, commanding, and sarcastic verbal reprimand. It is a moment of pure defiance, where the singer reclaims her power, shuts down the rival's "shallow audition," and forces her to confront the reality of the wedding ring. The tone is sharp, assertive, and laced with bitter irony, culminating in a final, defiant dismissal of the intruder.

Ghost At The Table

Some new songs available here: https://axiomsofmediocrity.bandcamp.com/album/eighteen-below

Deadline Tango

Axioms of Mediocrity