song that I composed in 2024 and was very short, barely without a decent ending....... so I decided to fix it and put together an ending as the song deserves with a longer version and some melodic changes.

https://www.youtube.com/watch?v=FAfEwb8UwTc

Treading the road

Treading the road - Version Long 2025

The Key To Your Heart

Available on Bandcamp! 🎼🎶

My future works will be a mix of "Instrumental Black Metal" and "Baroque Music", like this new single taken from the unpublished EP titled "Suite in A Minor (Dnw 46)". 
I'm curious to read your comments. 
🤘 🤘

⚠⚠OTHER STREAMING SERVICES⚠⚠
https://tr.ee/OskyzZ74hq

Work registered on patamu.com with licence nr.243987 and released under "All rights reserved"

Fugue (Dnw 46)

Translation belove 

Paroles et chant de Jean-Paul Gaido-Daniel
Musique de Myckaël Marcovic
Illustration d'Annie Madec

Amour et mort et fleurs fanées

Dans le jardin où dort l’absence
J’ai vu ton ombre au pied des lys
Là où le vent chante en silence
Vers oubliés de nos prémices

Refrain :
Amour et mort et fleurs fanées
Du Baudelaire dans les allées
Et sous les roses empoisonnées
Nos âmes se sont embrasées
Nos âmes se sont embrassées

Des spleens perdus dans le mystère
Ton regard avait ce parfum
Puis, s’effaçant dans la poussière 
Ton cœur battait jusqu’au matin.
(refrain)

Quand l’âme rend sa révérence
À vouloir mourir de beauté
Entre un baiser et un silence
Que ce soit sous un ciel d’été

Refrain :
Amour et mort et fleurs fanées
Un vieux poème abandonné
Et sur ta tombe imaginée
Un (grand) bouquet de vérité

Lyrics and vocals by Jean-Paul Gaido-Daniel
Music by Myckaël Marcovic
Illustration by Annie Madec

Love and death and faded flower

In the garden where absence sleeps
I saw your shadow at the foot of the lilies
Where the wind sings in silence
Forgotten verses of our beginnings

Chorus:
Love and death and faded flowers
Some Baudelaire in the paths
And under the poisoned roses
Our souls were set ablaze
Our souls embraced

Spleens lost in mystery
Your gaze had this perfume
Then, fading into the dust
Your heart beat until morning.
(chorus)

When the soul gives up its reverence
Wanting to die of beauty
Between a kiss and a silence
Let it be under a summer sky

Chorus:
Love and death and faded flowers
An old abandoned poem
And on your imagined grave
A large bouquet of truth

Amour et mort et fleurs fanées (Jean-Paul Gaido-Daniel / Myckaël Marcovic)

Tick and flare
The signal sings
I chase the shine
that shadows bring
The lights begin, the wires lean
You’re deep inside the dopamine

Flash from the wall, I'm drawn like ink
Smile like a riddle, eyes don't blink
Breathe in the buzz, the filter's clean
One step closer to the in-between

Flick of the switch, a surge, a scheme
Thoughts align inside the stream

Spin, I'm lit in a chemical beam
Grit and glitter in the bloodstream
Sweet little fix in a self-made scene
I jolt, I gleam
Dance of dopamines

The loop is law
The loop is lean
It kisses soft
But cuts unseen

Woke with the hum of electric grace
The ghost of a grin still stuck to my face
Every impulse dressed like a king
Gold in the bite, frost in the sting

The screen writes sermons line by line
Each tap a hymn, each click divine

Spin, I'm lit in a chemical beam
Grit and glitter in the bloodstream
Sweet little fix in a self-made scene
I bend, I spark
Dance of dopamines

The rhythm calls in minor tones
Wrapped in wires, dressed in bones
I arch like code beneath the sheen
A marionette in the mind's machine

Silken tremor, velvet twitch
Craving's tune, a perfect glitch
I danced too far, I cracked the core
And still the circuit begs for more

Spin, I'm lit in a chemical beam
Grit and glitter in the bloodstream
Tangled deep in the endless dream
I twist, I scream
Dance of dopamines

Click
Crave
Begin
Again
Dance
dopamines

Dance of Dopamines

You were just in the next room
Weren't you?
I set two spoons
And the kettle screamed at me
For being wrong
Again

I don't cry
I rehearse
This absence
It's not a sentence
Just a wrinkle in the hours
Just a door someone forgot to close

Come back, and I'll forget what you said
Come back, and I'll tear out the ending
Come back, and I'll believe in gods
Come back, and I'll fold the universe
Down to a note
Tucked in your coat

(You took the coat. You took the note.)

Who do I become
When you're not the name
My day was built around?

I touch the outline you left in the air
It feels like emptiness
It feels like loss without direction
It feels like the beginning of extinction

I hate you
Because you're not here
Not because of how
Not because of when
Just the brutal, raw arithmetic
Of your not-being-where-I-left-you

You took, the rhythm of doors closing gently
You took, my habit of laughing before the punchline
You took, every second that might've meant anything

And you left
this echo in my mouth
that keeps calling your name
like a heretic naming saints

I feed your silence
It grows fat
It learns my gait
It sleeps in your side of the bed
And I tuck it in

It watches shows you would've hated.
It wears your robe
It hums out of tune
And I never correct it

Sometimes it weeps
Because I don't
Sometimes it reads
The notes you never answered
Sometimes it just sits
And listens to me
Not saying your name

I stopped saying "you'd love this"
Now I just stare
At the thing you would've loved
And nod
As if you're already watching
From wherever this absence feeds itself

I set no spoons
The kettle stays quiet

You're Not Where I Left You

Back in the Arizona

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

💔 Splinters of Us 💔 – An emotional alternative rock power ballad that dives deep into the ruins of love, shattered trust, and the haunting echoes of what once was. Soaring female vocals 🎤 and gritty male vocals 🎸 collide in a dramatic duet, filled with raw passion, vulnerability, and anthemic energy.

Crashing like broken glass, the song captures the struggle between holding on and letting go. Atmospheric, moody, and powerful, Splinters of Us stands as a modern rock anthem of heartbreak, intensity, and the fragments that remain. 🌌🔥

#SplintersOfUs #AkurasMusic #Songwriting #AlternativeRock #PowerBallad #EmotionalRock

You're Not Where I Left You

Axioms of Mediocrity