Name: Transparent by Axis Vargo
Duration: 3 min 18 s
Description: Transparency is about self discovery, the journey into the unknown.

This is such a mood. I love it. I'm glad you're back.

This is easily one of your best songs for sure 👌🏻👌🏻🔥🔥 Really love it x 

An interesting and well crafted composition

Transparency is about self discovery, the journey into the unknown.

Transparent

Transparency

"Benzos" is an original song about the antidepressant family know as "Benzodiazepines."  They are commonly prescribed, but as a narcotic, they are easy to abuse and very difficult to stop.  Although I've taken a "Benzo" for years, by the grace of God I haven't abused them beyond my prescribed amount.  This song goes out to many that I've met in my journey who have benefited and been frustrated by Benzodiazepines.  #creatorsdesignmusic

Benzos

Smooth new track from NickJC feat. Macrazy

Nick JC Miss You feat. Macrazy

A guitar solo through the stars.   A journey through the universe with a full orchestra strings, epic synths, 80's retro piano, and a focus on epic and relaxing float through the stars with an 80's theme.

Solo to the Stars

... did I dream ... you dreamed about me ...

Death My Bride

# 3 [Tribal song]

This is my song ' just a second time '
This is an instrumental guitar song.

You can visit my youtube channel, just type
Preetam Gayari

you can visit my facebook page
https://www.facebook.com/PreetamGayariMusic

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Enjoy

Just A Second Time

ONE AND ONLY

COMBSTEAD and I made another!
Check out COMBSTEAD: https://soundcloud.com/markcombs-92828285

Let it Fly - COMBSTEAD / Robert Grigg

An Il trittico for the Tinder generation, THREE WAY is a new opera on the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (The Scarlet Ibis). In three playful one-acts, average heroes explore the worlds of android lovers, BDSM and multiple partners in their searches for the emotional connections that are ever-elusive in today s romantic world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

Three Way

Three Way - Act III. Masquerade: Duettino: I Feel Like I Should Kiss You

The Essence of Gravity - for Mixed SATB Choir
Duration: 18’
Commissioned by Robert Geary and the Volti choir of San Francisco

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=902

PROGRAM NOTE

In The Essence of Gravity, I use a few key words, phrases and phonetic sounds rather than an elaborate text. Since there are so few words, I designed the text myself, and it is made up almost entirely of onomatopoeia words. The word ‘gravity’ in the title not only refers to the force of attraction by which objects tend to fall toward the center of the Earth, but also to a sense of seriousness. Each movement reflects one or both of these definitions.

The first movement, Echoes of War, contains words and phrases that make me think of war. A type of weapon called a “gravity bomb” also inspired me. This weapon is delivered by aircraft and does not contain a guidance system; it follows a ballistic trajectory. Until the later half of World War II this described all aircraft bombs, and the vast majority until the late 1980s.

The second movement is entitled Love and Kisses. Although love is an undeniably heavy subject, this movement is intended to be much more playful than serious. Perhaps it is more about the emotional pull that people have on each other.

Before I composed the third movement, Infinite Oceans, I walked along San Francisco’s Baker Beach and Lands End. Although I’ve been to the ocean many times, I am always struck by the seemingly infinite-sounding tides and lonely-sounding foghorns I often hear in the distance. This movement is inspired by the gravitational pull of the moon, the primary force responsible for the ocean’s tides. This movement also alludes to the stories of the mythological Greek Sirens that lured sailors to their deaths with their beautiful singing.

Although many people might not think of machines as evoking a sense of gravity, they seem important in ways that may not be readily apparent. Without machines such as the Space Shuttle, we would not be able to explore outer space. For better or worse, they are integral to our modern way of life. In this sense, the fourth movement, Machines, pays homage to the machines that enrich our lives by allowing us to defy gravity.

Transparent

Axis Vargo

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