excellent,sounds & vocal..!!! 🌍 ☮︎ 👍

I am the prophet

Far across the Sea

🔥🎸 How Blind Can You Be – an emotional rock ballad moving between fragile piano lines and explosive guitar walls.
A raw voice against wealth, hypocrisy, and the blindness of power – vulnerable, fierce, unforgettable. 🌑✨

Lyrics, concept & creativity by me – music produced with AI (Suno).

TaniSa - How Blind Can You Be

Une amie de ma cherie, compliqué , difficile à avoir les mots , et pas facile pour moi  , trop triste , la vrai vie , tout le monde ne peut pas écouter .

Elle revait de france

Entre ciel et poussière, Echoes of the End réunit les dernières vibrations d’un monde en quête de sens.
Chaque morceau est une prière suspendue — un souffle de guitare, un murmure de piano, une onde qui se perd dans le vide pour revenir chargée d’émotion.
De “The Car in the Sky” à “Echoes of Tomorrow”, en passant par les hymnes spirituels et les introspections planantes inspirées de The Great Gig in the Sky ou High Hopes, l’album explore la fin des illusions technologiques, la beauté fragile de la Terre et la nostalgie d’un paradis que l’humanité a laissé s’éteindre.

C’est une traversée : celle d’un Moïse moderne entendant sa propre voix dans l’écho de la mer, celle d’une humanité qui envoie des voitures dans l’espace tout en oubliant la poésie du vent.
Entre rock progressif, gospel cosmique et folk introspectif, Echoes of the End fait dialoguer la foi, la science et la solitude — jusqu’à retrouver la plus ancienne vérité : nous sommes tous des échos, cherchant la fin pour comprendre le commencement.

The Timeless Light (Rock)

Who can it be?
Is it up to me?
Protecting the truth
or is it 
vengeance I see?
vengeance is mine
or
Will this hurt me
More than 
It will hurt you?
Is “who”  mine?
Is “what” projection
from a mind?
The truth and eternity
are intertwined.
The joining 
of our will 
is what I find.
A karmic reaction
not a form
of satisfaction.

The truth
and not vengeance
is our interaction.
It’s greater than me
And beyond
My ability
To understand.
Not
 the consequences
of projection
and its demands.
Karma is not
universal justice.

It’s intentional action.
The five aggregates
Of the condition
And the extraction:
Leave it to me,
Believe in what you see,
Self eternally free,
The courage to be.
My divine holiness
is not up to “we”.
My character 
“Is” contingent
upon 
intentional action
from me.

The truth
and not vengeance
is our interaction.
It’s greater than me
And beyond
My ability
To understand.
Not
 the consequences
of projection
and its demands.
Karma is not
universal justice.

Justice is laid
upon a mind
not necessarily free.
Consciousness “is”
the witness
of the form.
Experience
And 
Labeling
creates its norms.
what I was yesterday,
does it make me
what I am today?
My holiness
will always stay.
The truth 
Is
Our way.


Universal Justice

some heartbreak doesn’t split you open —
it just leaves you watching someone else get the version of him you begged for.

“Good Side” is Elyse whispering the kind of truth you only admit to yourself in the backseat of a car:
that nothing hurts quite like realizing you were the rehearsal for the love he finally learned to give.

The Good Side

An old refrain

Lyrics :

Your footsteps linger in the dust you left,
A quiet echo where my heartbeat slept.
I reach for shadows that don’t reach back
You disappear and I fall through the cracks.

You fade through me,
Like smoke I can’t keep.
I hold on loosely
But you still leave.

Every night I feel the empty space,
A phantom warmth where you'd lay your face.
I close my eyes, but you don’t stay
Just slip like light that pulls away.

You fade through me,
Like smoke I can’t keep.
I hold on loosely
But you still leave.

If I let go, will I still feel you?
Or will the quiet finally bleed through?

You fade through me,
Like smoke I can’t keep.
I hold on loosely
But you still leave.

Fade Through Me

A song about how bad Christmas  shopping is 

Not Another Silent Night for Me.

Maybe You Were Right

🎛️ Un pionnier des séquenceurs

Aymeric Auffray compose depuis 1991, époque où il utilisait déjà les premiers séquenceurs Cubase et Logic Audio sur Atari ST. Artisan du son, il a traversé trois décennies d’évolution technologique, des disquettes aux home studios, sans jamais perdre l’essence de son style : une musique à la fois mélodique, introspective et dansante.

The Timeless Light (Rock)

Aymeric AUFFRAY

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