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Swallow's flight extended

wake up wake up wake up dave

fly away with me, fly away with me
to yellow kid paradise
wake up wake up everybody’s going up 
wake up wake up come away with me
to yellow kid paradise 

went to sleep and i died in a dream,
never woke up not as bad as it seems
cuz we won’t grow old,
no dad no nanny, no master no mum
granny's always there with a sweet sugar plum
or a penny for a song
so open your heart and close your eyes
i'm gonna’ give you a big surprise 
in paradise, yellow kid paradise

wake up wake up everybody’s going up
wake up wake up everybody’s going up

we don’t get sick and we don’t wear ties
it’s always saturday in paradise 
we don’t wear shoes, we just eat pies
nobody walks cuz everybody flies
in paradise.

so open your heart and close your eyes
you’re gonna’ get a big surprise 
in paradise, yellow kid paradise

wake up wake up everybody’s going up
wake up wake up everybody’s going up

was born asleep and i died in a dream,
never woke up not as bad as it seems
so open your heart and close your eyes
you’re gonna’ get a big surprise 
in paradise, in kid paradise, yellow kid paradise

fly away with me, to yellow kid paradise
run away run away run away
…….
produced & performed by kid otari
written by naldo & guillaume
keyboards by guillaume & ricardito
drums by greek god Yannis
guitars by naldo

remastered by guillaume & blitz recording, san diego
Kid Paradise+RL synth

Kid Paradise

Cast of Characters:

Computart – @computart – guitar, vocals/whistling, composition

Llanpsych -- @llanpsych -- Tez – mix and production 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass and mandolin

This song started as a recording of Computart playing the guitar and singing/whistling to a metronome, which you can find raw on his page. Having worked together before on a song called The Shining, the Frenchman reached across the pond again and asked me, the Yank, if I would like to add anything to this. This style of music being one of my favorites, I jumped at the chance. Of course, I got Ken involved right away because every great song needs a great drummer. I came up with a bass line, to which Ken added drums, to which I in turn redid my bass line, as is our usual process. I then added the mandolin. Then, Ken added the hand drums to put the icing on the cake. Tez was generous enough to produce and mix this for us, and we feel like he got it to sound like we were all playing in the same room together. 
  We hope you enjoy listening to this as much as we enjoyed putting it together. You can find more of Computart's music, as well as this one, for sale on his BandCamp page, which is right here.computart.bandcamp.com/track/plaisir

Plaisir (Eclectic Collective with Computart)

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


Am I going to play or who is playing?（256）

Deus Ex Machina ( radio version )

"Set The Controls for the Pink of the Floyd" (Live, 6.01.2023).

Cracking the Code (playlist version)

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

Mats Westbroker - Heart On The Line

Monuloku - Rain on My Head (Hully Che Remix) Preview

Neustart

Freude

Old school dude, 80s child, some years lost in business shit, now back to real life ... love you all for the cool stuff here! :-)

My music is inspired by the electronic and psychedelic heroes of the 70s and 80s - Faithless, Pink Floyd, Klaus Schulze, Massive Attack, Peter Gabriel, Seal, Enigma, Sting, Depeche Mode, Hans Zimmer, Alan Parsons and many styles and artists in between.
And also there is lots of love for deep and groovy tech house and club tracks ... 
As a former mixing & mastering engineer, I am open for cooperations and contract works, just PM me. :-)
You can download my tracks in best quality at:
ayoonabay.bandcamp.com/

Love & Peace! :-)

Deus Ex Machina ( radio version )

Ayoona Bay

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