This track appears on Claustraphobia new album that is available on bandcamp.
https://claustraphobia.bandcamp.com/album/infuscations

Silent Pain

Available on Bandcamp: https://jeanroupech.bandcamp.com/track/une-nuit-sans-fin

"Une Nuit sans Fin"

꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳꯳꧲ꯘ꯳

ｋａｎｏｊｏ ｎｏ ｎａｍａｅ ｗａ ｒｕｒｕ ｃｈａｎⁿᵃʰᶜ ᵘʳᵘʳ ᵃʷ ᵉᵃᵐᵃⁿ ᵒⁿ ᵒʲᵒⁿᵃᵏ

Tapestry

Our first album
august 2016 - december 2017

Ñòàíöèÿ óòåøåíèÿ

Why Do We Suffer?

Pulsión De Muerte (demo)

Textbeak with Mark Stewart (The Pop Group), and Ben Hartman (DEFA) appear on a new song by Rodion Ladislau Rosca (Rodion GA) on a wonderful new compilation to support Radio Mulot (Nantes, France) that also features many amazing artists including Simon Crab (Bourbonese Qualk), Johnny Halliday (le vrai), Jack Shirt (Elephant House), The Legendary Pink Dots, Tutoriel, Humbros, TV Coharan (Gazebos, R Stevie Moore related), and more!!

Video:
https://www.trebuchet-magazine.com/radio-mulots-illicit-waveform-society

Purchase the Radio Mulot compilation
https://radiomulot.bandcamp.com/

Listen to Radio Mulot
http://fieldmice.free.fr/mulot2.htm 

In 1997, too tired to struggle with a locked art market, Julien Mérieau set up an analogue pirate radio station named Radio Mulot / France Museau. The project can be described both as a deviant history of music and a vector of sound manipulations and live experiences, inspired by dadaism, futurism, situationism, and of course industrial music culture, as a practice of reverse engineering and a deconstructive approach to radio media and mass media in general, including the World Wide Web.

The interest for the visual arts is crucial, the transmitter being used just ‘as a pencil’. No radio shows, no jingles, no talk, but instead, chunks of recorded voices, anti-jingles (found sound, etc.), dead writers talking through the voice of mediums, mixed with various soundscapes. The idea is to approach ‘music’ as a dissolving area that reaches and communicates with all kinds of artwork in visual arts, past and present, and the use of Internet and information technology having changed many things within the various forms of ‘music’ including the way to approach it in terms of sound programming.

"Un Nebun" contributors:

Rodion Roșca (Rodion GA)
Because of his early experimentation with recording and effects, Rodion is considered the father of electronic music in Romania. In the early 70s, Rodion began experimenting with home recording equipment. In 1977 he formed Rodion GA, with the addition of Gicu Fărcaș and Adrian Căprar. Shockingly for an experimental act, Rodion GA even received radio airplay in Romania during the 80s communist regime of Ceaușescu.

Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial, and electronic music.

In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art, and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals, and influences throughout an indisputably groundbreaking and seditious career.

Textbeak has quite a history in industrial, and dark electronic and experimental music, influenced heavily by bands like Coil, Cabaret Voltaire, and Skinny Puppy. In 1994, as Bath, he released several albums on Jevan Records. He has since also released music through Cleopatra Records, Moon Sounds, Carlos Perón’s (Yello) Dark Daze Records, Tundra Dubs, 21/22 Corporation, Post Religion, Pale Noir, and Lasergun, and appeared on compilations with artists such as Coil, Sleep Chamber, Konstruktivits, and Portion Control.

DEFA (Benjamin Hartman) has been creating and collaborating on music since the early 90s and has been included on many releases with projects Bath, Textbeak, Mulga, and In The Shadow of the Monolith. His style is deeply rooted in dark, electronic, beat-driven visions and layers of blackened frequencies. This type of sonic dissonance was also a feature on his radio show The Dark Phonic Hour of Power. His latest release Digital Debris can be found at Hexx9 Records’ Bandcamp.

Fieldmice ESVB Vol 2

RODION GA X MARK STEWART X TEXTBEAK X DEFA - UN NEBUN

motivational silence

Excerpt from the Naxal Protocol - Fetishism of Repression C40 tape, released by Hiroshima Dust and Modern Decadence

Naxal Protocol - Fetishism of Repression C40 Excerpt

AYTHIS is back in 2021 with a new album SECRETS FROM BELOW, taking the listener to hidden places, underneath the surface of the earth and into desolated forest, the above, the below. Sonically, the guitars are more present, giving at time a shoegaze/post-rock feeling and a melancholy that would appeal to any fan of dark ethereal music.
The immersive keyboards and dreamy piano melodies are not left out, adding to the overall atmosphere, and to the neo-classical/ambient touch that has always been part of AYTHIS' sound.

Ashes

lost days

last winter night

Ethereal voice, Lush keyboards and Hypnotic guitars that aim to take you away.. somewhere in between dreams..

Ashes

Aythis