i miss you
~lyrics~
C R A S H, SHATTER / OIL SPEWING SPLATTERs
umop apisdn DREAMS AND A HEAVEN'S TRACK OF LAUGHTER
RUSTED METAL / SUNKEN PINK PETALS
DROWNED BY A gOD IN THE BUSHES' SORDID NETTLES
i F/ckin KNEW THIS Sh/tty DAY WOULD COME
INCESSANT WAILING OF ROYALTY FREE DRUMS
i WANNA BE PROFoUND BUT my WORDS MEAN NOTHING
LEFT HERE TO ROT , TO CRUSH OR BURST OR SOMETHING

PAPER THIN / STILL CAGED IN
BOUNDED BY A CATACOMB, A GAME i'LL NEVER WIN
cheater's CODE / my HUMBLE ABODE
FINITE PATH BEFORE me TRANSFORMS INTO ENDLESS ROAD
i'm F/ckin SCREWED IF PEOPLE HEAR my SONG
ALL THESE IDEAS i HAD NOW FINALLY SHOWN WRONG
i KNOW my BODY HURTS BUT my MIND FEELS NOTHING
CONSUME EVERY THOUGHT , DESIRE HURTING SOMETHING

had it all along all along had it all along all along had it all along all along had �� all along all along all along all along had it all aloŋ all along had it all along all along had her🐾all along all a-

S M A S H, BURN / BREAK my F/ckin URN
BETRAY my NEWFOUND WISDOM BUT THE MASSES NEVER LEARN
ASHES CHURN / TAKE ANOTHER TURN
BELLIGERENT THIS flower WHO SOME gOD DECIDES TO SPURN
APOSTLES KNOW OF A TRAITOR AMONG
AS JUDAS KISSES cHRIST WITH SERPENTINE TONGUE
i TRY TO LOOK AROUND BUT my EYES SEE NOTHING
STILL AS BEFORE , A LONESOME WRECK OF SOMETHING

SOFT, CARELESS / LUNGS FORGOTTEN, AIRLESS
LACK OF RESOLUTION, NOW BUT DUST IS LEFT TO CHERISH
HOLLOW SHELL / WELCOME YE TO HELL
ASCENDING RIGHT BESIDE YOU BUT THEN TO THE EARTH i FELL
my NIGHTMARES SWEETLY SOUR SOMNIPHOBIC LIES
UNCONSCIOUS SELVES OF mine, A TALE AS OLD AS TIME
i DREAMT OF YOUR DEATH, SAW YOUR MIND REDUCED TO NOTHING
LIFELESS AND LIMP , i WAS YOUR FINAL SOMETHING

pink petals & an ode to serenity

Paradise (Ayika vs Alfonse)

French duo DAT Politics returns this spring with their eleventh full-length LP 'Substage.' On the verge of their twenty-fifth year as a project, DAT Politics continue to explore themes of identity and resistance, while also incorporating new sounds into their music. The result is an album that is both familiar in structure yet fresh and exciting in execution. 'Substage' is their most sonically ambitious record to date. Confirming their obsessive taste for robotic turbo-hits, Substage also explores darker areas of their out-of-phase universe. Oscillating furiously between shattered beat-boxes and melodious spleen, saturation and introspection.This techno pop odyssey is a reflection of the current moment in political history, in which the tension between the forces of globalization and nationalism are reaching a fever pitch. In this context, 'Substage' is a kind of protest album that explores what it means to live in an increasingly complex and disconnected world.



https://linktr.ee/datpolitics

https://www.instagram.com/datpolitics/

www.facbook.com/datpolitics

www.datpolitics.com

https://datpoliticsshop.bigcartel.com

A03 Cosma Trauma_DAT POLITICS

Connections made between D14 and A1 on ROM of Casio mt-240.2 with 'Vibes' tone

Also-
- A14+Gnd: adds bell-like timbre
- D4+A9: adds tom-like timbre
- A2+D7 makes the attack longer
- D2+A13 to gliss up
- D1+Gnd to gliss down
- CLK speed adjustments throughout to change the character of the effect

Change

River Movement

BANZAI! (Creative Commons&Free Download)

you know you're fucked...when they come for your dreams.
when the "adults" come for your childhood.
when fundamentalists come for your religion.

famous last words...one last hill to die on.

music 2011 
Vocal 2024

James Earthenware - Blame Game

Improvised Piano 4.25

The tracks on this mini-album were built entirely using 1980s home keyboards bought for less than £50 from a popular auction website... Each track showcases a different keyboard, with Splendid Larryo constructed from sounds from the Yamaha PSS-680, a simple FM synth disguised as a child's toy, and brushed up with some up-to-date production tools.

Splendid Larryo

All sounds you hear in the track were made using the Casio SK-100 sampling keyboard from 1987; vocal samples (from past Alfonse release "Time Over") were recorded into the Sampling section of the keyboard via the line-in port. Reverb and delay were added as required during the mixing stage. The drum hits were sampled from drum patterns, edited using EQ, distortion and reverb, and sequenced via midi.

Over Again

All sounds (besides drums) generated by a Commodore 64 utilizing MSSIAH Mono Synth and Cynthcart

C64, More Like C Sixty-BORE

Azami Records
#ShowaDigital #KashioKei #AzamiOngaku
Defiant and diverse melodic/VGM/BGM music.
incl. Sakitto Menda related side-projects. 
Likes late Showa era digital keyboards.

James Earthenware - Blame Game

AZAMI ONGAKU

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