David Mancuso Paris 2001 Classics Night Paris 2001

I do not own the copyright is only for promotional use.

David Mancuso - Live At The Loft NYC - 2008

Old Re work i have  found in cleaning my house:

BEATSIE BOYS Alive BOOTEDITREMIX version

Artist : Danilo & Pablo
Title : 10 Years MCDE Recordings Limited Vinyl
Cat # : MCDE 1218
Format : Stricly Limited Vinyl of 400 copies for the 10 years of MCDE Recordings. No Repress.

A. Danilo & Pablo featuring Ahmad Larnes "Don't U Ever Change"
B. Loops For Eternity

Infos :

Stricly Limited Vinyl of 400 copies for the 10 years of MCDE Recordings featuring two exclusive tracks.
No Repress.

B. Loops For Eternity (MCDE 1218)

https://www.mrbongo.com/products/mr-bongo-record-club-volume-three-vinyl-2-lp-cd

Volume Three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.

Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.

Mr Bongo Record Club Volume Three

Fui À Umbanda

Super-funky business from Nigerian-born multi-instrumentalist, Peter King; fuses funk, jazz and highlife vibrations. Official Mr Bongo reissue.

‘Omo Lewa’ follows his ‘Miliki Sound’ album, also available on Mr Bongo. Recorded in London, originally released in 1976 by Orbitone, this is one of his finest records.

Licensed from Clinton Roberts.

Omo Lewa

Peter King - Congo

Peter King - AJO

Peter King - EDA

Kolida Babo Remixes

Exodus (Coby Sey Rework) (Coby Sey Remix)

Music is My Sanctuary are proud to present a guest mix from broken beat producer WheelUP aka renowned international DJ, drum & bass producer, and head-honcho of W10 Records – Danny Wheeler. Currently celebrating the release of “Vitruvian Man”, his second digital single for Tru Thoughts Recordings, WheelUp pays tribute to both the current scene and the originators of the broken beat sound.

From @djwheelup:

This is a broken beat, West London sound DJ mix I put together, featuring lots of unreleased and exclusive dubplates (special versions of certain broken tracks) from myself and my friends from the scene. I tried to encompass the new sound of Bruk and also give a nod to the generation that came before. I want this sound to be a reflection of my live DJ WheelUP sets and the progressive sounds that I love in contemporary music. Shout out to my Tru Thoughts family and the new leaders of the Bruk school.

The shout outs on the mixtape come from Toddla T the BBC Radio 1 DJ and trendsetter who has a big supporter of my music. Also EVM 128, a good mate who is another of the leaders of the new school / broken beat renaissance (he is part of CoOp present and Selectors Assemble and owner of Dance Regular record label). Also got a shout out from Mark 'G' Force who is one of the original pioneers of the broken beat, he is a founder of Bugz In The Attic and Coop. I also got a shout out from Tiawa who is my label mate on Tru Thoughts and a future star who I have collaborated with on my forthcoming album.

MIMS Guest Mix: WHEELUP (Tru Thoughts, London)

Dancefloor-orientated beats and grooves inspired by the tropical flavours and rhythms of Brazil.

French DJ/producer Azaxx is a signing to Tru Thoughts for 2009, although his talents originally came to the label’s attention through his killer track “Fiesta Tropical”, which was duly snapped up for Tru Thoughts’ ‘Shapes 07:02’ compilation in 2007. Building on the success of that cut, and with a whole set of sizzling new tracks up his sleeve, he is back, and his forthcoming long player is set for release in March. Aptly entitled ‘The Exotic Delight Bay’, his full Tru Thoughts debut sees Azaxx mixing up the styles from Brazilian flavours and rhythms to Bmore and breaks with a quirky yet sophisticated Gallic touch.

Azaxx, a native of Rennes, started out as a DJ playing trip hop from labels like Mo Wax and Source in the early days, but quickly moved on to drum ‘n’ bass from key players such as Roni Size, Hype and Congo Natty. Not completely satisfied with these reggae-laced beats and becoming more interested in the original samples behind the more liquid funk side of the sound, he delved deeper into drum ‘n’ bass heritage. “I think this happens when you are into music – you inevitably start looking back at what influenced that genre. This led me to buying many funk/soul originals and playing slower, funkier big beat music”, he explains.

With his newly enriched musical palate, Azaxx went on to become an active member of the big beat scene in Rennes, and it was there that he met Freddy Fresh, who became an instant fan, putting out Azaxx’s debut 7”, “Bahia” on his well-regarded Howlin’ Records in 2004. This funky breaks head-nodder gained Azaxx a following across the channel in the UK, most notably gaining air play from the late, great John Peel on BBC Radio 1. In the same year, Azaxx released his debut album on French indie Mobil-Home recordings. Since then he has DJed around Europe and as far afield as Brazil, and in a uniquely intriguing addition to his CV, he has produced records for esteemed Celtic harpist Alan Stivell, aka ‘the father of traditional Celtic music’ from his native Brittany.

While DJing and travelling around in Brazil, Azaxx was blown away by the beats he encountered there, and was inspired to start work on some new material which would become ‘The Exotic Delight Bay’ album. More dancefloor-orientated than previous Azaxx productions, ‘The Exotic Delight Bay’ is packed with the temperature-raising flavours and rhythms that he soaked up on his travels, combined with textures and influences pooled from his grandmother’s collection of old mambo and salsa records and modern jazz, funk and breaks. Using these inspirations and with a nod to the production techniques of the likes of DJ Kam, Funk Mob and Motorbass, Azaxx has created his own unique style which is proving to be a hit with DJs including Pathaan (BBC Asian Network) and Domu (BBC 1Xtra). You can catch Azaxx these days DJing an eclectic cocktail of Latin, jazz, soul, funk, rare groove, breakbeat, broken beat, and ‘60s / ‘70s groove.