A true force in the Psytrance world and beyond it, Yoni Oshrat, better known as Ace Ventura, isn't just a DJ and producer - he's an experience. For over two decades, his infectious energy has ignited dance floors worldwide. From intimate clubs to headlining major festivals, Ace Ventura has captivated audiences with his signature style. His music is characterised by a fusion of hard, pumping dancefloor oriented themes and deeper, groovier influences, always immersed in psychedelia. As a DJ his diverse musical tastes and vast musical knowledge enables him to create unique sonic experiences. In times when lineups consist mostly of short producer sets, Yoni pushes the envelope to play long sets that tell a real story, going back to the origins of DJ culture.

His passion for psytrance extends far beyond music. Alongside Liquid Soul, he co-founded Psy-Nation, a global movement encompassing a monthly radio show/podcast and a travelling party line. This dedication to the genre fosters community and discovery for psytrance enthusiasts everywhere.

While psytrance is his domain, Ace Ventura's musical curiosity extends to downtempo and dub universes.  This deep appreciation for diverse electronic styles adds another layer to his artistry, evident in his acclaimed "Ace Ventura in Dub" sets.

Ace Ventura isn't confined to the booth. Beyond solo ventures, he collaborates on successful projects like Alpha Portal (with Astrix), Alien Art (with Captain Hook), Liquid Ace (with Liquid Soul), and Acid Punks (with Outsiders), each project offering a different sound adventure.

Rivet Spinners was formed in 2011 in Zrenjanin/Serbia,
 Jovan actively DJing since 2004 and his sets of the time‘ were House variants.
Today  actively involved in DJing and production, co-hosting weekly Serial Killers Radio Show and A&R Management on behalf of Digital Killers Records.
Having releases on worlds top hardcore techno label Yin Yang Records, Kool Katz Recordings, Alphawave Records, Digital Killers Records (DKR), Maintain Replay Records, Royal Hour Records
Over time their unique production style in both tech house and techno gained support from elite names such as Richie Hawtin, Carl Cox, Max Graham, Fatboy Slim, Kid Massive, StoneBridge to name a few.
Emerging from Serbian underground scene to the rest of the world, their sets are generally filled with stronger rhythms of tech house and techno sound adorns a unique selection of songs , and a skilled technique of mixing that gives a ”flow” through the entire set.

Even from an early age showed an interest in something different from standard musical genres, which is then listened to most of its surroundings. From the older friends began to copy tapes of hip-hop and rap. Listening to Run DMC, Public Enemy, House of Pain, Beastie Boys, through their music and text introduces something new, a kind of resistance to all these stars and all these stereotypes that are around us. Through a friendship with the musicians he met different kinds of music ...

: Electronic music came in to his life in 1997th years before the U2 concert when he first saw a live DJ performance. Two years later, with his great friend Fedja Knajdl buys equipment for dj-ing. Exceeding 2001 Energy Team DJ Org. which is largely credited to visit many places. During this period, has the opportunity to work with many renowned DJs such as  Space Djz, Marko Nastic, Marco Carola, Misjah, La di Da, Kanzyani  and many more... At the beginning, only the techno-oriented sounds, but through the work meets the other directions this music as minimal, tech house, electro, latin, and progressive house. His DJ sets are largely based around progressive house and techno, however prepare to be mesmerised as he incorporates everything from lushious deep house to tech-house,techno into the equation. Always exhilarating but never predictable, Davor commandeers the dancefloor with skill and precision.

2003.g. with Fedja founded Control Music Org. Which is one of the strongest organizations in the country.
In 2014 they established a recod lable Kjut Records.

Nikola Djikic a.k.a. DJIX is DJ/Producer from Paracin, Serbia.
His music story starts on high school parties in 2005, but revolution in his music career happened after his moving for college, in 2007 where he first came in contact with some of the biggest DJs from Serbia which opened his eyes to a wider musical experience. 
He has worked in many clubs and festivals across his native Serbia including Exit’s Share Conference, Soundlovers Music Festival, The Love Festival, Exit Festival, sharing decks with some major players in music industry in the world.
During his career he had many musical collaborations such as collaboration with Mr. Groove, a percussionist, which led them to a unique live act parties all over Serbia with a massive success. 
DJIX also was a radio broadcaster leading the GLOBAL radio show in collaboration with Rivet Spinners and DKR record label from 2010th to 2016th, being a host for Coyu, Umek, Jay Lumen, Carlo Lio, Stanny Abram, Eric Sneo, Martin Eyerer, Nice7, Mladen Tomic etc. 
His love for music led him in production waters where  in collaboration with DJone a.k.a. Rivet Spinners achieved success from the very beginning, with releases for GruvTech Recordings and DKR (UK). 
The new project Nikola is taking right is being a part of b2b duo with ‘TeachR’, concentrating on techno music which led to some massive parties across Serbia, as well as their performance on Exit Festival in 2016th. This DJ duo is now concentrating on studio work and soon is going to explode with some fresh stuff. 
Nikola is also a part of “Full House Serbia” organization, which is the creator of an amazing Energija Fest, started in 2017th.  
His sets are never monotonous and never consist of only one genre. 
He currently finds himself in groovy tech house and techno music.

http://www.mixcloud.com/djix/
http://soundcloud.com/nikola-1
http://youtube.com/nikoladjix 
……………………….
Booking: full.house.serbia@gmail.com

Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

Just a techno freak. If it ain't dark, hard and banging, it ain't techno. As simple as that.

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